View Single Post
Old 04-17-2011, 05:42 AM   #18
Frida Fantastic
SF/F book blogger
Frida Fantastic ought to be getting tired of karma fortunes by now.Frida Fantastic ought to be getting tired of karma fortunes by now.Frida Fantastic ought to be getting tired of karma fortunes by now.Frida Fantastic ought to be getting tired of karma fortunes by now.Frida Fantastic ought to be getting tired of karma fortunes by now.Frida Fantastic ought to be getting tired of karma fortunes by now.Frida Fantastic ought to be getting tired of karma fortunes by now.Frida Fantastic ought to be getting tired of karma fortunes by now.Frida Fantastic ought to be getting tired of karma fortunes by now.Frida Fantastic ought to be getting tired of karma fortunes by now.Frida Fantastic ought to be getting tired of karma fortunes by now.
 
Frida Fantastic's Avatar
 
Posts: 270
Karma: 502030
Join Date: Mar 2011
Location: Vancouver, Canada
Device: Kindle 3
Quote:
Originally Posted by Elfwreck View Post
I like reader-led gatekeeper communities; I think mainstream publishers are too caught up with "we should try to sell what's already selling" rather than "we should publish well-written books and find a market for them." But anyone who thinks that what's published by the Big Six is "utter crap" has never looked at what doesn't make it through the slushpile--and is now being sold on Amazon and Smashwords.
I agree. What would convince me of the relative value of going self-published is seeing good self-published books with a healthy audience base, especially with content/material that likely wouldn't have been published at a big six publisher. I think books should be judged beyond short-term marketability status, and I'm happy to read pretty crazy books so long as they are good.

As a reader, I don't look at indie books with a different set of standards than traditionally self-published books. It's like with music. Sometimes I listen to indie musicians... not because they're indie, but because I enjoy their work and they just happen to be indie. You can't make listeners/readers become your purchasing customers just because you're successful at demonizing the other big business model. Your core product has to be good, regardless of what your royalty/distribution/whatever system is. Readers don't care. They'll read anything interesting to them if it's affordable and accessible.

Having a lower price point also doesn't mean that readers are more accepting of mistakes. Having a lower price point only means that readers are more willing to "risk" their time with a new unheard of author. If this new unheard of author doesn't deliver, then that opportunity for promotion completely failed and was a waste on the author's time, and on the reader's time. All authors need to perfect any product they want to wave at any potential reader's face, including a good cover and a good blurb.

If the blurb doesn't have proper punctuation, and the cover seems like the author didn't think it was worth paying a decent graphic designer $100 to put something nice on, then why would the reader bother with the work? I'm a 3 minute bike ride away from my local library's comfortable SF section, and I've got a hard drive full of public domain stuff I could cozy up with instead. Authors/creators/etc. need to remember that they are competing with the world of literature at the reader's fingertips.
Frida Fantastic is offline   Reply With Quote