View Single Post
Old 06-09-2011, 07:36 PM   #96
anamardoll
Chasing Butterflies
anamardoll ought to be getting tired of karma fortunes by now.anamardoll ought to be getting tired of karma fortunes by now.anamardoll ought to be getting tired of karma fortunes by now.anamardoll ought to be getting tired of karma fortunes by now.anamardoll ought to be getting tired of karma fortunes by now.anamardoll ought to be getting tired of karma fortunes by now.anamardoll ought to be getting tired of karma fortunes by now.anamardoll ought to be getting tired of karma fortunes by now.anamardoll ought to be getting tired of karma fortunes by now.anamardoll ought to be getting tired of karma fortunes by now.anamardoll ought to be getting tired of karma fortunes by now.
 
anamardoll's Avatar
 
Posts: 3,132
Karma: 5074169
Join Date: Mar 2011
Location: American Southwest
Device: Uses batteries.
Quote:
Basically, I think that the fundamental talent of a great writer lies not merely in using words, but in the ability to occupy someone else's POV. So I don't see that the writer's sex, or economic status, or anything much other than opportunity and talent, matter.
Of course a talented male author can write a good female character and a talented free person can write a solid slave character -- my point was less that those writing the Greek classics were male and free and more that for the most part they didn't feel bothered to present a different point of view.

However, I would point out that the adage that "author circumstances don't matter" has been historically used to keep the "classics" cannon largely white, free, and male. A talented author may be able to conceive a solid character in completely different circumstances, but more often than not there is going to be something missing from the overall picture.
anamardoll is offline   Reply With Quote