TABLE of CONTENTS

THE OPEN WINDOW

SREDNI VASHTAR

TOBERMORY

THE BACKGROUND

THE SECRET SIN OF SEPTIMUS BROPE

THE OPEN WINDOW

"My aunt will be down presently, Mr. Nuttel," said a very self-possessed young lady of fifteen; "in the meantime you must try and put up with me."

Framton Nuttel endeavored to say the correct something which should duly Hatter the niece of the moment without unduly discounting the aunt that was to come. Privately he doubted more than ever whether these formal visits on a succession of total strangers would do much towards helping the nerve cure which he was supposed to be undergoing

"I know how it will be," his sister had said when he was preparing to migrate to this rural retreat; "you will bury yourself down there and not speak to a living soul, and your nerves will be worse than ever from moping. I shall just give you letters of introduction to all the people I know there. Some of them, as far as I can remember, were quite nice."

Framton wondered whether Mrs. Sappleton, the lady to whom he was presenting one of the letters of introduction came into the nice division.

"Do you know many of the people round here?" asked the niece, when she judged that they had had sufficient silent communion.

"Hardly a soul," said Framton. "My sister was staying here, at the rectory, you know, some four years ago, and she gave me letters of introduction to some of the people here."

He made the last statement in a tone of distinct regret.

"Then you know practically nothing about my aunt?" pursued the self-possessed young lady.

"Only her name and address," admitted the caller. He was wondering whether Mrs. Sappleton was in the married or widowed state. An undefinable something about the room seemed to suggest masculine habitation.

"Her great tragedy happened just three years ago," said the child; "that would be since your sister's time."

"Her tragedy?" asked Framton; somehow in this restful country spot tragedies seemed out of place.

"You may wonder why we keep that window wide open on an October afternoon," said the niece, indicating a large French window that opened on to a lawn.

"It is quite warm for the time of the year," said Framton; "but has that window got anything to do with the tragedy?"

"Out through that window, three years ago to a day, her husband and her two young brothers went off for their day's shooting. They never came back. In crossing the moor to their favorite snipe-shooting ground they were all three engulfed in a treacherous piece of bog. It had been that dreadful wet summer, you know, and places that were safe in other years gave way suddenly without warning. Their bodies were never recovered. That was the dreadful part of it." Here the child's voice lost its self-possessed note and became falteringly human. "Poor aunt always thinks that they will come back someday, they and the little brown spaniel that was lost with them, and walk in at that window just as they used to do. That is why the window is kept open every evening till it is quite dusk. Poor dear aunt, she has often told me how they went out, her husband with his white waterproof coat over his arm, and Ronnie, her youngest brother, singing 'Bertie, why do you bound?' as he always did to tease her, because she said it got on her nerves. Do you know, sometimes on still, quiet evenings like this, I almost get a creepy feeling that they will all walk in through that window—She broke off with a little shudder. It was a relief to Framton when the aunt bustled into the room with a whirl of apologies for being late in making her appearance.

"I hope Vera has been amusing you?" she said.

"She has been very interesting," said Framton.

"I hope you don't mind the open window," said Mrs. Sappleton briskly; "my husband and brothers will be home directly from shooting, and they always come in this way. They've been out for snipe in the marshes today, so they'll make a fine mess over my poor carpets. So like you menfolk, isn't it?"

She rattled on cheerfully about the shooting and the scarcity of birds, and the prospects for duck in the winter. To Framton it was all purely horrible. He made a desperate but only partially successful effort to turn the talk on to a less ghastly topic, he was conscious that his hostess was giving him only a fragment of her attention, and her eyes were constantly straying past him to the open window and the lawn beyond. It was certainly an unfortunate coincidence that he should have paid his visit on this tragic anniversary.

"The doctors agree in ordering me complete rest, an absence of mental excitement, and avoidance of anything in the nature of violent physical exercise," announced Framton, who labored under the tolerably widespread delusion that total strangers and chance acquaintances are hungry for the least detail of one's ailments and infirmities, their cause and cure. "On the matter of diet they are not so much in agreement," he continued.

"No?" said Mrs. Sappleton, in a voice which only replaced a yawn at the last moment. Then she suddenly brightened into alert attention—but not to what Framton was saying.

"Here they are at last!" she cried. "Just in time for tea, and don't they look as if they were muddy up to the eyes!"

Framton shivered slightly and turned towards the niece with a look intended to convey sympathetic comprehension. The child was staring out through the open window with a dazed horror in her eyes. In a chill shock of nameless fear Framton swung round in his seat and looked in the same direction.

In the deepening twilight three figures were walking across the lawn towards the window, they all carried guns under their arms, and one of them was additionally burdened with a white coat hung over his shoulders. A tired brown spaniel kept close at their heels. Noiselessly they neared the house, and then a hoarse young voice chanted out of the dusk: "I said, Bertie, why do you bound?"

Framton grabbed wildly at his stick and hat; the hall door, the gravel drive, and the front gate were dimly noted stages in his headlong retreat. A cyclist coming along the road had to run into the hedge to avoid imminent collision.

"Here we are, my dear," said the bearer of the white mackintosh, coming in through the window, "fairly muddy, but most of it's dry. Who was that who bolted out as we came up?"

"A most extraordinary man, a Mr. Nuttel," said Mrs. Sappleton; "could only talk about his illnesses, and dashed off without a word of goodby or apology when you arrived. One would think he had seen a ghost."

"I expect it was the spaniel," said the niece calmly; "he told me he had a horror of dogs. He was once hunted into a cemetery somewhere on the banks of the Ganges by a pack of pariah dogs, and had to spend the night in a newly dug grave with the creatures snarling and grinning and foaming just above him. Enough to make anyone lose their nerve."

Romance at short notice was her speciality.

