View Single Post
Old 04-15-2011, 12:13 PM   #47
mr ploppy
Feral Underclass
mr ploppy ought to be getting tired of karma fortunes by now.mr ploppy ought to be getting tired of karma fortunes by now.mr ploppy ought to be getting tired of karma fortunes by now.mr ploppy ought to be getting tired of karma fortunes by now.mr ploppy ought to be getting tired of karma fortunes by now.mr ploppy ought to be getting tired of karma fortunes by now.mr ploppy ought to be getting tired of karma fortunes by now.mr ploppy ought to be getting tired of karma fortunes by now.mr ploppy ought to be getting tired of karma fortunes by now.mr ploppy ought to be getting tired of karma fortunes by now.mr ploppy ought to be getting tired of karma fortunes by now.
 
mr ploppy's Avatar
 
Posts: 3,622
Karma: 26821535
Join Date: Jan 2010
Location: Yorkshire, tha noz
Device: 2nd hand paperback
Quote:
Originally Posted by HarryT View Post
Pretty much every author needs a professional editor to make their work readable, and most self-publishing authors can't afford to - or choose not to - pay for an editor themselves. That's the most valuable service that a traditional publisher provides to an author: editing. It has nothing to do with the writing abilities of the author; editing is a different skill to writing, and very few good writers are also good editors.
Editors are like invisible co-authors. Some are good, some are bad, and a lot of them are probably frustrated writers themselves. In music terms they would be like the knob twiddler on a mixing desk. They can improve a book, but they can also destroy it if they don't fully understand what the writer is trying to achieve.
mr ploppy is offline   Reply With Quote