Sedgwick, Anne Douglas: Tante. v1. 17 Jul 2014
 

Anne Douglas Sedgwick (March 28, 1873 - July 19, 1935) was an American-born British writer. The daughter of a businessman, she was born in Englewood, New Jersey but at age nine her family moved to London. Although she made return visits to the United States, she lived in England for the remainder of her life. In 1908, she married the British essayist and journalist, Basil de Sélincourt. During World War I she and her husband were volunteer workers in hospitals and orphanages in France. Her novels explored the contrast in values between Americans and Europeans. Her bestselling novel Tante was made into a 1918 film, The Impossible Woman and The Little French Girl into a 1925 film of the same name. In 1931, she was elected to the United States National Institute of Arts and Letters. Four of her books were on the list of bestselling novels in the United States for 1912, 1924, 1927, and 1929 as determined by the New York Times. Anne Douglas Sedgwick died in Hampstead, England in 1935. The following year her husband published "Anne Douglas Sedgwick: A Portrait in Letters."

Excerpt
Madame Okraska was pausing on her way from St. Petersburg to New York and this was the only concert she was to give in London that winter. For many hours the enthusiasts who had come to secure unreserved seats had been sitting on the stone stairs that led to the balcony or gallery, or on the still narrower, darker and colder flight that led to the orchestra from Piccadilly Place. From the adjacent hall they could hear the strains of the Moore & Burgess Minstrels, blatant and innocuously vulgar; and the determined mirth, anatomized by distance, sounded a little melancholy. To those of an imaginative turn of mind it might have seemed that they waited in a tunnel at one far end of which could be perceived the tiny memory of tea at an Aerated Bread shop and at the other the vision of the delights to which they would emerge. For there was no one in the world like Madame Okraska, and to see and hear her was worth cold and weariness and hunger. Not only was she the most famous of living pianists but one of the most beautiful of women; and upon this restoring fact many of the most weary stayed themselves, returning again and again to gaze at the pictured face that adorned the outer cover of the programme.