From Jon's description on the upload page:

Welcome to Beebe Station.

You're three kilometers below the surface of the Pacific Ocean. You're perched on the shoulder of an active volcano. The local fauna is very large and very nasty. If it doesn't kill you, a mudslide or an erupting smoker probably will.

Your fellow employees are rapists, pedophiles, borderline psychotics, and victims of same.

You feel very lucky to be here.

This is a damn sight better than the life you left behind.

From Goodreads:

"If you have never robbed a man - or a woman - of honour! If you have never ruined boy or girl, Monsieur de Berault! If you have never pushed another into the pit and gone by it yourself! If - but, for murder?"... Thus the lovely Mademoiselle de Cocheforêt seeks to reach the heart of the ill-famed Gil de Berault, known throughout Paris as "The Black Death." And the hardened duellist sent to spy out and arrest her brother feels the first stirrings of shame. "Her gentleness, her pity, her humility softened me, while they convicted me. My God, how, after this, could I do that which I had come to do?"

This swashbuckling story of love and hate, intrigue and adventure, in the reign of Cardinal Richelieu and Louis XIII of France, has been a best-seller ever since its first appearance in 1894.

From Goodreads:

First published in French as a serial in 1909, "The Phantom of the Opera" is a riveting story that revolves around the young, Swedish Christine Daaé. Her father, a famous musician, dies, and she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. After a time at the opera house, she begins hearing a voice, who eventually teaches her how to sing beautifully. All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. The voice, who is the deformed, murderous 'ghost' of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears. The phantom is in love, but it can only spell disaster. Leroux's work, with characters ranging from the spoiled prima donna Carlotta to the mysterious Persian from Erik's past, has been immortalized by memorable adaptations. Despite this, it remains a remarkable piece of Gothic horror literature in and of itself, deeper and darker than any version that follows.

Thorne Smith's rapid-fire dialogue, brilliant sense of the absurd, and literary aplomb put him in the same category as the beloved P. G. Wodehouse. The Night Life of the Gods--the madcap story of a scientist who instigates a nocturnal spree with the Greek gods--is arguably his most sparkling comedic achievement.

Hunter Hawk has a knack for annoying his ultrarespectable relatives. He likes to experiment and he particularly likes to experiment with explosives. His garage-cum-laboratory is a veritable minefield, replete with evil-smelling clouds of vapor through which various bits of wreckage and mysteriously bubbling test tubes are occasionally visible.

With the help of Megaera, a fetching nine-hundred-year-old lady leprechaun he meets one night in the woods, he masters the art (if not the timing) of transforming statues into people. And when he practices his new witchery in the stately halls of the Metropolitan Museum of Art - setting Bacchus, Mercury, Neptune, Diana, Hebe, Apollo, and Perseus loose on the unsuspecting citizenry of Prohibition-era New York - the stage is set for Thorne Smith at his most devilish and delightful.

Born in Annapolis, Maryland, in 1892, educated at Dartmouth, THORNE SMITH was an early cohort of Dorothy Parker's. He achieved literary success in 1926 with the publication of Topper and went on to publish nine novels in the next eight years. He earned a passionate following among both critics and readers before his death, at the age of forty-two, in 1934.

Set in Ireland in the 1880s against a backdrop of Land League troubles in Co. Mayo, and in Dublin, where the social life revolves around the Vice-Regal court in Dublin Castle, this depicts the efforts of a mother trying to catch socially suitable husbands for her daughters, and chronicles the results.

From wikiw: The Home of Fandom:

Margaret Wander Bonanno (born 7 February 1950; age 66) is a science fiction author from New York, with over twenty novels to her credit, including several set in the Star Trek universe. These include Dwellers in the Crucible, Strangers from the Sky, and Catalyst of Sorrows.

She rose to the spotlight of Star Trek apocrypha when her novel Strangers from the Sky made the Time bestsellers list in 1985. But the story that gave her more fame in Trek circles was what would follow.

She is also credited with writing Probe, though in her words it is "not her novel." She was contracted by Paramount to write a novel she called Music of the Spheres, based on the Whale Probe of Star Trek IV: The Voyage Home. However, due to the undesired intervention of an editor at Paramount, the story was nearly completely re-written without her consent, and they refused to remove her name from the project.

After the unpleasant experience, she focused on projects other than Star Trek novels, such as the science fiction book Saturn's Child co-written with Nichelle Nichols.

She was interviewed for the Star Trek IV: The Voyage Home (Special Edition) DVD, hosting the special features section entitled "Vulcan Primer," in which she explains a brief history of the Vulcans and why they are so popular among fans.

From The m0vie blog:

Music of the Spheres is something of a legend in Star Trek circles. It’s not quite a ghost story, spoken of in hushed whispers. Indeed, author Margaret Wander Bonanno has made the manuscript available to interested fans via her website, and has used it to raise money for a variety of worth causes. She’s documented the difficult story of how her original novel warped in Probe in a wonderfully wry and insightful essay, offering a glimpse at the inner workings of Pocket Book and Paramount towards the end of the eighties.

In both the book and the movie, Hunter Hawk falls to the floor in an attempt to get down from the rafters, but in the movie he is knocked unconscious and everything that occurs afterward is a dream sequence.