TABLE of CONTENTS

THE STRIDING-PLACE

THE DEAD AND THE COUNTESS

THE GREATEST GOOD OF THE GREATEST NUMBER

DEATH AND THE WOMAN

THE STRIDING-PLACE

Weigall, continental and detached, tired early of grouse shooting. To stand propped against a sod fence while his host's workmen routed up the birds with long poles and drove them towards the waiting guns, made him feel himself a parody on the ancestors who had roamed the moors and forests of this West Riding of Yorkshire in hot pursuit of game worth the killing. But when in England in August he always accepted whatever proffered for the season, and invited his host to shoot pheasants on his estates in the South. The amusements of life, he argued, should be accepted with the same philosophy as its ills.

It had been a bad day. A heavy rain had made the moor so spongy that it fairly sprang beneath the feet. Whether or not the grouse had haunts of their own, wherein they were immune from rheumatism, the bag had been small. The women, too, were an unusually dull lot, with the exception of a new-minded dŽbutante who bothered Weigall at dinner by demanding the verbal restoration of the vague paintings on the vaulted roof above them.

But it was no one of these things that sat on Weigall's mind as, when the other men went up to bed, he let himself out of the castle and sauntered down to the river. His intimate friend, the companion of his boyhood, the chum of his college days, his fellow-traveller in many lands, the man for whom he possessed stronger affection than for all men, had mysteriously disappeared two days ago, and his track might have sprung to the upper air for all trace he had left behind him. He had been a guest on the adjoining estate during the past week, shooting with the fervor of the true sportsman, making love in the intervals to Adeline Cavan, and apparently in the best of spirits. As far as was known there was nothing to lower his mental mercury, for his rent-roll was a large one, Miss Cavan blushed whenever he looked at her, and, being one of the best shots in England, he was never happier than in August. The suicide theory was preposterous, all agreed, and there was as little reason to believe him murdered. Nevertheless, he had walked out of March Abbey two nights ago without hat or overcoat, and had not been seen since.

The country was being patrolled night and day. A hundred keepers and workmen were beating the woods and poking the bogs on the moors, but as yet not so much as a handkerchief had been found.

Weigall did not believe for a moment that Wyatt Gifford was dead, and although it was impossible not to be affected by the general uneasiness, he was disposed to be more angry than frightened. At Cambridge Gifford had been an incorrigible practical joker, and by no means had outgrown the habit; it would be like him to cut across the country in his evening clothes, board a cattle-train, and amuse himself touching up the picture of the sensation in West Riding.

However, Weigall's affection for his friend was too deep to companion with tranquillity in the present state of doubt, and, instead of going to bed early with the other men, he determined to walk until ready for sleep. He went down to the river and followed the path through the woods. There was no moon, but the stars sprinkled their cold light upon the pretty belt of water flowing placidly past wood and ruin, between green masses of overhanging rocks or sloping banks tangled with tree and shrub, leaping occasionally over stones with the harsh notes of an angry scold, to recover its equanimity the moment the way was clear again.

It was very dark in the depths where Weigall trod. He smiled as he recalled a remark of Gifford's: "An English wood is like a good many other things in life— very promising at a distance, but a hollow mockery when you get within. You see daylight on both sides, and the sun freckles the very bracken. Our woods need the night to make them seem what they ought to be—what they once were, before our ancestors' descendants demanded so much more money, in these so much more various days."

Weigall strolled along, smoking, and thinking of his friend, his pranks—many of which had done more credit to his imagination than this—and recalling conversations that had lasted the night through. Just before the end of the London season they had walked the streets one hot night after a party, discussing the various theories of the soul's destiny. That afternoon they had met at the coffin of a college friend whose mind had been a blank for the past three years. Some months previously they had called at the asylum to see him. His expression had been senile, his face imprinted with the record of debauchery. In death the face was placid, intelligent, without ignoble lineation—the face of the man they had known at college. Weigall and Gifford had no time to comment there, and the afternoon and evening were full; but, coming forth from the house of festivity together, they had reverted almost at once to the topic.

"I cherish the theory," Gifford had said, "that the soul sometimes lingers in the body after death. During madness, of course, it is an impotent prisoner, albeit a conscious one. Fancy its agony, and its horror! What more natural than that, when the life-spark goes out, the tortured soul should take possession of the vacant skull and triumph once more for a few hours while old friends look their last? It has had time to repent while compelled to crouch and behold the result of its work, and it has shrived itself into a state of comparative purity. If I had my way, I should stay inside my bones until the coffin had gone into its niche, that I might obviate for my poor old comrade the tragic impersonality of death. And I should like to see justice done to it, as it were—to see it lowered among its ancestors with the ceremony and solemnity that are its due. I am afraid that if I dissevered myself too quickly, I should yield to curiosity and hasten to investigate the mysteries of space."

"You believe in the soul as an independent entity, then—that it and the vital principle are not one and the same?"

"Absolutely. The body and soul are twins, life comrades—sometimes friends, sometimes enemies, but always loyal in the last instance. Some day, when I am tired of the world, I shall go to India and become a mahatma, solely for the pleasure of receiving proof during life of this independent relationship."

"Suppose you were not sealed up properly, and returned after one of your astral flights to find your earthly part unfit for habitation? It is an experiment I don't think I should care to try, unless even juggling with soul and flesh had palled."

"That would not be an uninteresting predicament. I should rather enjoy experimenting with broken machinery."

The high wild roar of water smote suddenly upon Weigall's ear and checked his memories. He left the wood and walked out on the huge slippery stones which nearly close the River Wharfe at this point, and watched the waters boil down into the narrow pass with their furious untiring energy. The black quiet of the woods rose high on either side. The stars seemed colder and whiter just above. On either hand the perspective of the river might have run into a rayless cavern. There was no lonelier spot in England, nor one which had the right to claim so many ghosts, if ghosts there were.

Weigall was not a coward, but he recalled uncomfortably the tales of those that had been done to death in the Strid.1 Wordsworth's Boy of Egremond had been disposed of by the practical Whitaker; but countless others, more venturesome than wise, had gone down into that narrow boiling course, never to appear in the still pool a few yards beyond. Below the great rocks which form the walls of the Strid was believed to be a natural vault, on to whose shelves the dead were drawn. The spot had an ugly fascination. Weigall stood, visioning skeletons, uncoffined and green, the home of the eyeless things which had devoured all that had covered and filled that rattling symbol of man's mortality; then fell to wondering if any one had attempted to leap the Strid of late. It was covered with slime; he had never seen it look so treacherous.

He shuddered and turned away, impelled, despite his manhood, to flee the spot. As he did so, something tossing in the foam below the fall—something as white, yet independent of it—caught his eye and arrested his step. Then he saw that it was describing a contrary motion to the rushing water—an upward backward motion. Weigall stood rigid, breathless; he fancied he heard the crackling of his hair. Was that a hand? It thrust itself still higher above the boiling foam, turned sidewise, and four frantic fingers were distinctly visible against the black rock beyond.

Weigall's superstitious terror left him. A man was there, struggling to free himself from the suction beneath the Strid, swept down, doubtless, but a moment before his arrival, perhaps as he stood with his back to the current.