SREDNI VASHTAR

Conradin was ten years old, and the doctor had pronounced his professional opinion that the boy would not live another five years. The doctor was silky and effete, and counted for little, but his opinion was endorsed by Mrs. De Ropp, who counted for nearly everything. Mrs. De Ropp was Conradin's cousin and guardian, and in his eyes she represented those three-fifths of the world that are necessary and disagreeable and real; the other two-fifths, in perpetual antagonism to the foregoing, were summed up in himself and his imagination. One of these days Conradin supposed he would succumb to the mastering pressure of wearisome necessary things—such as illnesses and coddling restrictions and drawn-out dulness. Without his imagination, which was rampant under the spur of loneliness, he would have succumbed long ago.

Mrs. De Ropp would never, in her honestest moments, have confessed to herself that she disliked Conradin, though she might have been dimly aware that thwarting him "for his good'' was a duty which she did not find particularly irksome. Conradin hated her with a desperate sincerity which he was perfectly able to mask. Such few pleasures as he could contrive for himself gained an added relish from the likelihood that they would be displeasing to his guardian, and from the realm of his imagination she was locked out—an unclean thing, which should find no entrance.

In the dull, cheerless garden, overlooked by so many windows that were ready to open with a message not to do this or that, or a reminder that medicines were due, he found little attraction. The few fruit-trees that it contained were set jealously apart from his plucking, as though they were rare specimens of their kind blooming in an arid waste; it would probably have been difficult to find a market-gardener who would have offered ten shillings for their entire yearly produce. In a forgotten corner, however, almost hidden behind a dismal shrubbery, was a disused tool-shed of respectable proportions, and within its walls Conradin found a haven, something that took on the varying aspects of a playroom and a cathedral. He had peopled it with a legion of familiar phantoms, evoked partly from fragments of history and partly from his own brain, but it also boasted two inmates of flesh and blood. In one corner lived a ragged-plumaged Houdan hen, on which the boy lavished an affection that had scarcely another outlet. Further back in the gloom stood a large hutch, divided into two compartments, one of which was fronted with close iron bars. This was the abode of a large polecat-ferret, which a friendly butcher-boy had once smuggled, cage and all, into its present quarters, in exchange for a long-secreted hoard of small silver. Conradin was dreadfully afraid of the lithe, sharp-fanged beast, but it was his most treasured possession. Its very presence in the tool-shed was a secret and fearful joy, to be kept scrupulously from the knowledge of the Woman, as he privately dubbed his cousin. And one day, out of Heaven knows what material, he spun the beast a wonderful name, and from that moment it grew into a god and a religion. The Woman indulged in religion once a week at a church near by, and took Conradin with her, but to him the church service was an alien rite in the House of Rimmon. Every Thursday, in the dim and musty silence of the tool-shed, he worshipped with mystic and elaborate ceremonial before the wooden hutch where dwelt Sredni Vashtar, the great ferret. Red flowers in their season and scarlet berries in the winter-time were offered at his shrine, for he was a god who laid some special stress on the fierce impatient side of things, as opposed to the Woman's religion, which, as far as Conradin could observe, went to great lengths in the contrary direction. And on great festivals powdered nutmeg was strewn in front of his hutch, an important feature of the offering being that the nutmeg had to be stolen. These festivals were of irregular occurrence, and were chiefly appointed to celebrate some passing event. On one occasion, when Mrs. De Ropp suffered from acute toothache for three days, Conradin kept up the festival during the entire three days, and almost succeeded in persuading himself that Sredni Vashtar was personally responsible for the toothache. If the malady had lasted for another day the supply of nutmeg would have given out.

The Houdan hen was never drawn into the cult of Sredni Vashtar. Conradin had long ago settled that she was an Anabaptist. He did not pretend to have the remotest knowledge as to what an Anabaptist was, but he privately hoped that it was dashing and not very respectable. Mrs. De Ropp was the ground plan on which he based and detested all respectability.

After a while Conradin's absorption in the tool-shed began to attract the notice of his guardian. "It is not good for him to be pottering down there in all weathers,'' she promptly decided, and at breakfast one morning she announced that the Houdan hen had been sold and taken away overnight. With her short-sighted eyes she peered at Conradin, waiting for an outbreak of rage and sorrow, which she was ready to rebuke with a flow of excellent precepts and reasoning. But Conradin said nothing: there was nothing to be said. Something perhaps in his white set face gave her a momentary qualm, for at tea that afternoon there was toast on the table, a delicacy which she usually banned on the ground that it was bad for him; also because the making of it "gave trouble,'' a deadly offence in the middle-class feminine eye.

"I thought you liked toast,'' she exclaimed, with an injured air, observing that he did not touch it.

"Sometimes,'' said Conradin.

In the shed that evening there was an innovation in the worship of the hutch-god. Conradin had been wont to chant his praises, tonight be asked a boon.

"Do one thing for me, Sredni Vashtar.''

The thing was not specified. As Sredni Vashtar was a god he must be supposed to know. And choking back a sob as he looked at that other empty comer, Conradin went back to the world he so hated.

And every night, in the welcome darkness of his bedroom, and every evening in the dusk of the tool-shed, Conradin's bitter litany went up: "Do one thing for me, Sredni Vashtar."

Mrs. De Ropp noticed that the visits to the shed did not cease, and one day she made a further journey of inspection.

"What are you keeping in that locked hutch?" she asked. "I believe it's guinea-pigs. I'll have them all cleared away."

Conradin shut his lips tight, but the Woman ransacked his bedroom till she found the carefully hidden key, and forthwith marched down to the shed to complete her discovery. It was a cold afternoon, and Conradin had been bidden to keep to the house. From the furthest window of the dining-room the door of the shed could just be seen beyond the corner of the shrubbery, and there Conradin stationed himself. He saw the Woman enter, and then be imagined her opening the door of the sacred hutch and peering down with her short-sighted eyes into the thick straw bed where his god lay hidden. Perhaps she would prod at the straw in her clumsy impatience. And Conradin fervently breathed his prayer for the last time. But he knew as he prayed that he did not believe. He knew that the Woman would come out presently with that pursed smile he loathed so well on her face, and that in an hour or two the gardener would carry away his wonderful god, a god no longer, but a simple brown ferret in a hutch. And he knew that the Woman would triumph always as she triumphed now, and that he would grow ever more sickly under her pestering and domineering and superior wisdom, till one day nothing would matter much more with him, and the doctor would be proved right. And in the sting and misery of his defeat, he began to chant loudly and defiantly the hymn of his threatened idol:

Sredni Vashtar went forth,

His thoughts were red thoughts and his teeth were white.

