View Single Post
Old 11-03-2014, 01:57 PM   #33
latepaul
Wizard
latepaul ought to be getting tired of karma fortunes by now.latepaul ought to be getting tired of karma fortunes by now.latepaul ought to be getting tired of karma fortunes by now.latepaul ought to be getting tired of karma fortunes by now.latepaul ought to be getting tired of karma fortunes by now.latepaul ought to be getting tired of karma fortunes by now.latepaul ought to be getting tired of karma fortunes by now.latepaul ought to be getting tired of karma fortunes by now.latepaul ought to be getting tired of karma fortunes by now.latepaul ought to be getting tired of karma fortunes by now.latepaul ought to be getting tired of karma fortunes by now.
 
latepaul's Avatar
 
Posts: 1,270
Karma: 10468300
Join Date: Dec 2011
Device: a variety (mostly kindles and kobos)
Quote:
Originally Posted by Mike L View Post
I agree that they rights owners will only get the fee paid for the actual use, but that wasn't what I was asking. I was asking who pays the fee - the person using the work, or (in effect) the taxpayer?
The license fee is the fee paid by the person wanting the license i.e. it's the person using the work.

So to summarize(*):
  • you can now apply for a non-exclusive, 7-year (renewable), UK-only, right to use an orphaned work
  • to do so you make an application and pay a fee (fee depends on how many works you want to use and what kinds they are)
  • Intellectual Property Office aims to process your application in 10 working days
  • If during that time a rights holder comes forward application is rejected and normal copyright rules apply
  • if rights holder comes forward after that time then they receive all the fees associated with that work
  • once this has happened, no new licenses will be issued but existing ones continue until the end of their term

So it functions as a kind of escrow if someone does come forward. However they're getting a fee based on some generic scale not what they perhaps could have negotiated themselves but that's a reasonable downside and a fair disincentive to not let your works fall into orphan status in the first place.

(*my understanding, which may be wrong, source here, which trainboy first posted)

[ETA] My point about the taxpayer is that I would think you only need a small proportion of the works to stay orphaned for the for fees to cover the administration costs.

Last edited by latepaul; 11-03-2014 at 01:59 PM.
latepaul is offline   Reply With Quote