He stepped as close to the edge as he dared. The hand doubled as if in imprecation, shaking savagely in the face of that force which leaves its creatures to immutable law; then spread wide again, clutching, expanding, crying for help as audibly as the human voice.

Weigall dashed to the nearest tree, dragged and twisted off a branch with his strong arms, and returned as swiftly to the Strid. The hand was in the same place, still gesticulating as wildly; the body was undoubtedly caught in the rocks below, perhaps already half-way along one of those hideous shelves. Weigall let himself down upon a lower rock, braced his shoulder against the mass beside him, then, leaning out over the water, thrust the branch into the hand. The fingers clutched it convulsively. Weigall tugged powerfully, his own feet dragged perilously near the edge. For a moment he produced no impression, then an arm shot above the waters.

The blood sprang to Weigall's head; he was choked with the impression that the Strid had him in her roaring hold, and he saw nothing. Then the mist cleared. The hand and arm were nearer, although the rest of the body was still concealed by the foam. Weigall peered out with distended eyes. The meagre light revealed in the cuffs links of a peculiar device. The fingers clutching the branch were as familiar.

Weigall forgot the slippery stones, the terrible death if he stepped too far. He pulled with passionate will and muscle. Memories flung themselves into the hot light of his brain, trooping rapidly upon each other's heels, as in the thought of the drowning. Most of the pleasures of his life, good and bad, were identified in some way with this friend. Scenes of college days, of travel, where they had deliberately sought adventure and stood between one another and death upon more occasions than one, of hours of delightful companionship among the treasures of art, and others in the pursuit of pleasure, flashed like the changing particles of a kaleidoscope. Weigall had loved several women; but he would have flouted in these moments the thought that he had ever loved any woman as he loved Wyatt Gifford. There were so many charming women in the world, and in the thirty-two years of his life he had never known another man to whom he had cared to give his intimate friendship.

He threw himself on his face. His wrists were cracking, the skin was torn from his hands. The fingers still gripped the stick. There was life in them yet.

Suddenly something gave way. The hand swung about, tearing the branch from Weigall's grasp. The body had been liberated and flung outward, though still submerged by the foam and spray.

Weigall scrambled to his feet and sprang along the rocks, knowing that the danger from suction was over and that Gifford must be carried straight to the quiet pool. Gifford was a fish in the water and could live under it longer than most men. If he survived this, it would not be the first time that his pluck and science had saved him from drowning.

Weigall reached the pool. A man in his evening clothes floated on it, his face turned towards a projecting rock over which his arm had fallen, upholding the body. The hand that had held the branch hung limply over the rock, its white reflection visible in the black water. Weigall plunged into the shallow pool, lifted Gifford in his arms and returned to the bank. He laid the body down and threw off his coat that he might be the freer to practise the methods of resuscitation. He was glad of the moment's respite. The valiant life in the man might have been exhausted in that last struggle. He had not dared to look at his face, to put his ear to the heart. The hesitation lasted but a moment. There was no time to lose.

He turned to his prostrate friend. As he did so, something strange and disagreeable smote his senses. For a half-moment he did not appreciate its nature. Then his teeth cracked together, his feet, his outstretched arms pointed towards the woods. But he sprang to the side of the man and bent down and peered into his face. There was no face.

"This striding place is called the 'Strid,' A name which it took of yore; A thousand years hath it borne the name, And it shall a thousand more."

THE DEAD AND THE COUNTESS

It was an old cemetery, and they had been long dead. Those who died nowadays were put in the new burying-place on the hill, close to the Bois d'Amour and within sound of the bells that called the living to mass. But the little church where the mass was celebrated stood faithfully beside the older dead; a new church, indeed, had not been built in that forgotten corner of Finisterre for centuries, not since the calvary on its pile of stones had been raised in the tiny square, surrounded then, as now, perhaps, by gray naked cottages; not since the castle with its round tower, down on the river, had been erected for the Counts of Croisac. But the stone walls enclosing that ancient cemetery had been kept in good repair, and there were no weeds within, nor toppling headstones. It looked cold and gray and desolate, like all the cemeteries of Brittany, but it was made hideous neither by tawdry gew-gaws nor the license of time.

And sometimes it was close to a picture of early beauty. When the village celebrated its yearly pardon, a great procession came out of the church—priests in glittering robes, young men in their gala costume of black and silver, holding flashing standards aloft, and many maidens in flapping white head-dress and collar, black frocks and aprons flaunting with ribbons and lace. They marched, chanting, down the road beside the wall of the cemetery, where lay the generations that in their day had held the banners and chanted the service of the pardon. For the dead were peasants and priests—the Croisacs had their burying-place in a hollow of the hills behind the castle—old men and women who had wept and died for the fishermen that had gone to the grande p�che and returned no more, and now and again a child, slept there. Those who walked past the dead at the pardon, or after the marriage ceremony, or took part in any one of the minor religious festivals with which the Catholic village enlivens its existence—all, young and old, looked grave and sad. For the women from childhood know that their lot is to wait and dread and weep, and the men that the ocean is treacherous and cruel, but that bread can be wrung from no other master.

Therefore the living have little sympathy for the dead who have laid down their crushing burden; and the dead under their stones slumber contentedly enough. There is no envy among them for the young who wander at evening and pledge their troth in the Bois d'Amour, only pity for the groups of women who wash their linen in the creek that flows to the river. They look like pictures in the green quiet book of nature, these women, in their glistening white head-gear and deep collars; but the dead know better than to envy them, and the women—and the lovers—know better than to pity the dead.

The dead lay at rest in their boxes and thanked God they were quiet and had found everlasting peace.

And one day even this, for which they had patiently endured life, was taken from them.

The village was picturesque and there was none quite like it, even in Finisterre. Artists discovered it and made it famous. After the artists followed the tourists, and the old creaking diligence became an absurdity. Brittany was the fashion for three months of the year, and wherever there is fashion there is at least one railway. The one built to satisfy the thousands who wished to visit the wild, sad beauties of the west of France was laid along the road beside the little cemetery of this tale.

It takes a long while to awaken the dead. These heard neither the voluble working-men nor even the first snort of the engine. And, of course, they neither heard nor knew of the pleadings of the old priest that the line should be laid elsewhere. One night he came out into the old cemetery and sat on a grave and wept. For he loved his dead and felt it to be a tragic pity that the greed of money, and the fever of travel, and the petty ambitions of men whose place was in the great cities where such ambitions were born, should shatter forever the holy calm of those who had suffered so much on earth. He had known many of them in life, for he was very old; and although he believed, like all good Catholics, in heaven and purgatory and hell, yet he always saw his friends as he had buried them, peacefully asleep in their coffins, the souls lying with folded hands like the bodies that held them, patiently awaiting the final call. He would never have told you, this good old priest, that he believed heaven to be a great echoing palace in which God and the archangels dwelt alone waiting for that great day when the elected dead should rise and enter the Presence together, for he was a simple old man who had read and thought little; but he had a zigzag of fancy in his humble mind, and he saw his friends and his ancestors' friends as I have related to you, soul and body in the deep undreaming sleep of death, but sleep, not a rotted body deserted by its affrighted mate; and to all who sleep there comes, sooner or later, the time of awakening.