His enemies called for peace, but he brought them death.

Sredni Vashtar the Beautiful.

And then of a sudden he stopped his chanting and drew closer to the window-pane. The door of the shed still stood ajar as it had been left, and the minutes were slipping by. They were long minutes, but they slipped by nevertheless. He watched the starlings running and flying in little parties across the lawn; he counted them over and over again, with one eye always on that swinging door. A sour-faced maid came in to lay the table for tea, and still Conradin stood and waited and watched. Hope had crept by inches into his heart, and now a look of triumph began to blaze in his eyes that had only known the wistful patience of defeat. Under his breath, with a furtive exultation, he began once again the pæan of victory and devastation. And presently his eyes were rewarded: out through that doorway came a long, low, yellow-and-brown beast, with eyes a-blink at the waning daylight, and dark wet stains around the fur of jaws and throat. Conradin dropped on his knees. The great polecat-ferret made its way down to a small brook at the foot of the garden, drank for a moment, then crossed a little plank bridge and was lost to sight in the bushes. Such was the passing of Sredni Vashtar.

"Tea is ready," said the sour-faced maid; "where is the mistress?" "She went down to the shed some time ago," said Conradin. And while the maid went to summon her mistress to tea, Conradin fished a toasting-fork out of the sideboard drawer and proceeded to toast himself a piece of bread. And during the toasting of it and the buttering of it with much butter and the slow enjoyment of eating it, Conradin listened to the noises and silences which fell in quick spasms beyond the dining-room door. The loud foolish screaming of the maid, the answering chorus of wondering ejaculations from the kitchen region, the scuttering footsteps and hurried embassies for outside help, and then, after a lull, the scared sobbings and the shuffling tread of those who bore a heavy burden into the house.

"Whoever will break it to the poor child? I couldn't for the life of me!" exclaimed a shrill voice. And while they debated the matter among themselves, Conradin made himself another piece of toast.

TOBERMORY

It was a chill, rain-washed afternoon of a late August day, that indefinite season when partridges are still in security or cold storage, and there is nothing to huntÑunless one is bounded on the north by the Bristol Channel, in which case one may lawfully gallop after fat red stags. Lady Blemley's house-party was not bounded on the north by the Bristol Channel, hence there was a full gathering of her guests round the tea-table on this particular afternoon. And, in spite of the blankness of the season and the triteness of the occasion, there was no trace in the company of that fatigued restlessness which means a dread of the pianola and a subdued hankering for auction bridge. The undisguised open-mouthed attention of the entire party was fixed on the homely negative personality of Mr. Cornelius Appin. Of all her guests, he was the one who had come to Lady Blemley with the vaguest reputation. Some one had said he was "clever," and he had got his invitation in the moderate expectation, on the part of his hostess, that some portion at least of his cleverness would be contributed to the general entertainment. Until tea-time that day she had been unable to discover in what direction, if any, his cleverness lay. He was neither a wit nor a croquet champion, a hypnotic force nor a begetter of amateur theatricals. Neither did his exterior suggest the sort of man in whom women are willing to pardon a generous measure of mental deficiency. He had subsided into mere Mr. Appin, and the Cornelius seemed a piece of transparent baptismal bluff. And now he was claiming to have launched on the world a discovery beside which the invention of gunpowder, of the printing-press, and of steam locomotion were inconsiderable trifles. Science had made bewildering strides in many directions during recent decades, but this thing seemed to belong to the domain of miracle rather than to scientific achievement.

"And do you really ask us to believe," Sir Wilfrid was saying, "that you have discovered a means for instructing animals in the art of human speech, and that dear old Tobermory has proved your first successful pupil?"

"It is a problem at which I have worked for the last seventeen years," said Mr. Appin, "but only during the last eight or nine months have I been rewarded with glimmerings of success. Of course I have experimented with thousands of animals, but latterly only with cats, those wonderful creatures which have assimilated themselves so marvellously with our civilization while retaining all their highly developed feral instincts. Here and there among cats one comes across an outstanding superior intellect, just as one does among the ruck of human beings, and when I made the acquaintance of Tobermory a week ago I saw at once that I was in contact with a "Beyond-cat" of extraordinary intelligence. I had gone far along the road to success in recent experiments; with Tobermory, as you call him, I have reached the goal."

Mr. Appin concluded his remarkable statement in a voice which he strove to divest of a triumphant inflection. No one said "Rats," though Clovis's lips moved in a monosyllabic contortion, which probably invoked those rodents of disbelief.

"And do you mean to say," asked Miss Resker, after a slight pause, "that you have taught Tobermory to say and understand easy sentences of one syllable?"

"My dear Miss Resker," said the wonder-worker patiently, "one teaches little children and savages and backward adults in that piecemeal fashion; when one has once solved the problem of making a beginning with an animal of highly developed intelligence one has no need for those halting methods. Tobermory can speak our language with perfect correctness."

This time Clovis very distinctly said, "Beyond-rats!" Sir Wilfred was more polite but equally sceptical.

"Hadn't we better have the cat in and judge for ourselves?" suggested Lady Blemley.

Sir Wilfred went in search of the animal, and the company settled themselves down to the languid expectation of witnessing some more or less adroit drawing-room ventriloquism.

In a minute Sir Wilfred was back in the room, his face white beneath its tan and his eyes dilated with excitement.

"By Gad, it's true!"

His agitation was unmistakably genuine, and his hearers started forward in a thrill of wakened interest.

Collapsing into an armchair he continued breathlessly:

"I found him dozing in the smoking-room, and called out to him to come for his tea. He blinked at me in his usual way, and I said, 'Come on, Toby; don't keep us waiting' and, by Gad! he drawled out in a most horribly natural voice that he'd come when he dashed well pleased! I nearly jumped out of my skin!"

