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Old 06-18-2008, 09:34 AM   #5
Xenophon
curmudgeon
Xenophon ought to be getting tired of karma fortunes by now.Xenophon ought to be getting tired of karma fortunes by now.Xenophon ought to be getting tired of karma fortunes by now.Xenophon ought to be getting tired of karma fortunes by now.Xenophon ought to be getting tired of karma fortunes by now.Xenophon ought to be getting tired of karma fortunes by now.Xenophon ought to be getting tired of karma fortunes by now.Xenophon ought to be getting tired of karma fortunes by now.Xenophon ought to be getting tired of karma fortunes by now.Xenophon ought to be getting tired of karma fortunes by now.Xenophon ought to be getting tired of karma fortunes by now.
 
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Posts: 1,487
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Join Date: Jun 2006
Location: Redwood City, CA USA
Device: Kobo Aura HD, (ex)nook, (ex)PRS-700, (ex)PRS-500
My entire music collection is squeaky-clean legal. Either ripped from CDs I own (legal in the US, regardless of what the RIAA likes to claim); ripped from vinyl I own (ditto), downloads paid for from iTunes (a very few), or the occasional free sample from a record label (thanks Telarc!).

I really believe in artists and other creatives getting paid for their work.

Xenophon

Oh yeah... There's one disc I copied from a friend because it was not commercially available at all. And for that one, I contacted the band's agents -- who wrote back instructing me to donate the $2 that would have been the band's profits to my favorite charity; the agents paid the composer/arranger royalties on the music out of their own pockets 'cause they were so boggled that a total stranger would ask them how to pay for a copied disc that they'd never have known about.

So I guess that one's legal too.
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