He knew that they had slept through the wild storms that rage on the coast of Finisterre, when ships are flung on the rocks and trees crash down in the Bois d'Amour. He knew that the soft, slow chantings of the pardon never struck a chord in those frozen memories, meagre and monotonous as their store had been; nor the bagpipes down in the open village hall—a mere roof on poles—when the bride and her friends danced for three days without a smile on their sad brown faces.

All this the dead had known in life and it could not disturb nor interest them now. But that hideous intruder from modern civilization, a train of cars with a screeching engine, that would shake the earth which held them and rend the peaceful air with such discordant sounds that neither dead nor living could sleep! His life had been one long unbroken sacrifice, and he sought in vain to imagine one greater, which he would cheerfully assume could this disaster be spared his dead.

But the railway was built, and the first night the train went screaming by, shaking the earth and rattling the windows of the church, he went out and out and sprinkled every grave with holy water.

And thereafter twice a day, at dawn and at night, as the train tore a tunnel in the quiet air, like the plebian upstart it was, he sprinkled every grave, rising sometimes from a bed of pain, at other times defying wind and rain and hail. And for a while he believed that his holy device had deepened the sleep of his dead, locked them beyond the power of man to awake. But one night he heard them muttering.

It was late. There were but a few stars on a black sky. Not a breath of wind came over the lonely plains beyond, or from the sea. There would be no wrecks to-night , and all the world seemed at peace. The lights were out in the village. One burned in the tower of Croisac, where the young wife of the count lay ill. The priest had been with her when the train thundered by, and she had whispered to him:

"Would that I were on it! Oh, this lonely lonely land! this cold echoing ch‰teau, with no one to speak to day after day! If it kills me, mon p�re, make him lay me in the cemetery by the road, that twice a day I may hear the train go by—the train that goes to Paris! If they put me down there over the hill, I will shriek in my coffin every night."

The priest had ministered as best he could to the ailing soul of the young noblewoman, with whose like he seldom dealt, and hastened back to his dead. He mused, as he toiled along the dark road with rheumatic legs, on the fact that the woman should have the same fancy as himself.

"If she is really sincere, poor young thing, " he thought aloud, " I will forbear to sprinkle holy-water on her grave. For those who suffer while alive should have all they desire after death, and I am afraid the count neglects her. But I pray God that my dead have not heard that monster to-night." And he tucked his gown under his arm and hurriedly told his rosary.

But when he went about among the graves with the holy-water he heard the dead muttering.

"Jean-Marie, " said a voice, fumbling among its unused tones for forgotten notes, " art thou ready? Surely that is the last call."

"Nay, nay," rumbled another voice, "that is not the sound of a trumpet, Fran�ois. That will be sudden and loud and sharp, like the great blasts of the north when they come plunging over the sea from out the awful gorges of Iceland.

Dost thou remember them, Fran�ois? Thank the good God they spared us to die in our beds with our grandchildren about us and only the little wind sighing in the Bois d'Amour. Ah, the poor comrades that died in their manhood, that went to the grande p�che once too often! Dost thou remember when the great wave curled round Ignace like his poor wife's arms, and we saw him no more? We clasped each other's hands, for we believed that we should follow, but we lived and went again and again to the grande p�che, and died in our beds. Gr‰ce ˆ Dieu!"

"Why dost thou think of that now—here in the grave where it matters not, even to the living?"

"I know not; but it was of that night when Ignace went down that I thought as the living breath went out of me. Of what didst thou think as thou layest dying?"

"Of the money I owed to Dominique and could not pay. I sought to ask my son to pay it, but death had come suddenly and I could not speak. God knows how they treat my name to-day in the village of St. Hilaire."

"Thou art forgotten," murmured another voice. I died forty years after thee and men remember not so long in Finisterre. But thy son was my friend and I remember that he paid the money."

"And my son, what of him? Is he, too, here?"

"Nay; he lies deep in the northern sea. It was his second voyage, and he had returned with a purse for the young wife, the first time. But he returned no more, and she washed in the river for the dames of Croisac, and by-and-by she died. I would have married her but she said it was enough to lose one husband. I married another, and she grew ten years in every three that I went to the grande p�che. Alas for Brittany, she has no youth!"

"And thou? Wert thou an old man when thou camest here?"

"Sixty. My wife came first, like many wives. She lies here. Jeanne!"

"Is't thy voice, my husband? Not the Lord Jesus Christ's? What miracle is this? I thought that terrible sound was the trumpet of doom."

"It could not be, old Jeanne, for we are still in our graves. When the trump sounds we shall have wings and robes of light, and fly straight up to heaven. Hast thou slept well?"

"Ay! But why are we awakened? Is it time for purgatory? Or have we been there?"

"The good God knows. I remember nothing. Art frightened? Would that I could hold thy hand, as when thou didst slip from life into that long sleep thou didst fear, yet welcome."

"I am frightened, my husband. But it is sweet to hear thy voice, hoarse and hollow as it is from the mould of the grave. Thank the good God thou didst bury me with the rosary in my hands," and she began telling the beads rapidly.

"If God is good," cried Fran�ois, harshly, and his voice came plainly to the priest's ears, as if the lid of the coffin had rotted, "why are we awakened before our time? What foul fiend was it that thundered and screamed through the frozen avenues of my brain? Has God, perchance, been vanquished and does the Evil One reign in His stead?"

"Tut, tut! Thou blasphemest! God reigns, now and always. It is but a punishment He has laid upon us for the sins of earth."

"Truly, we were punished enough before we descended to the peace of this narrow house. Ah, but it is dark and cold! Shall we lie like this for an eternity, perhaps? On earth we longed for death, but feared the grave. I would that I were alive again, poor and old and alone and in pain. It were better than this. Curse the foul fiend that woke us!"

"Curse not, my son," said a soft voice, and the priest stood up and uncovered and crossed himself, for it was the voice of his aged predecessor. " I cannot tell thee what this is that has rudely shaken us in our graves and freed our spirits of their blessed thraldom, and I like not the consciousness of this narrow house, this load of earth on my tired heart. But it is right, it must be right, or it would not be at all—ah, me!"

For a baby cried softly, hopelessly, and from a grave beyond came a mother's anguished attempt to still it.

"Ah, the good God!" she cried. "I, too, thought it was the great call, and that in a moment I should rise and find my child and go to my Ignace, my Ignace whose bones lie white on the floor of the sea. Will he find them, my father, when the dead shall rise again? To lie here and doubt!—that were worse than life."

"Yes, yes," said the priest; " all will be well, my daughter."

"But all is not well, my father, for my baby cries and is alone in a little box in the ground. If I could claw my way to her with my hands—but my old mother lies between us."

"Tell your beads!" commanded the priest, sternly—" tell your beads, all of you. All ye that have not your beads, say the 'Hail Mary!' one hundred times."