Appin had preached to absolutely incredulous hearers; Sir Wilfred's statement carried instant conviction. A Babel-like chorus of startled exclamation arose, amid which the scientist sat mutely enjoying the first fruit of his stupendous discovery.

In the midst of the clamour Tobermory entered the room and made his way with velvet tread and studied unconcern across the group seated round the tea-table.

A sudden hush of awkwardness and constraint fell on the company. Somehow there seemed an element of embarrassment in addressing on equal terms a domestic cat of acknowledged dental ability.

"Will you have some milk, Tobermory?" asked Lady Blemley in a rather strained voice.

"I don't mind if I do," was the response, couched in a tone of even indifference. A shiver of suppressed excitement went through the listeners, and Lady Blemley might be excused for pouring out the saucerful of milk rather unsteadily.

"I'm afraid I've spilt a good deal of it," she said apologetically.

"After all, it's not my Axminster," was Tobermory's rejoinder.

Another silence fell on the group, and then Miss Resker, in her best district-visitor manner, asked if the human language had been difficult to learn. Tobermory looked squarely at her for a moment and then fixed his gaze serenely on the middle distance. It was obvious that boring questions lay outside his scheme of life.

"What do you think of human intelligence?" asked Mavis Pellington lamely.

"Of whose intelligence in particular?" asked Tobermory coldly.

"Oh, well, mine for instance," said Mavis with a feeble laugh.

"You put me in an embarrassing position," said Tobermory, whose tone and attitude certainly did not suggest a shred of embarrassment. "When your inclusion in this house-party was suggested Sir Wilfrid protested that you were the most brainless woman of his acquaintance, and that there was a wide distinction between hospitality and the care of the feeble-minded. Lady Blemley replied that your lack of brain-power was the precise quality which had earned you your invitation, as you were the only person she could think of who might be idiotic enough to buy their old car. You know, the one they call 'The Envy of Sisyphus,' because it goes quite nicely up-hill if you push it."

Lady Blemley's protestations would have had greater effect if she had not casually suggested to Mavis only that morning that the car in question would be just the thing for her down at her Devonshire home.

Major Barfield plunged in heavily to effect a diversion.

"How about your carryings-on with the tortoise-shell puss up at the stables, eh?"

The moment he had said it every one realized the blunder.

"One does not usually discuss these matters in public," said Tobermory frigidly. "From a slight observation of your ways since you've been in this house I should imagine you'd find it inconvenient if I were to shift the conversation to your own little affairs."

The panic which ensued was not confined to the Major.

"Would you like to go and see if cook has got your dinner ready?" suggested Lady Blemley hurriedly, affecting to ignore the fact that it wanted at least two hours to Tobermory's dinner-time.

"Thanks," said Tobermory, "not quite so soon after my tea. I don't want to die of indigestion."

"Cats have nine lives, you know," said Sir Wilfred heartily.

"Possibly," answered Tobermory; "but only one liver."

"Adelaide!" said Mrs. Cornett, "do you mean to encourage that cat to go out and gossip about us in the servants' hall?"

The panic had indeed become general. A narrow ornamental balustrade ran in front of most of the bedroom windows at the Towers, and it was recalled with dismay that this had formed a favourite promenade for Tobermory at all hours, whence he could watch the pigeonsÑand heaven knew what else besides. If he intended to become reminiscent in his present outspoken strain the effect would be something more than disconcerting. Mrs. Cornett, who spent much time at her toilet table, and whose complexion was reputed to be of a nomadic though punctual disposition, looked as ill at ease as the Major. Miss Scrawen, who wrote fiercely sensuous poetry and led a blameless life, merely displayed irritation; if you are methodical and virtuous in private you don't necessarily want everyone to know it. Bertie van Tahn, who was so depraved at 17 that he had long ago given up trying to be any worse, turned a dull shade of gardenia white, but he did not commit the error of dashing out of the room like Odo Finsberry, a young gentleman who was understood to be reading for the Church and who was possibly disturbed at the thought of scandals he might hear concerning other people. Clovis had the presence of mind to maintain a composed exterior; privately he was calculating how long it would take to procure a box of fancy mice through the agency of the Exchange and Mart as a species of hush-money.

Even in a delicate situation like the present, Agnes Resker could not endure to remain long in the background.

"Why did I ever come down here?" she asked dramatically.

Tobermory immediately accepted the opening.

"Judging by what you said to Mrs. Cornett on the croquet-lawn yesterday, you were out of food. You described the Blemleys as the dullest people to stay with that you knew, but said they were clever enough to employ a first-rate cook; otherwise they'd find it difficult to get any one to come down a second time."

"There's not a word of truth in it! I appeal to Mrs. CornettÑ" exclaimed the discomfited Agnes.

"Mrs. Cornett repeated your remark afterwards to Bertie van Tahn," continued Tobermory, "and said, 'That woman is a regular Hunger Marcher; she'd go anywhere for four square meals a day,' and Bertie van Tahn saidÑ"

At this point the chronicle mercifully ceased. Tobermory had caught a glimpse of the big yellow tom from the Rectory working his way through the shrubbery towards the stable wing. In a flash he had vanished through the open French window.

With the disappearance of his too brilliant pupil Cornelius Appin found himself beset by a hurricane of bitter upbraiding, anxious inquiry, and frightened entreaty. The responsibility for the situation lay with him, and he must prevent matters from becoming worse. Could Tobermory impart his dangerous gift to other cats? was the first question he had to answer. It was possible, he replied, that he might have initiated his intimate friend the stable puss into his new accomplishment, but it was unlikely that his teaching could have taken a wider range as yet.

"Then," said Mrs. Cornett, "Tobermory may be a valuable cat and a great pet; but I'm sure you'll agree, Adelaide, that both he and the stable cat must be done away with without delay."

"You don't suppose I've enjoyed the last quarter of an hour, do you?" said Lady Blemley bitterly. "My husband and I are very fond of TobermoryÑat least, we were before this horrible accomplishment was infused into him; but now, of course, the only thing is to have him destroyed as soon as possible."

