Hichens, Robert Smythe: Smaïn; and Safti's Summer Day. V1. 6 Mar 2009
 

Robert Smythe Hichens (November 14, 1864 – July 20, 1950) was an English journalist and novelist.
Born in Speldhurst in Kent, he was educated at Clifton College, the Royal College of Music, and the London School of Journalism.
He wrote lyrics for music, stories, and collaborated in successful plays. He is best remembered now, perhaps, for his satire on Oscar Wilde, The Green Carnation (1894), his novels that were made into films — The Garden of Allah (pub. 1904) and The Paradine Case (pub. 1933) — and the story "How Love Came to Professor Guildea", which has been frequently anthologized. His novel "Felix" (1902) is an early fictional treatment of hypodermic morphine addiction.
Hichens' classic novel The Green Carnation has been republished as a hardcover volume in 2006.


Excerpt
Far away in the desert I heard the sound of a flute, pure sound in the pure air, delicate, sometimes almost comic with the comicality of a child who bends women to kisses and to nonsense-words. We had passed through the sandstorm, Safti and I, over the wastes of saltpetre, and come into a land of palm gardens where there was almost breathless calm. The feet of the camels paddled over the soft brown earth of the narrow alleys between the brown earth walls, and we looked down to right and left into the shady enclosed spaces, seamed with water rills, dotted with little pools of pale yellow water, and saw always giant palms, with wrinkled trunks and tufted, deep green foliage, brooding in their squadrons over the dimness they had made. The activity of man might be discerned here in the regularity of the artificial rills, the ordered placing of the trees, each of which, too, stood on its oval hump. But no man was seen; no flat-roofed huts appeared; no robe, pale blue or white, fluttered among the shadows; no dog blinked in the golden patches of the sun—only the sound of the flute came to us from some hidden place ceaselessly, wild and romantic, full of an odd coquetry, and of an absurdity that was both uncivilised and touching.