Immediately a rapid, monotonous muttering arose from every lonely chamber of that desecrated ground. All obeyed but the baby, who still moaned with the hopeless grief of deserted children. The living priest knew that they would talk no more that night, and went into the church to pray till dawn. He was sick with horror and terror, but not for himself. When the sky was pink and the air full of the sweet scents of morning, and a piercing scream tore a rent in the early silences, he hastened out and sprinkled his graves with a double allowance of holy-water. The train rattled by with two short derisive shrieks, and before the earth had ceased to tremble the priest laid his ear to the ground. Alas, they were still awake!

"The fiend is on the wing again, said Jean-Marie; "but as he passed I felt as if the finger of God touched my brow. It can do us no harm."

"I, too, felt that heavenly caress!" exclaimed the old priest. " And I!" And I!" "And I!" came from every grave but the baby's.

The priest of earth, deeply thankful that his simple device had comforted them, went rapidly down the road to the castle. He forgot that he had not broken his fast nor slept. The count was one of the directors of the railroad, and to him he would make a final appeal.

It was early, but no one slept at Croisac. The young countess was dead. A great bishop had arrived in the night and administered extreme unction. The priest hopefully asked if he might venture into the presence of the bishop. After a long wait in the kitchen, he was told that he could speak with Monsieur l' ƒv�que. He followed the servant up the wide spiral stair of the tower, and from its twenty-eighth step entered a room hung with purple cloth stamped with golden fleurs-de-lis. The bishop lay six feet above the floor on one of the splendid carved cabinet beds that are built against the walls in Brittany. Heavy curtains shaded his cold white face. The priest, who was small and bowed, felt immeasurably below that august presence, and sought for words.

"What is it, my son?" asked the bishop, in his cold weary voice. " Is the matter so pressing? I am very tired."

Brokenly, nervously, the priest told his story, and as he strove to convey the tragedy of the tormented dead he not only felt the poverty of his expression—for was little used to narrative— but the torturing thought assailed him that what he said sounded wild and unnatural, real as it was to him. But he was not prepared for its effect on the bishop. He was standing in the middle of the room, whose gloom was softened and gilded by the waxen lights of a huge candelabra; his eyes, which had wandered unseeingly from one massive piece of carved furniture to another, suddenly lit on the bed, and he stopped abruptly, his tongue rolling out. The bishop was sitting up, livid with wrath.

"And this was thy matter of life and death, thou prating madman!" he thundered. "For this string of foolish lies I am kept from my rest, as if I were another old lunatic like thyself! Thou art not fit to be a priest and have the care of souls. To-morrow—"

But the priest had fled, wringing his hands.

As he stumbled down the winding stair he ran straight into the arms of the count. Monsieur de Croisac had just closed a door behind him. He opened it, and, leading the priest into the room, pointed to his dead countess, who lay high up against the wall, her hands clasped, unmindful for evermore of the six feet of carved cupids and lilies that upheld her. On high pedestals at head and foot of her magnificent couch the pale flames rose from tarnished golden candlesticks. The blue hangings of the room, with their white fleurs-de-lis, were faded, like the rugs on the old dim floor; for the splendor of the Croisacs had departed with the Bourbons. The count lived in the old ch‰teau because he must; but he reflected bitterly to-night that if he had made the mistake of bringing a young girl to it, there were several things he might have done to save her from despair and death.

"Pray for her," he said to the priest. "And you will bury her in the old cemetery. It was her last request."

He went out, and the priest sank on his knees and mumbled his prayers for the dead. But his eyes wandered to the high narrow windows through which the countess had stared for hours and days, stared at the fishermen sailing north for the grande p�che, followed along the shore of the river by wives and mothers, until their boats were caught in the great waves of the ocean beyond; often at naught more animate than the dark flood, the wooded banks, the ruins, the rain driving like needles through the water. The priest had eaten nothing since his meagre breakfast at twelve the day before, and his imagination was active. He wondered if the soul up there rejoiced in the death of the beautiful restless body, the passionate brooding mind. He could not see her face from where he knelt, only the waxen hands clasping a crucifix. He wondered if the face were peaceful in death, or peevish and angry as when he had seen it last. If the great change had smoothed and sealed it, then perhaps the soul would sink deep under the dark waters, grateful for oblivion, and that cursed train could not awaken it for years to come. Curiosity succeeded wonder. He cut his prayers short, got to his weary swollen feet and pushed a chair to the bed. He mounted it and his face was close to the dead woman's. Alas! it was not peaceful. It was stamped with the tragedy of a bitter renunciation. After all, she had been young, and at the last had died unwillingly. There was still a fierce tenseness about the nostrils, and her upper lip was curled as if her last word had been an imprecation. But she was very beautiful, despite the emaciation of her features. Her black hair nearly covered the bed, and her lashes looked too heavy for the sunken cheeks.

"Pauvre petite!" thought the priest. " No, she will not rest, nor would she wish to. I will not sprinkle holy-water on her grave. It is wondrous that monster can give comfort to any one, but if he can, so be it."

He went into the little oratory adjoining the bedroom and prayed more fervently. But when the watchers came an hour later they found him in a stupor, huddled at the foot of the altar.

When he awoke he was in his own bed in his little house beside the church. But it was four days before they would let him rise to go about his duties, and by that time the countess was in her grave.

The old housekeeper left him to take care of himself. He waited eagerly for the night. It was raining thinly, a gray quiet rain that blurred the landscape and soaked the ground in the Bois d'Amour. It was wet about the graves, too; but the priest had given little heed to the elements in his long life of crucified self, and as he heard the remote echo of the evening train he hastened out with his holy-water and had sprinkled every grave but one when the train sped by.

Then he knelt and listened eagerly. It was five days since he had knelt there last. Perhaps they had sunk again to rest. In a moment he wrung his hands and raised them to heaven. All the earth beneath him was filled with lamentation. They wailed formercy, for peace, for rest; they cursed the foul fiend who had shattered the locks of death; and among the voices of men and children the priest distinguished the quavering notes of his aged predecessor; not cursing, but praying with bitter entreaty. The baby was screaming with the accents of mortal terror and its mother was too frantic to care.

"Alas," cried the voice of Jean-Marie, "that they never told us what purgatory was like! What do the priests know? When we were threatened with punishment of our sins not a hint did we have of this. To sleep for a few hours, haunted with the moment of awakening! Then a cruel insult from the earth that is tired of us, and the orchestra of hell. Again! and again! and again! Oh God! How long? How long?"

The priest stumbled to his feet and ran over graves and paths to the mound above the countess. There he would hear a voice praising the monster of night and dawn, a note of content in this terrible chorus of despair which he believed would drive him mad. He vowed that on the morrow he would move his dead, if he had to unbury them with his own hands and carry them up the hill to graves of his own making.

For a moment he heard no sound. He knelt and laid his ear to the grave, then pressed it more closely and held his breath. A long rumbling moan reached it, then another and another. But there were no words.

"Is she moaning in sympathy with my poor friends?" he thought; "or have they terrified her? Why does she not speak to them? Perhaps they would forget their plight were she to tell them of the world they have left so long. But it was not their world. Perhaps that it is which distresses her, for she will be lonelier here than on earth. Ah!"