"We can put some strychnine in the scraps he always gets at dinner-time," said Sir Wilfred, "and I will go and drown the stable cat myself. The coachman will be very sore at losing his pet, but I'll say a very catching form of mange has broken out in both cats and we're afraid of it spreading to the kennels."

"But my great discovery!" expostulated Mr. Appin; "after all my years of research and experimentÑ"

"You can go and experiment on the short-horns at the farm, who are under proper control," said Mrs. Cornett, "or the elephants at the Zoological Gardens. They're said to be highly intelligent, and they have this recommendation, that they don't come creeping about our bedrooms and under chairs, and so forth."

An archangel ecstatically proclaiming the Millennium, and then finding that it clashed unpardonably with Henley and would have to be indefinitely postponed, could hardly have felt more crestfallen than Cornelius Appin at the reception of his wonderful achievement. Public opinion, however, was against himÑin fact, had the general voice been consulted on the subject it is probable that a strong minority vote would have been in favour of including him in the strychnine diet.

Defective train arrangements and a nervous desire to see matters brought to a finish prevented an immediate dispersal of the party, but dinner that evening was not a social success. Sir Wilfred had had rather a trying time with the stable cat and subsequently with the coachman. Agnes Resker ostentatiously limited her repast to a morsel of dry toast, which she bit as though it were a personal enemy; while Mavis Pellington maintained a vindictive silence throughout the meal. Lady Blemley kept up a flow of what she hoped was conversation, but her attention was fixed on the doorway. A plateful of carefully dosed fish scraps was in readiness on the sideboard, but the sweets and savoury and dessert went their way, and no Tobermory appeared in the dining-room or kitchen.

The sepulchral dinner was cheerful compared with the subsequent vigil in the smoking-room. Eating and drinking had at least supplied a distraction and cloak to the prevailing embarrassment. Bridge was out of the question in the general tension of nerves and tempers, and after Odo Finsberry had given a lugubrious rendering of 'Melisande in the Wood' to a frigid audience, music was tacitly avoided. At eleven the servants went to bed, announcing that the small window in the pantry had been left open as usual for Tobermory's private use. The guests read steadily through the current batch of magazines, and fell back gradually on the "Badminton Library" and bound volumes of Punch. Lady Blemley made periodic visits to the pantry, returning each time with an expression of listless depression which forestalled questioning.

At two o'clock Clovis broke the dominating silence.

"He won't turn up tonight. He's probably in the local newspaper office at the present moment, dictating the first installment of his reminiscences. Lady What's-her-name's book won't be in it. It will be the event of the day."

Having made this contribution to the general cheerfulness, Clovis went to bed. At long intervals the various members of the house-party followed his example.

The servants taking round the early tea made a uniform announcement in reply to a uniform question. Tobermory had not returned.

Breakfast was, if anything, a more unpleasant function than dinner had been, but before its conclusion the situation was relieved. Tobermory's corpse was brought in from the shrubbery, where a gardener had just discovered it. From the bites on his throat and the yellow fur which coated his claws it was evident that he had fallen in unequal combat with the big Tom from the Rectory.

By midday most of the guests had quitted the Towers, and after lunch Lady Blemley had sufficiently recovered her spirits to write an extremely nasty letter to the Rectory about the loss of her valuable pet.

Tobermory had been Appin's one successful pupil, and he was destined to have no successor. A few weeks later an elephant in the Dresden Zoological Garden, which had shown no previous signs of irritability, broke loose and killed an Englishman who had apparently been teasing it. The victim's name was variously reported in the papers as Oppin and Eppelin, but his front

name was faithfully rendered Cornelius.

"If he was trying German irregular verbs on the poor beast," said Clovis, "he deserved all he got."

THE BACKGROUND

"That woman's art-jargon tires me," said Clovis to his journalist friend. "She's so fond of talking of certain pictures as `growing on one,' as though they were a sort of fungus."

"That reminds me," said the journalist, "of the story of Henri Deplis. Have I ever told it you?"

Clovis shook his head.

"Henri Deplis was by birth a native of the Grand Duchy of Luxemburg. On maturer reflection he became a commercial traveller. His business activities frequently took him beyond the limits of the Grand Duchy, and he was stopping in a small town of Northern Italy when news reached him from home that a legacy from a distant and deceased relative had fallen to his share.

"It was not a large legacy, even from the modest standpoint of Henri Deplis, but it impelled him towards some seemingly harmless extravagances. In particular it led him to patronize local art as represented by the tattoo-needles of Signor Andreas Pincini. Signor Pincini was, perhaps, the most brilliant master of tattoo craft that Italy had ever known, but his circumstances were decidedly impoverished, and for the sum of six hundred francs he gladly undertook to cover his client's back, from the collar-bone down to the waist-line, with a glowing representation of the Fall of Icarus. The design, when finally developed, was a slight disappointment to Monsieur Deplis, who had suspected Icarus of being a fortress taken by Wallenstein in the Thirty Years' War, but he was more than satisfied with the execution of the work, which was acclaimed by all who had the privilege of seeing it as Pincini's masterpiece.

"It was his greatest effort, and his last. Without even waiting to be paid, the illustrious craftsman departed this life, and was buried under an ornate tombstone, whose winged cherubs would have afforded singularly little scope for the exercise of his favourite art. There remained, however, the widow Pincini, to whom the six hundred francs were due. And thereupon arose the great crisis in the life of Henri Deplis, traveller of commerce. The legacy, under the stress of numerous little calls on its substance, had dwindled to very insignificant proportions, and when a pressing wine bill and sundry other current accounts had been paid, there remained little more than 430 francs to offer to the widow. The lady was properly indignant, not wholly, as she volubly explained, on account of the suggested writing-off of 170 francs, but also at the attempt to depreciate the value of her late husband's acknowledged masterpiece. In a week's time Deplis was obliged to reduce his offer to 405 francs, which circumstance fanned the widow's indignation into a fury. She cancelled the sale of the work of art, and a few days later Deplis learned with a sense of consternation that she bad presented it to the municipality of Bergamo, which had gratefully accepted it. He left the neighbourhood as unobtrusively as possible, and was genuinely relieved when his business commands took him to Rome, where he hoped his identity and that of the famous picture might be lost sight of.

