Moving Mars by Greg Bear from Open Road Media Sci-Fi & Fantasy is $1.99 (
US Kindle)
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Book Description
The 1995 Nebula Award-winning novel
Greg Bear is "a writer who is rapidly redefining the shape of the modern hard science-fiction novel" (Keith Ferrell, Omni magazine), and in Moving Mars he explores one very plausible scenario for the future of Earth's neighboring planet.
Mars is a colonial world governed by corporate interests on Earth. The citizens of Mars are hardworking, brave, and intelligent, but held back by their lack of access to the best education, and the desire of Earthly powers to keep the best inventions for themselves.
The young Martians - the second and third generation born on Mars - have little loyalty to Earth and a strong belief that their planet can be independent. The revolution begins slowly, but matures to its inevitable conclusion.
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The City on the Edge of Forever by Harlan Ellison from Open Road Media Sci-Fi & Fantasy is $1.99 (
US Kindle)
Quote:
Book Description
The original teleplay that became the classic Star Trek episode, with an expanded introductory essay by Harlan Ellison, The City on the Edge of Forever has been surrounded by controversy since the airing of an “eviscerated” version—which subsequently has been voted the most beloved episode in the series’ history. In its original form, The City on the Edge of Forever won the 1966–67 Writers Guild of America Award for best teleplay. As aired, it won the 1967 Hugo Award.
The City on the Edge of Forever is, at its most basic, a poignant love story. Ellison takes the reader on a breathtaking trip through space and time, from the future, all the way back to 1930s America. In this harrowing journey, Kirk and Spock race to apprehend a renegade criminal and restore the order of the universe. It is here that Kirk faces his ultimate dilemma: a choice between the universe—or his one true love.
This edition makes available the astonishing teleplay as Ellison intended it to be aired. The author’s introductory essay reveals all of the details of what Ellison describes as a “fatally inept treatment” of his creative work. Was he unjustly edited, unjustly accused, and unjustly treated?
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