A sharp horrified cry pierced to his ears, then a gasping shriek, and another; all dying away in a dreadful smothered rumble.

The priest rose and wrung his hands, looking to the wet skies for inspiration.

"Alas!" he sobbed, "she is not content. She has made a terrible mistake. She would rest in the deep sweet peace of death, and that monster of iron and fire and the frantic dead about her are tormenting a soul so tormented in life. There may be rest for her in the vault behind the castle, but not here. I know, and I shall do my duty—now, at once."

He gathered his robes about him and ran as fast as his old legs and rheumatic feet would take him towards the ch‰teau, whose lights gleamed through the rain. On the bank of the river he met a fisherman and begged to be taken by boat. The fisherman wondered, but picked the priest up in his strong arms, lowered him into the boat, and rowed swiftly towards the ch‰teau. When they landed he made fast.

"I will wait for you in the kitchen, my father," he said; and the priest blessed him and hurried up to the castle.

Once more he entered through the door of the great kitchen, with its blue tiles, its glittering brass and bronze warming-pans which had comforted nobles and monarchs in the days of Croisac splendor. He sank into a chair beside the stove while a maid hastened to the count. She returned while the priest was still shivering, and announced that her master would see his holy visitor in the library.

It was a dreary room where the count sat waiting, for the priest, and it smelled of musty calf, for the books on the shelves were old. A few novels and newspapers lay on the heavy table, a fire burned on the andirons, but the paper on the wall was very dark and the fleurs-de-lis were tarnished and dull. The count, when at home, divided his time between this library and the water, when he could not chase the boar or the stag in the forests. But he often went to Paris, where he could afford the life of a bachelor in a wing of his great hotel; he had known too much of the extravagance of women to give his wife the key of the faded salons. He had loved the beautiful girl when he married her, but her repinings and bitter discontent had alienated him, and during the past year he had held himself aloof from her in sullen resentment. Too late he understood, and dreamed passionately of atonement. She had been a high-spirited brilliant eager creature, and her unsatisfied mind had dwelt constantly on the world she had vividly enjoyed for one year. And he had given her so little in return!

He rose as the priest entered, and bowed low. The visit bored him, but the good old priest commanded his respect; moreover, he had performed many offices and rites in his family. He moved a chair towards his guest, but the old man shook his head and nervously twisted his hands together.

"Alas, monsieur le comte," he said, "it may be that you, too, will tell me that I am an old lunatic, as did Monsieur l' ƒv�que. Yet I must speak, even if you tell your servants to fling me out of the ch‰teau."

The count had started slightly. He recalled certain acid comments of the bishop, followed by a statement that a young curŽ should be sent, gently to supersede the old priest, who was in his dotage. But he replied suavely:

"You know, my father, that no one in this castle will ever show you disrespect. Say what you wish; have no fear. But will you not sit down? I am very tired."

The priest took the chair and fixed his eyes appealingly on the count.

"It is this, monsieur." He spoke rapidly, lest his courage should go. "That terrible train, with its brute of iron and live coals and foul smoke and screeching throat, has awakened my dead. I guarded them with holy-water and they heard it not, until one night when I missed—I was with madam as the train shrieked by shaking the nail out of the coffins. I hurried back, but the mischief was done, the dead were awake, the dear sleep of eternity was shattered. They thought it was the last trump and wondered why they still were in their graves. But they talked together and it was not so bad at the first. But now they are frantic. They are in hell, and I have come to beseech you to see that they are moved far up on the hill. Ah, think, think, monsieur, what it is to have the last long sleep of the grave so rudely disturbed—the sleep for which we live and endure so patiently!"

He stopped abruptly and caught his breath. The count had listened without change of countenance, convinced that he was facing a madman. But the farce wearied him, and involuntarily his hand had moved towards a bell on the table.

"Ah, monsieur, not yet! not yet!" panted the priest. "It is of the countess I came to speak. I had forgotten. She told me she wished to lie there and listen to the train go by to Paris, so I sprinkled no holy-water on her grave. But she, too, is wretched and horror-stricken, monsieur. She moans and screams. Her coffin is new and strong, and I cannot hear her words, but I have heard those frightful sounds from her grave to-night, monsieur; I swear it on the cross. Ah, monsieur, thou dost believe me at last!"

For the count, as white as the woman had been in her coffin, and shaking from head to foot, had staggered from his chair and was staring at the priest as if he saw the ghost of his countess. "You heard—?" he gasped.

"She is not at peace, monsieur. She moans and shrieks in a terrible, smothered way, as if a hand were on her mouth—"

But he had uttered the last of his words. The count had suddenly recovered himself and dashed from the room. The priest passed his hand across his forehead and sank slowly to the floor.

"He will see that I spoke the truth," he thought, as he fell asleep, "and to-morrow he will intercede for my poor friends."

The priest lies high on the hill where no train will ever disturb him, and his old comrades of the violated cemetery are close about him. For the Count and Countess of Croisac, who adore his memory, hastened to give him in death what he most had desired in the last of his life. And with them all things are well, for a man, too, may be born again, and without descending into the grave.

THE GREATEST GOOD OF THE GREATEST NUMBER

MORTON BLAINE returned to New York from his brief vacation to find awaiting him a frantic note from John Schuyler, the man nearer to him than any save himself, imploring him to "come at once." The appeal was supplemented with the usual intimation that the service was to be rendered to God rather than to man.

The note was twenty-four hours old. Blaine, without changing his travelling clothes, rang for a cab and was driven rapidly up the Avenue. He was a man of science, not of enthusiasms, cold, unerring, brilliant; a superb intellectual machine, which never showed a fleck of rust, unremittingly polished, and enlarged with every improvement. But for one man he cherished an abiding sympathy; to that man he hastened on the slightest summons, as he hastened now. They had been intimate in boyhood; then in later years through mutual respect for each other's high abilities and ambitions.

As the cab rolled over the asphalt of the Avenue, Blaine glanced idly at the stream of carriages returning from the Park, lifting his hat to many of the languid pretty women. He owed his minor fame to his guardianship of fashionable nerves. He could calm hysteria with a pressure of his cool flexible hand or a sudden modulation of his harsh voice. And women dreaded his wrath. There were those who averred that his eyes could smoke.

He leaned forward and raised his hat with sudden interest. She who returned his bow was as cold in her coloring as a winter night, but possessed a strength of line and depth of eye which suggested to the analyst her power to give the world a shock did Circumstance cease to run abreast of her. She was leaning back indolently in the open carriage, the sun slanting into her luminous skin and eyes, her face locked for the benefit of the chance observer, although she conversed with the faded individual at her side. As her eyes met those of the doctor her mouth convulsed suddenly, and a glance of mutual understanding passed between them.

Then she raised her head with a defiant, almost reckless movement.

Blaine reached his friend's house in a moment. The man who had summoned him was walking aimlessly up and down his library. He was unshaven; his hair and his clothing were disordered. His face had the modern beauty of strength and intellect and passion and weakness. A flash of relief illuminated it as Blaine entered.