"But he bore on his back the burden of the dead man's genius. On presenting himself one day in the steaming corridor of a vapour bath, he was at once hustled back into his clothes by the proprietor, who was a North Italian, and who emphatically refused to allow the celebrated Fall of Icarus to be publicly on view without the permission of the municipality of Bergamo. Public interest and official vigilance increased as the matter became more widely known, and Deplis was unable to take a simple dip in the sea or river on the hottest afternoon unless clothed up to the collar-bone in a substantial bathing garment. Later on the authorities of Bergamo conceived the idea that salt water might be injurious to the masterpiece, and a perpetual injunction was obtained which debarred the muchly harassed commercial traveller from sea bathing under any circumstances. Altogether, he was fervently thankful when his firm of employers found him a new range of activities in the neighbourhood of Bordeaux. His thankfulness, however, ceased abruptly at the Franco-Italian frontier. An imposing array of official force barred his departure, and he was sternly reminded of the stringent law which forbids the exportation of Italian works of art.

A diplomatic parley ensued between the Luxemburgian and Italian Governments, and at one time the European situation became overcast with the possibilities of trouble. But the Italian Government stood firm; it declined to concern itself in the least with the fortunes or even the existence of Henri Deplis, commercial traveller, but was immovable in its decision that the Fall of Icarus (by the late Pincini, Andreas) at present the property of the municipality of Bergamo, should not leave the country.

"The excitement died down in time, but the unfortunate Deplis, who was of a constitutionally retiring disposition, found himself a few months later once more the storm-centre of a furious controversy. A certain German art expert, who had obtained from the municipality of Bergamo permission to inspect the famous masterpiece, declared it to be a spurious Pincini, probably the work of some pupil whom he had employed in his declining years. The evidence of Deplis on the subject was obviously worthless, as he had been under the influence of the customary narcotics during the long process of pricking in the design. The editor of an Italian art journal refuted the contentions of the German expert and undertook to prove that his private life did not conform to any modern standard of decency. The whole of Italy and Germany were drawn into the dispute, and the rest of Europe was soon involved in the quarrel. There were stormy scenes in the Spanish Parliament, and the University of Copenhagen bestowed a gold medal on the German expert (afterwards sending a commission to examine his proofs on the spot), while two Polish schoolboys in Paris committed suicide to show what they thought of the matter.

"Meanwhile, the unhappy human background fared no better than before, and it was not surprising that he drifted into the ranks of Italian anarchists. Four times at least he was escorted to the frontier as a dangerous and undesirable foreigner, but he was always brought back as the Fall of Icarus (attributed to Pincini, Andreas, early Twentieth Century). And then one day, at an anarchist congress at Genoa, a fellow-worker, in the heat of debate, broke a phial full of corrosive liquid over his back. The red shirt that he was wearing mitigated the effects, but the Icarus was ruined beyond recognition. His assailant was severely reprimanded for assaulting a fellow-anarchist and received seven years' imprisonment for defacing a national art treasure. As soon as he was able to leave the hospital Henri Deplis was put across the frontier as an undesirable alien.

"In the quieter streets of Paris, especially in the neighbourhood of the Ministry of Fine Arts, you may sometimes meet a depressed, anxious-looking man, who, if you pass him the time of day, will answer you with a slight Luxemburgian accent. He nurses the illusion that he is one of the lost arms of the Venus de Milo, and hopes that the French Government may be persuaded to buy him. On all other subjects I believe he is tolerably sane."

THE SECRET SIN OF SEPTIMUS BROPE

"Who and what is Mr. Brope?'' demanded the aunt of Clovis suddenly.

Mrs. Riversedge, who had been snipping off the heads of defunct roses, and thinking of nothing in particular, sprang hurriedly to mental attention. She was one of those old-fashioned hostesses who consider that one ought to know something about one's guests, and that the something ought to be to their credit.

"I believe he comes from Leighton Buzzard,'' she observed by way of preliminary explanation.

"In these days of rapid and convenient travel,'' said Clovis, who was dispersing a colony of green-fly with visitations of cigarette smoke, "to come from Leighton Buzzard does not necessarily denote any great strength of character. It might only mean mere restlessness. Now if he had left it under a cloud, or as a protest against the incurable and heartless frivolity of its inhabitants, that would tell us something about the man and his mission in life.''

"What does he do?'' pursued Mrs. Troyle magisterially.

"He edits the Cathedral Monthly,'' said her hostess, "and he's enormously learned about memorial brasses and transepts and the influence of Byzantine worship on modern liturgy, and all those sort of things. Perhaps he is just a little bit heavy and immersed in one range of subjects, but it takes all sorts to make a good house-party, you know. You don't find him too dull, do you?''

"Dulness I could overlook,'' said the aunt of Clovis: "what I cannot forgive is his making love to my maid.''

"My dear Mrs. Troyle,'' gasped the hostess, "what an extraordinary idea! I assure you Mr. Brope would not dream of doing such a thing.''

"His dreams are a matter of indifference to me; for all I care his slumbers may be one long indiscretion of unsuitable erotic advances, in which the entire servants' hall may be involved. But in his waking hours he shall not make love to my maid. It's no use arguing about it, I'm firm on the point.''

"But you must be mistaken,'' persisted Mrs. Riversedge; "Mr. Brope would be the last person to do such a thing.''

"He is the first person to do such a thing, as far as my information goes, and if I have any voice in the matter he certainly shall be the last. Of course, I am not referring to respectably-intentioned lovers.''

"I simply cannot think that a man who writes so charmingly and informingly about transepts and Byzantine influences would behave in such an unprincipled manner,'' said Mrs. Riversedge; "what evidence have you that he's doing anything of the sort? I don't want to doubt your word, of course, but we mustn't be too ready to condemn him unheard, must we?''

