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Old 06-16-2012, 11:37 AM   #42
stonetools
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Quote:
Originally Posted by fjtorres View Post
For now.
It does argue strongly for an ebook-first strategy, no?
If the traditional publisher had picked the title *before* it got self-pubbed and released it as an ebook to test the waters, they might have gotten it for less than a 7-figure advance. That is an *expensive* way to find a "bestseller".

The whole emerging strategy that some BPHs seem to be pursuing--mining self-pub for "sure-fire" bestsellers--strikes me as time-limited. The support structures for self-pub are growing apace in both the ebook *and* pbook arenas. A lot of the small independent publishers are moving into print and I hear that even bookstore distribution channels are popping up as "freelance" services. The whole supply chain is under deconstruction and I don't think Traditional publishers will be able to bill themselves as "print book specialists" or even "high volume specialists" for much longer. Not if ebooks are really going to hit 50% by 2016. (That being for the whole industry--which suggests some genres are headed for an 80-20 split in ebooks' favor.)

The BPHs do seem to be scrambling for high-visibility projects with a bit more agility than in recent years--which is good for everybody--but at some point they're going to have to get seriously pro-active and go after content before it gets "market-tested" instead of sitting around, waiting for the content to start selling on its own before swooping in, big advance in hand.
For the next few years and maybe longer though, the BPHs can do quite well by using the self-pubbers as a farm system for the "big leagues". In the end, BPHs can always be able justify themselves by :

1. Offering a vertical, one stop solution converting an author's unedited manuscript into an an actual book at a store

2. Sharing the financial risk at developing books that require extensive research and expense to write.

There's a kind of exaltation of self pubbers here that misses the fact that most self pubbers:

1. Write popular genre fiction and nothing else.
2. Actually aspire to work with trad publishers if they had a choice.
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