"She has been terrible!" he said. "Terrible! I have not had the courage to call in any one else, and I am worn out. She is asleep now, and I got out of the room for half an hour. The nurse is exhausted too. Do stay tonight."

"I will stay. Let us go up-stairs."

As they reached the second landing two handsome children romped across the hall and flung themselves upon their father.

"Where have you been?" they demanded. Why do you shut yourself up on the third floor with mamma all the time? When will she get well?"

Schuyler kissed them and bade them return to the nursery.

"How long can I keep it from them?" he asked bitterly. " What an atmosphere for children—my children!—to grow up in!"

"If you would do as I wish, and send her where she belongs—"

"I shall not. She is my wife. Moreover, concealment would then be impossible."

They had reached the third floor. He inserted a key in a door, hesitated a moment, then said abruptly: " I saw in a paper that she had returned. Can it be possible?"

"I saw her on the Avenue a few moments ago."

Was it the doctor's imagination, or did the goaded man at his side flash him a glance of appeal?

They entered a room whose doors and windows were muffled. The furniture was solid, too solid to be moved except by muscular arms. There were no mirrors nor breakable articles of any sort.

On the bed lay a woman with ragged hair and sunken yellow face, but even in her ruin indefinably elegant. Her parted lips were black and blistered within; her shapely skinny hands clutched the quilt with the tenacious suggestion of the eagle—that long-lived defiant bird. At the bedside sat a vigorous woman, the pallor of fatigue on her face.

The creature on the bed opened her eyes. They had once been what are vaguely known as fine eyes; now they looked like blots of ink on parchment.

"Give me a drink," she said feverishly. "Water! water! water!" She panted, and her tongue protruded slightly. Her husband turned away, his shoulders twitching. The nurse held a silver goblet to the woman's lips. She drank greedily, then scowled up at the doctor.

"You missed it,"she said. "I should be glad, for I hate you, only you give me more relief than they. They are afraid. They tried to fool me, the idiots! But they didn't try it twice. I bit."

She laughed and threw her arms above her head. The loose sleeves of her gown fell back and disclosed arms speckled as if from an explosion of gunpowder.

"Just an ordinary morphine fiend," thought the doctor. "And she is the wife of John Schuyler!"

An hour after dinner he told the husband and nurse to go to bed. For a while be read, the woman sleeping profoundly. The house was absolutely still, or seemed to be. Had pandemonium reigned he could hardly have heard an echo of it from this isolated room. The window was open, but looked upon roofs and back yards; no sound of carriage wheels rose to break the quiet. Despite the stillness, the doctor had to strain his ear to catch the irregular breathing of the sick woman. He had a singular feeling, although the most unimaginative of men, that this third floor, containing only himself and the woman, had been sliced from the rest of the house and hung suspended in space, independent of natural laws. It was after the book had ceased to interest him that the idea shaped itself, born of another, as yet unacknowledged, skulking in the recesses of his brain. At length he laid aside the book, and going to the bed, looked down upon the woman, coldly, reflectively—exactly as he had often watched the quivering of an animal—dissected alive in the cause of science.

Studying this man's face, it was impossible to imagine it agitated by any passion except thirst for knowledge. The skin was as white as marble; the profile was straight and mathematical, the mouth a straight line, the chin as square as that of a chiselled Fate. The jaw was prominent, powerful, relentless. The eyes were deeply set and gray as polished steel. The large brow was luminous, very full—an index to the terrible intellect of the man.

As he looked down on the woman his thin nostrils twitched once and his lips compressed more firmly. Then he smiled. It was an odd, almost demoniacal smile.

"A physician," he said, half aloud, "has almost as much power as God. The idea strikes me that we are the personification of that useful symbol."

He plunged his hands into his pockets, and walked up and down the long thickly carpeted room.

"These are the facts in the case," he continued. "The one man I love and unequivocally respect is tied, hand and foot, to that unsexed dehumanized morphine receptacle on the bed. She is hopeless. Every known specific has failed, must fail, for she loves the vice. He has one of the best brains of this day prolific in brains; a distressing capacity for affection, human to the core. At the age of forty-two, in the maturity of his mental powers, he carries with him a constant sickening sense of humiliation; a proud man, he lives in daily fear of exposure and shame. At the age of forty-two, in the maturity of his manhood, he meets the woman who conquers his heart, his imagination, who compels his faith by making other women abhorrent to him, who allures and maddens with the certainty of her power to make good his ideal of her. He cannot marry her; that animal on the bed is capable of living for twenty years.

"So much for him. A girl of twenty-eight, whose wealth and brain and beauty, and that other something that has not yet been analyzed and labelled, have made her a social star; who has come to wonder, then to resent, then to yawn at the general vanity of life, is suddenly swept out of her calm orbit by a man's passion; and, with the swiftness of decision natural to her, goes to Europe. She returns in less than three months. For these two people there is but one sequel. The second chapter will be written the first time they are alone. Then they will go to Europe. What will be the rest of the book?

"First, there will be an ugly and reverberating scandal. In the course of a year or two she will compel him to return in the interest of his career. She will not be able to remain; so proud a woman could not stand the position. Again he will go with her. In a word, my friend's career will be ruined. So many novelists and reporters have written the remaining chapters of this sort of story that it is hardly worth while for me to go any further.

"So much for them. Let us consider the other victims—the children. A morphine-mother in an asylum, a father in a strange land with a woman who is not his wife, the world cognizant of all the facts of the case. They grow up at odds with society. Result, they are morbid, warped, unnormal. In trite old English, their lives are ruined, as are all lives that have not had a fair chance."

He returned abruptly to the bedside. He laid his finger on the woman's pulse.

"No morphine to-night and she dies. A worthless wretch is sent where she belongs. Four people are saved."

His breast swelled. His gray eyes seemed literally to send forth smoke; they suggested some noiseless deadly weapon of war. He exclaimed aloud: " My God! what a power to lie in the hands of one man! I stand here the arbiter of five destinies. It is for me to say whether four people shall be happy or wretched, saved or ruined. I might say, with Nero, 'I am God!'" He laughed. "I am famed for my power to save where others have failed. I am famed in the comic weeklies for having ruined the business of more undertakers than any physician of my day. That has been my r™le, my professional pride. I have never felt so proud as now."

The woman, who had been moving restlessly for some time, twitched suddenly and uncontrollably. She opened her eyes.

"Give it to me—quick!" she demanded. Her voice, always querulous, was raucous; her eyes were wild.

"No," he said, deliberately, "you will have no more morphine; not a drop."

She stared at him incredulously, then laughed.

"Stop joking," she said, roughly. "Give it to me quick—quick! I am very weak."

"No," he said.

Then, as he continued to hold her eyes, her own gradually expanded with terror. She raised herself on one arm.

"You mean that?" she asked.

"Yes."

He watched her critically. She would be interesting.

"You are going to cure me with drastic measures, since others have failed?"

"Possibly."

Her face contracted with hatred. She had been a rather clever woman, and she believed that he was going to experiment with her. But she had also been a strong-willed woman and used to command since babyhood.