"Whether we condemn him or not, he has certainly not been unheard. He has the room next to my dressing-room, and on two occasions, when I dare say he thought I was absent, I have plainly heard him announcing through the wall, `I love you, Florrie.' Those partition walls upstairs are very thin; one can almost hear a watch ticking in the next room.''

"Is your maid called Florence?''

"Her name is Florinda.''

"What an extraordinary name to give a maid!''

"I did not give it to her; she arrived in my service already christened.''

"What I mean is,'' said Mrs. Riversedge, "that when I get maids with unsuitable names I call them Jane; they soon get used to it.''

"An excellent plan,'' said the aunt of Clovis coldly; "unfortunately I have got used to being called Jane myself. It happens to be my name.''

She cut short Mrs. Riversedge's flood of apologies by abruptly remarking:

"The question is not whether I'm to call my maid Florinda, but whether Mr. Brope is to be permitted to call her Florrie. I am strongly of opinion that he shall not.''

"He may have been repeating the words of some song,'' said Mrs. Riversedge hopefully; "there are lots of those sorts of silly refrains with girls' names,'' she continued, turning to Clovis as a possible authority on the subject. " `You mustn't call me Mary—-' ''

"I shouldn't think of doing so,'' Clovis assured her; "in the first place, I've always understood that your name was Henrietta; and then I hardly know you well enough to take such a liberty.''

"I mean there's a song with that refrain,'' hurriedly explained Mrs. Riversedge, "and there's `Rhoda, Rhoda kept a pagoda,' and `Maisie is a daisy,' and heaps of others. Certainly it doesn't sound like Mr. Brope to be singing such songs, but I think we ought to give him the benefit of the doubt.''

"I had already done so,'' said Mrs. Troyle, "until further evidence came my way.

She shut her lips with the resolute finality of one who enjoys the blessed certainty of being implored to open them again.

"Further evidence!'' exclaimed her hostess; "do tell me!''

"As I was coming upstairs after breakfast Mr. Brope was just passing my room. In the most natural way in the world a piece of paper dropped out of a packet that he held in his hand and fluttered to the ground just at my door. I was going to call out to him `You've dropped something,' and then for some reason I held back and didn't show myself till he was safely in his room. You see it occurred to me that I was very seldom in my room just at that hour, and that Florinda was almost always there tidying up things about that time. So I picked up that innocent-looking piece of paper.''

Mrs. Troyle paused again, with the self-applauding air of one who has detected an asp lurking in an apple-charlotte.

Mrs. Riversedge snipped vigorously at the nearest rose bush, incidentally decapitating a Viscountess Folkestone that was just coming into bloom.

"What was on the paper?'' she asked.

"Just the words in pencil, `I love you, Florrie,' and then underneath, crossed out with a faint line, but perfectly plain to read, `Meet me in the garden by the yew.' ''

"There is a yew tree at the bottom of the garden,'' admitted Mrs. Riversedge.

"At any rate he appears to be truthful,'' commented Clovis.

"To think that a scandal of this sort should be going on under my roof!'' said Mrs. Riversedge indignantly.

"I wonder why it is that scandal seems so much worse under a roof,'' observed Clovis; "I've always regarded it as a proof of the superior delicacy of the cat tribe that it conducts most of its scandals above the slates.''

"Now I come to think of it,'' resumed Mrs. Riversedge, "there are things about Mr. Brope that I've never been able to account for. His income, for instance: he only gets two hundred a year as editor of the Cathedral Monthly, and I know that his people are quite poor, and he hasn't any private means. Yet he manages to afford a flat somewhere in Westminster, and he goes abroad to Bruges and those sorts of places every year, and always dresses well, and gives quite nice luncheon-parties in the season. You can't do all that on two hundred a year, can you?''

"Does he write for any other papers?'' queried Mrs. Troyle.

"No, you see he specializes so entirely on liturgy and ecclesiastical architecture that his field is rather restricted. He once tried the Sporting and Dramatic with an article on church edifices in famous fox-hunting centres, but it wasn't considered of sufficient general interest to be accepted. No, I don't see how he can support himself in his present style merely by what be writes.''

"Perhaps he sells spurious transepts to American enthusiasts,'' suggested Clovis.

"How could you sell a transept?'' said Mrs. Riversedge; "such a thing would be impossible.''

"Whatever he may do to eke out his income,'' interrupted Mrs. Troyle, "he is certainly not going to fill in his leisure moments by making love to my maid.''

"Of course not,'' agreed her hostess; "that must be put a stop to at once. But I don't quite know what we ought to do.''

"You might put a barbed wire entanglement round the yew tree as a precautionary measure,'' said Clovis.

"I don't think that the disagreeable situation that has arisen is improved by flippancy,'' said Mrs. Riversedge; "a good maid is a treasure—-''

"I am sure I don't know what I should do without Florinda,'' admitted Mrs. Troyle; "she understands my hair. I've long ago given up trying to do anything with it myself. I regard one's hair as I regard husbands: as long as one is seen together in public one's private divergences don't matter. Surely that was the luncheon gong.''

Septimus Brope and Clovis had the smoking-room to themselves after lunch. The former seemed restless and preoccupied, the latter quietly observant.

"What is a lorry?'' asked Septimus suddenly; "I don't mean the thing on wheels, of course I know what that is, but isn't there a bird with a name like that, the larger form of a lorikeet?''

"I fancy it's a lory, with one `r,' '' said Clovis lazily, "in which case it's no good to you.''

Septimus Brope stared in some astonishment.

"How do you mean, no good to me?'' he asked, with more than a trace of uneasiness in his voice.

"Won't rhyme with Florrie,'' explained Clovis briefly.

Septimus sat upright in his chair, with unmistakable alarm on his face.

"How did you find out? I mean how did you know I was trying to get a rhyme to Florrie?'' he asked sharply.

"I didn't know,'' said Clovis, "I only guessed. When you wanted to turn the prosaic lorry of commerce into a feathered poem flitting through the verdure of a tropical forest, I knew you must be working up a sonnet, and Florrie was the only female name that suggested itself as rhyming with lorry.''

