View Single Post
Old 02-10-2012, 01:05 PM   #371
QuantumIguana
Philosopher
QuantumIguana ought to be getting tired of karma fortunes by now.QuantumIguana ought to be getting tired of karma fortunes by now.QuantumIguana ought to be getting tired of karma fortunes by now.QuantumIguana ought to be getting tired of karma fortunes by now.QuantumIguana ought to be getting tired of karma fortunes by now.QuantumIguana ought to be getting tired of karma fortunes by now.QuantumIguana ought to be getting tired of karma fortunes by now.QuantumIguana ought to be getting tired of karma fortunes by now.QuantumIguana ought to be getting tired of karma fortunes by now.QuantumIguana ought to be getting tired of karma fortunes by now.QuantumIguana ought to be getting tired of karma fortunes by now.
 
QuantumIguana's Avatar
 
Posts: 2,034
Karma: 18736532
Join Date: Jan 2012
Device: Kindle Paperwhite 2 gen, Kindle Fire 1st Gen, Kindle Touch
Quote:
Originally Posted by Harmon View Post
And I will guarentee you that Shakespeare would have loved copyright, and mocked you in the famous play he never wrote, The Internet Pirates, or Love's Labour Paid For.
He would have loved the copyright, but he also relied on the public domain.

From Wikipedia:

Shakespeare based Hamlet on the legend of Amleth, preserved by 13th-century chronicler Saxo Grammaticus in his Gesta Danorum as subsequently retold by 16th-century scholar François de Belleforest. He may also have drawn on or perhaps written an earlier (hypothetical) Elizabethan play known today as the Ur-Hamlet.


Also from Wikipedia:

Romeo and Juliet belongs to a tradition of tragic romances stretching back to antiquity. Its plot is based on an Italian tale, translated into verse as The Tragical History of Romeus and Juliet by Arthur Brooke in 1562 and retold in prose in Palace of Pleasure by William Painter in 1582. Shakespeare borrowed heavily from both but, to expand the plot, developed supporting characters, particularly Mercutio and Paris.

Shakespeare's source for the tragedy are the accounts of King Macbeth of Scotland, Macduff, and Duncan in Holinshed's Chronicles (1587), a history of England, Scotland and Ireland familiar to Shakespeare and his contemporaries.
QuantumIguana is offline   Reply With Quote