"Give me that morphine," she said, imperiously. "If you don't I'll be dead before morning."

He stood imperturbable. She sprang from the bed and flung herself upon him, strong with anger and apprehension.

"Give it to me!" she screamed. "Give it to me!" And she strove to bite him.

He caught her by the shoulder and held her at arm's-length. She writhed and struggled and cursed. Her oaths might have been learned in the gutter. She kicked at him and strove to reach him with her nails, clawing the air. She looked like a witch on a broomstick.

"What an exquisite bride she was!" he thought. "And what columns of rubbish have been printed about her and her entertainments!"

The woman was shrieking and struggling.

"Give it to me! You brute! You fiend! I always hated you! Give it to me! I am dying! I am dying! Help! Help!" But the walls were padded, and she knew it.

He permitted her to fling herself upon him, easily brushing aside her jumping fingers and snapping teeth. He knew that her agony was frightful. Her body was a net-work of hungry nerves. The diseased pulp of her brain had ejected every thought but one. She squirmed like an old autumn leaf about to fall. Her ugly face became tragic. The words shot from her dry contracted throat: "Give me the morphine! Give me the morphine!"

Suddenly realizing the immutability of the man in whose power she was, she sprang from him and ran frantically about the room, uttering harsh bleatlike cries. She pulled open the drawers of a chest, rummaging among its harmless contents, gasping, quivering, bounding, as her tortured nerves commanded. When she had littered the floor with the contents of the chest she ran about screaming hopelessly. The doctor shuddered, but he thought of the four innocent people in her power and in his.

She fell in a heap on the floor, biting the carpet, striking out her arms aimlessly, tearing her nightgown into strips; then lay quivering, a hideous, speckled, uncanny thing, who should have been embalmed and placed beside the Venus of Milo.

She raised herself on her hands and crawled along the carpet, casually at first, as a man stricken in the desert may, half-consciously, continue his search for water. Then the doctor, intently watching her, saw an expression of hope leap into her bulging eyes. She scrambled past him towards the wash-stand. Before he could define her purpose, she had leaped upon a goblet inadvertently left there and had broken it on the marble. He reached her just in time to save her throat.

Then she looked up at him pitifully. "Give it to me!"

She pressed his knees to her breast. The red burned-out tear-ducts yawned. The tortured body stiffened and relaxed.

"Poor wretch!" he thought. "But what is the physical agony of a night to the mental anguish of a lifetime?"

"Once! once!" she gasped; "or kill me." Then, as he stood implacable, "Kill me! Kill me!"

He picked her up, put a fresh night-gown on her, and laid her on the bed. She remained as he placed her, too weak to move, her eyes staring at the ceiling above the big four-posted bed.

He returned to his chair and looked at his watch. "She may live two hours," he thought. "Possibly three. It is only twelve. There is plenty of time."

The room grew as still as the mountain-top whence he had that day returned. He attempted to read, but could not. The sense of supreme power filled his brain. He was the gigantic factor in the fates of four.

Then Circumstance, the outwardly wayward, the ruthlessly sequential, played him an ugly trick. His eyes, glancing idly about the room, were arrested by a big old-fashioned rocking-chair. There was something familiar about it. Soon he remembered that it resembled one in which his mother used to sit. She had been an invalid, and the most sinless and unworldly woman be had ever known. He recalled, with a touch of the old impatience, how she had irritated his active, aspiring, essentially modern mind with her cast-iron precepts of right and wrong. Her conscience flagellated her, and she had striven to develop her son's to the goodly proportion of her own. As he was naturally a truthful and upright boy, he resented her homilies mightily. "Conscience," he once broke out impatiently, "has made more women bores, more men failures, than any ten vices in the rogues calendar."

She had looked in pale horror, and taken refuge in an axiom: "Conscience makes cowards of us all."

He moved his head with involuntary pride. The greatest achievement of civilization was the triumph of the intellect over inherited impressions. Every normal man was conscientious by instinct, however he might outrage the sturdy little judge clinging tenaciously to his bench in the victim's brain. It was only when the brain grew big with knowledge and the will clasped it with fingers of steel that the little judge was throttled, then cast out.

Conscience. What was it like? The doctor had forgotten. He had never committed a murder nor a dishonorable act. Had the impulse of either been in him, his cleverness would have put it aside with a smile of scorn. He had never scrupled to thrust from his path whoever or whatever stood in his way, and had stridden on without a backward glance. His profession had involved many experiments that would have made quick havoc of even the ordinary man's conscience.

Conscience. An awkward guest for an unsuspected murderer; for the groundling whose heredity had not been conquered by brain. Fancy being pursued by the spectre of the victim!

The woman on the bed gave a start and groan that recalled him to the case in hand. He rose and walked quickly to her side. Her eyes were closed, her face was black with congested blood. He laid his finger on her pulse. It was feeble.

"It will not be long now," he thought.

He went toward his chair. He felt a sudden distaste for it, a desire for motion. He walked up and down the room rather more rapidly than before.

"If I were an ordinary man," he thought, "I suppose that tortured creature on the bed would haunt me to my death. Rot! A murderer I should be called if the facts were known, I suppose. Well, she is worse. Did I permit her to live she would make the living hell of four people."

The woman gave a sudden awful cry, the cry of a lost soul shot into the night of eternity. The stillness had been so absolute, the cry broke that stillness so abruptly and so horridly, that the doctor, strong-brained, strong-nerved as he was, gave a violent start, and the sweat started from his body.

"I am a fool," he exclaimed angrily, welcoming the sound of his voice; "but I wish to God it were day and there were noises outside."

He strode hurriedly up and down the room, casting furtive glances at the bed. The night was quiet again, but still that cry rang through it and lashed his brain. He recalled the theory that sound never dies. The waves of space had yielded this to him.

"Good God!" he thought. "Am I going to pieces? If I let this wretch, this criminal die, I save four people. If I let her live, I ruin their lives. The life of a man of brain and pride and heart; the life of a woman of beauty and intellect and honor; the lives of two children of unknown potentialities, for whom the world has now a warm heart. 'The greatest good of the greatest number'—the principle that governs civil law. Has not even the worthy individual been sacrificed to it again and again? Does it not hang the criminal dangerous to the community? And is that called murder? What am I at this moment but law epitomized? Shall I hesitate? My God, am I hesitating? Conscience—is it that? A superfluous instinct transmitted by my ancestors and coddled by a woman—is it that which has sprung from its grave, rattling its bones? 'Conscience makes'—oh, shame that I should succumb when so much is at stake—that I should hesitate when the welfare of four human beings trembles in the balance! 'Conscience'—that in the moment of my supreme power I should falter!"

He returned to the woman. He reached his finger toward her pulse, then hurriedly withdrew it and resumed his restless march.

"This is only a nightmare, born of the night and the horrible stillness. To-morrow in the world of men it will be forgotten, and I shall rejoice. . . . But there will be recurring hours of stillness, of solitude. Will this night repeat itself ? Will that thing on the bed haunt me? Will that cry shriek in my ears? Oh, shame on my selfishness! What am I thinking of? To let that base, degraded wretch exist, that I may live peaceably with my conscience? To let four others go to their ruin, that I may escape a few hours of torment? That I—I—should come to this! 'The greatest good of the greatest number. The greatest'... 'Conscience makes cowards of us all!'"