Septimus still looked uneasy.

"I believe you know more,'' be said.

Clovis laughed quietly, but said nothing.

"How much do you know?'' Septimus asked desperately.

"The yew tree in the garden,'' said Clovis.

"There! I felt certain I'd dropped it somewhere. But you must have guessed something before. Look here, you have surprised my secret. You won't give me away, will you? It is nothing to be ashamed of, but it wouldn't do for the editor of the Cathedral Monthly to go in openly for that sort of thing, would it?''

"Well, I suppose not,'' admitted Clovis.

"You see,'' continued Septimus, "I get quite a decent lot of money out of it. I could never live in the style I do on what I get as editor of the Cathedral Monthly.''

Clovis was even more startled than Septimus had been earlier in the conversation, but he was better skilled in repressing surprise.

"Do you mean to say you get money out of—-Florrie?'' he asked.

"Not out of Florrie, as yet,'' said Septimus; "in fact, I don't mind saying that I'm having a good deal of trouble over Florrie. But there are a lot of others.''

Clovis's cigarette went out.

"This is very interesting,'' he said slowly. And then, with Septimus Brope's next words, illumination dawned on him.

"There are heaps of others; for instance:

" `Cora with the lips of coral, You and I will never quarrel.'

That was one of my earliest successes, and it still brings me in royalties. And then there is—-`Esmeralda, when I first beheld her,' and `Fair Teresa, how I love to please her,' both of those have been fairly popular. And there is one rather dreadful one,'' continued Septimus, flushing deep carmine, "which has brought me in more money than any of the others:

" `Lively little Lucie With her naughty nez retrousee'.

Of course, I loathe the whole lot of them; in fact, I'm rapidly becoming something of a woman-hater under their influence, but I can't afford to disregard the financial aspect of the matter. And at the same time you can understand that my position as an authority on ecclesiastical architecture and liturgical subjects would be weakened, if not altogether ruined, if it once got about that I was the author of `Cora with the lips of coral' and all the rest of them.''

Clovis had recovered sufficiently to ask in a sympathetic, if rather unsteady, voice what was the special trouble with "Florrie.''

"I can't get her into lyric shape, try as I will,'' said Septimus mournfully. "You see, one has to work in a lot of sentimental, sugary compliment with a catchy rhyme, and a certain amount of personal biography or prophecy. They've all of them got to have a long string of past successes recorded about them, or else you've got to foretell blissful things about them and yourself in the future. For instance, there is:

" `Dainty little girlie Mavis, She is such a rara avis. All the money I can save is All to be for Mavis mine.'

It goes to a sickening namby-pamby waltz tune, and for months nothing else was sung and hummed in Blackpool and other popular centres.''

This time Clovis's self-control broke down badly.

"Please excuse me,'' he gurgled, "but I can't help it when I remember the awful solemnity of that article of yours that you so kindly read us last night, on the Coptic Church in its relation to early Christian worship.''

Septimus groaned.

"You see how it would be,'' he said; "as soon as people knew me to be the author of that miserable sentimental twaddle, all respect for the serious labours of my life would be gone. I dare say I know more about memorial brasses than any one living, in fact I hope one day to publish a monograph on the subject, but I should be pointed out everywhere as the man whose ditties were in the mouths of nigger minstrels along the entire coast-line of our Island home. Can you wonder that I positively hate Florrie all the time that I'm trying to grind out sugar-coated rhapsodies about her?''

"Why not give free play to your emotions, and be brutally abusive? An uncomplimentary refrain would have an instant success as a novelty if you were sufficiently outspoken.''

"I've never thought of that,'' said Septimus, "and I'm afraid I couldn't break away from the habit of fulsome adulation and suddenly change my style.''

"You needn't change your style in the least,'' said Clovis; "merely reverse the sentiment and keep to the inane phraseology of the thing. If you'll do the body of the song I'll knock off the refrain, which is the thing that principally matters, I believe. I shall charge half-shares in the royalties, and throw in my silence as to your guilty secret. In the eyes of the world you shall still be the man who has devoted his life to the study of transepts and Byzantine ritual; only sometimes, in the long winter evenings, when the wind howls drearily down the chimney and the rain beats against the windows, I shall think of you as the author of `Cora with the lips of coral.' Of course, if in sheer gratitude at my silence you like to take me for a much-needed holiday to the Adriatic or somewhere equally interesting, paying all expenses, I shouldn't dream of refusing.''

Later in the afternoon Clovis found his aunt and Mrs. Riversedge indulging in gentle exercise in the Jacobean garden.

"I've spoken to Mr. Brope about F.,'' he announced.

"How splendid of you! What did he say?'' came in a quick chorus from the two ladies.

"He was quite frank and straightforward with me when he saw that I knew his secret,'' said Clovis, "and it seems that his intentions were quite serious, if slightly unsuitable. I tried to show him the impracticability of the course that he was following. He said he wanted to be understood, and he seemed to think that Florinda would excel in that requirement, but I pointed out that there were probably dozens of delicately nurtured, pure-hearted young English girls who would be capable of understanding him, while Florinda was the only person in the world who understood my aunt's hair. That rather weighed with him, for he's not really a selfish animal, if you take him in the right way, and when I appealed to the memory of his happy childish days, spent amid the daisied fields of Leighton Buzzard (I suppose daisies do grow there), he was obviously affected. Anyhow, he gave me his word that he would put Florinda absolutely out of his mind, and he has agreed to go for a short trip abroad as the best distraction for his thoughts. I am going with him as far as Ragusa. If my aunt should wish to give me a really nice scarf-pin (to be chosen by myself), as a small recognition of the very considerable service I had done her, I shouldn't dream of refusing. I'm not one of those who think that because one is abroad one can go about dressed anyhow.''

A few weeks later in Blackpool and places where they sing, the following refrain held undisputed sway:

"How you bore me, Florrie, With those eyes of vacant blue; You'll be very sorry, Florrie, If I marry you. Though I'm easy-goin', Florrie, This I swear is true, I'll throw you down a quarry, Florrie, If I marry you.''