From the winner of the Nobel Prize for Literature and author of the Cairo trilogy, comes Akhenaten, a fascinating work of fiction about the most infamous pharaoh of ancient Egypt.

In this beguiling new novel, originally published in 1985 and now appearing for the first time in the United States, Mahfouz tells with extraordinary insight the story of the "heretic pharaoh," or "sun king,"--and the first known monotheistic ruler--whose iconoclastic and controversial reign during the 18th Dynasty (1540-1307 B.C.) has uncanny resonance with modern sensibilities. Narrating the novel is a young man with a passion for the truth, who questions the pharaoh's contemporaries after his horrible death--including Akhenaten's closest friends, his most bitter enemies, and finally his enigmatic wife, Nefertiti--in an effort to discover what really happened in those strange, dark days at Akhenaten's court. As our narrator and each of the subjects he interviews contribute their version of Akhenaten, "the truth" becomes increasingly evanescent. Akhenaten encompasses all of the contradictions his subjects see in him: at once cruel and empathic, feminine and barbaric, mad and divinely inspired, his character, as Mahfouz imagines him, is eerily modern, and fascinatingly ethereal. An ambitious and exceptionally lucid and accessible book, Akhenaten is a work only Mahfouz could render so elegantly, so irresistibly.—Goodreads

In the brilliant novel V.S. Naipaul takes us deeply into the life of one man—an Indian who, uprooted by the bloody tides of Third World history, has come to live in an isolated town at the bend of a great river in a newly independent African nation. Naipaul gives us the most convincing and disturbing vision yet of what happens in a place caught between the dangerously alluring modern world and its own tenacious past and traditions.— New York Times

“Desert” is a rich, sprawling, searching, poetic, provocative, broadly historic and demanding novel, which in all those ways displays the essence of Le Clézio. As a reflection on colonization and its legacy, it is painfully relevant after 30 years. Weaving together two stories that span the 20th century, Le Clézio tells of the last days of the Tuareg, the desert warriors known as the blue men, who are being driven from their ancestral lands in North Africa by the French colonial army and “the new order,” and in counterpoint, the travails of a later generation trapped in the projects and shantytowns of Tangier and Marseille. His central characters are the stalwart young boy Nour, who in 1909 is migrating north across the Western Sahara in a caravan of nomadic Berber tribes, and a dreamy, copper-skinned young orphan named Lalla, descended from the blue men, whose parentage helps her survive immigrant life in the 1970s. — New York Times

The successful writer Oki has reached middle age and is filled with regrets. He returns to Kyoto to find Otoko, a young woman with whom he had a terrible affair many years before, and discovers that she is now a painter, living with a younger woman as her lover. Otoko has continued to love Oki and has never forgotten him, but his return unsettles not only her but also her young lover. This is a work of strange beauty, with a tender touch of nostalgia and a heartbreaking sensitivity to those things lost forever.—Howard Hibbett (Translator)

This is a skeptic' s journey into the meaning of God and of human existence. At once an ironic rendering of the life of Christ and a beautiful novel, Saramago' s tale has sparked intense discussion about the meaning of Christianity and the Church as an institution.—Goodreads

This is the moving story of the unforgettable Rosa Burger, a young woman from South Africa cast in the mold of a revolutionary tradition. Rosa tries to uphold her heritage handed on by martyred parents while still carving out a sense of self. Although it is wholly of today, Burger's Daughter can be compared to those 19th century Russian classics that make a certain time and place come alive, and yet stand as universal celebrations of the human spirit. Nadine Gordimer, winner of the 1991 Nobel Prize in Literature, was born and lives in South Africa.—Amazon

The Passport is a beautiful, haunting novel whose subject is a German village in Romania caught between the stifling hopelessness of Ceausescu’s dictatorship and the glittering temptations of the West. Stories from the past are woven together with the problems Windisch, the village miller, faces after he applies for permission to migrate to West Germany. Herta Müller (Herta Mueller) describes with poetic attention the dreams and superstitions, conflicts and oppression of a forgotten region, the Banat, in the Danube Plain. In sparse, poetic language, Muller captures the forlorn plight of a trapped people.—Amazon

Do Hirst and Spooner really know each other, or are they performing an elaborate charade? The ambiguity - and the comedy - intensify with the arrival of Briggs and Fraser. All four inhabit a no-man's-land between time present and time remembered, between reality and imagination.

The most popular work from provocative Austrian Nobel laureate Elfriede Jelinek, The Piano Teacher is a searing portrait of a woman bound between a repressive society and her darkest desires. Erika Kohut is a piano teacher at the prestigious and formal Vienna Conservatory, who still lives with her domineering and possessive mother. Her life appears boring, but Erika, a quiet thirty-eight-year-old, secretly visits Turkish peep shows at night and watched sadomasochistic films. Meanwhile, a handsome, self-absorbed, seventeen-year-old student has become enamored with Erika and sets out to seduce her. She resists him at first—but then the dark passions roiling under the piano teacher’s subdued exterior explode in a release of perversity, violence, and degradation.—Amazon

From the winner of the Nobel Prize for Literature for “writing that upholds the fragile experience of the individual against the barbaric arbitrariness of history..."

The acclaimed Hungarian Holocaust survivor Imre Kertész continues his investigation of the malignant methodologies of totalitarianism in a major work of fiction.

In a mysterious middle–European country, a man identified only as “the commissioner” undertakes what seems to be a banal trip to a nondescript town with his wife—a brief detour on the way to a holiday at the seaside—that turns into something ominous. Something terrible has happened in the town, something that no one wants to discuss. With his wife watching on fearfully, he commences a perverse investigation, rudely interrogating the locals, inspecting a local landmark with a frightening intensity, traveling to an outlying factory where he confronts the proprietors ... and slowly revealing a past he's been trying to suppress.—Amazon