Quote:
Originally Posted by MrKyle
Thank you guys for the input. I would've naturally added more narrative initially if it wasn't for the fact that the dialog is really interesting and propels the story really well.
It's a book of many words and conversations, but various people really have fun reading the dialog and getting into the characters (at least so far).
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I think dialog is the best and easiest way to examine your character or get us into their heart/mind. It also makes a great transition if you use the zoom function on your novel. If what you write works and doesn't make people rip their hair out or otherwise want to hurt you *unless intentional* then leave it
If you're concerned that because you have a dialog heavy story, its unsalable or no major publication will want it....well then they can go ef themselves.
As long as your characters aren't just discussing their day or the weather, or their interpetation of the grapes of wrath, or whatever doesn't propel the action forward, then you should be good to go.
Every line of dialog should advance the story in some way / shape or form.
Of course, these are broad definitions of "advance the story."
And Robin, don't mind our crotchety old british friend. He's just...British!
I also love the rule of three. It's just enough to stir the imagination without being heavy handed and Jordanesque. The Rule of Three is my friend. You don't need to engage all five senses all the time to tell a convincing story.
Some of the best things are left unsaid.
Speaking of which, I should be writing. I've wasted entirely too much time slacking off today.