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Old 04-18-2014, 08:46 AM   #1
fjtorres
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Generation Gap: publishing and the on-demand culture

From the BUSINESS RUSCH website:
http://kriswrites.com/2014/04/16/the...tional-divide/

As usual, KKR has some insights to offer, this time on the growing generation gap between publishing, built to the old school paradigm of "limited availability" and the readers' on-demand culture in the ebook age.

Quote:
If you walked down the street on any given night in America, looking at the reflection of the televisions in your neighbors’ windows, you had a one in three chance of knowing what they were watching, even if they had the curtains closed. If they had the curtains open, then you could see an actor or two, and realize exactly what they were watching—and what time it was at that moment.

Things were that static. You also knew if you were walking, and, say, Bonanza was on, you would have to hurry home to catch the rest of it. You might not get to see the beginning ever (or so you thought then).
Quote:

Those of us raised in that blink-and-you’ll-miss-it world had a sense of urgency about everything we loved. If we didn’t schedule ourselves around a TV show, we’d miss it. If we missed the opening weekend to a film, we might not see it. If we weren’t listening to the radio during a baseball game, we might never understand the nuances—we’d have to stick with the reported coverage the next day.

That’s changed. I don’t feel any urgency at all about finding what I love. I just deleted a show to make room on my DVR, secure in the knowledge that I can pick up that series on demand when I’m ready to.

On demand.

On demand requires quite a mental shift for those of us raised in the old Get-It-Now world. And most of us have made some of that shift. We’re aware that we can buy something when we want it or watch a show whenever we feel like it, but we’re not aware of the other habits and things that are changing.

Quote:

The problems come from the fact that those of us who run things—people in our forties, fifties, and sixties—use metrics that were developed by our parents for their world, that tightly controlled Mad Men world where everyone was expected to be the same, not just in what they wore or bought but in what they listened to or watched or read as well.

The bestseller list?

It measures velocity. (A good essay on this topic, “The Meaningless Metrics of Fame,” came from Mike Briggs, husband of Patricia Briggs, earlier this week. I’ve also dealt with it.)

Reviews?

They only want new books, and then only at the time of release.

Brick and mortar bookstores?

They only have room for the latest releases, and then only the ones that are the most popular with their customers (whoever those folks might be).

Books have come late to this fight. Books have been available on demand for only about four years now, in the U.S. In other countries, there’s been even less time.
Lots more at the source. Especially on the subject of dated, meaningless metrics.

Very good read.
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