To his unutterable self-contempt and terror, he found his will for once powerless to control the work of the generations that had preceded him. His iron jaw worked spasmodically, his gray eyes looked frozen. The marble pallor of his face was suffused with a tinge of green.

"I despise myself !" he exclaimed, with fierce emphasis. "I loathe myself! I will not yield! 'Conscience'—they shall be saved, and by me. 'The greatest'—I will maintain my intellectual supremacy—that, if nothing else. She shall die!"

He halted abruptly. Perhaps she was already dead. Then he could reach the door in a bound and run downstairs and out of the house. To be followed . . .

He ran to the bed. The woman still breathed faintly, her mouth was twisted into a sardonic and pertinent expression. His hand sought his pocket and brought forth a case. He opened it and stared at the hypodermic syringe. His trembling fingers closed about it and moved toward the woman. Then, with an effort so violent he fancied he could hear his tense muscles creak, he straightened himself and turned his back upon the bed. At the same moment he dropped the instrument to the floor and set his heel upon it.

DEATH AND THE WOMAN

Her husband was dying, and she was alone with him. Nothing could exceed the desolation of her surroundings. She and the man who was going from her were in the third- floor-back of a New York boarding-house. It was summer, and the other boarders were in the country; all the servants except the cook had been dismissed, and she, when not working, slept profoundly on the fifth floor. The landlady also was out of town on a brief holiday.

The window was open to admit the thick unstirring air; no sound rose from the row of long narrow yards, nor from the tall deep houses annexed. The latter deadened the rattle of the streets. At intervals the distant elevated lumbered protestingly along, its grunts and screams muffled by the hot suspended ocean.

She sat there plunged in the profoundest grief that can come to the human soul, for in all other agony hope flickers, however forlornly. She gazed dully at the unconscious breathing form of the man who had been friend, and companion, and lover, during five years of youth too vigorous and hopeful to be warped by uneven fortune. It was wasted by disease; the face was shrunken; the night- garment hung loosely about a body which had never been disfigured by flesh, but had been muscular with exercise and full-blooded with health. She was glad that the body was changed; glad that its beauty, too, had gone some other—where than into the coffin. She had loved his hands as apart from himself; loved their strong warm magnetism. They lay limp and yellow on the quilt: she knew that they were already cold, and that moisture was gathering on them. For a moment something convulsed within her. They had gone too. She repeated the words twice, and, after them, "forever." And the while the sweetness of their pressure came back to her.

She leaned suddenly over him. He was in there still, somewhere. Where? If he had not ceased to breathe, the Ego, the Soul,, the Personality was still in the sodden clay which had shaped to give it speech. Why could it not manifest itself to her? Was it still conscious in there, unable to project itself through the disintegrating matter which was the only medium its Creator had vouchsafed it? Did it struggle there, seeing her agony, sharing it, longing for the complete disintegration which should put an end to its torment? She called his name, she even shook him slightly, mad to tear the body apart and find her mate, yet even in that tortured moment realizing that violence would hasten his going.

The dying man took no notice of her, and she opened his gown and put her cheek to his heart, calling him again. There had never been more perfect union; how could the bond still be so strong if he were not at the other end of it? He was there, her other part; until dead he must be living. There was no intermediate state. Why should he be as entombed and unresponding as if the screws were in the lid? But the faintly beating heart did not quicken beneath her lips. She extended her arms suddenly, describing eccentric lines, above, about him, rapidly opening and closing her hands as if to clutch some escaping object; then sprang to her feet, and went to the window. She feared insanity. She had asked to be left alone with her dying husband, and she did not wish to lose her reason and shriek a crowd of people about her.

The green plots in the yards were not apparent, she noticed. Something heavy, like a pall, rested upon them. Then she understood that the day was over and that night was coming.

She returned swiftly to the bedside, wondering if she had remained away hours or seconds, and if he were dead. His face was still discernible, and Death had not relaxed it. She laid her own against it, then withdrew it with shuddering flesh, her teeth smiting each other as if an icy wind had passed.

She let herself fall back in the chair, clasping her hands against her heart, watching with expanding eyes the white sculptured face which, in the glittering dark, was becoming less defined of outline. Did she light the gas it would draw mosquitoes, and she could not shut from him the little air he must be mechanically grateful for. And she did not want to see the opening eye—the falling jaw.

Her vision became so fixed that at length she saw nothing, and closed her eyes and waited for the moisture to rise and relieve the strain. When she opened them his face had disappeared; the humid waves above the house-tops put out even the light of the stars, and night was come.

Fearfully, she approached her ear to his lips; he still breathed. She made a motion to kiss him, then threw herself back in a quiver of agony—they were not the lips she had known, and she would have nothing less.

His breathing was so faint that in her half-reclining position she could not hear it, could not be aware of the moment of his death. She extended her arm resolutely and laid her hand on his heart. Not only must she feel his going, but, so strong had been the comradeship between them, it was a matter of loving honor to stand by him to the last.

She sat there in the hot heavy night, pressing her hand hard against the ebbing heart of the unseen, and awaited Death. Suddenly an odd fancy possessed her. Where was Death? Why was he tarrying? Who was detaining him? From what quarter would he come? He was taking his leisure, drawing near with footsteps as measured as those of men keeping time to a funeral march. By a wayward deflection she thought of the slow music that was always turned on in the theatre when the heroine was about to appear, or something eventful to happen. She had always thought that sort of thing ridiculous and inartistic. So had He.

She drew her brows together angrily, wondering at her levity, and pressed her relaxed palm against the heart it kept guard over. For a moment the sweat stood on her face; then the pent-up breath burst from her lungs. He still lived.

Once more the fancy wantoned above the stunned heart. Death—where was he? What a curious experience: to be sitting alone in a big house—she knew that the cook had stolen out—waiting for Death to come and snatch her husband from her. No; he would not snatch, he would steal upon his prey as noiselessly as the approach of Sin to Innocence—an invisible, unfair, sneaking enemy, with whom no man's strength could grapple. If he would only come like a man, and take his chances like a man! Women had been known to reach the hearts of giants with the dagger's point. But he would creep upon her.

She gave an exclamation of horror. Something was creeping over the window-sill. Her limbs palsied, but she struggled to her feet and looked back, her eyes dragged about against her own volition. Two small green stars glared menacingly at her just above the sill; then the cat possessing them leaped downward, and the stars disappeared.

She realized that she was horribly frightened. "Is it possible?" she thought. "Am I afraid of Death, and of Death that has not yet come? I have always been rather a brave woman; He used to call me heroic; but then with him it was impossible to fear anything. And I begged them to leave me alone with him as the last of earthly boons. Oh, shame!"

But she was still quaking as she resumed her seat, and laid her hand again on his heart. She wished that she had asked Mary to sit outside the door; there was no bell in the room. To call would be worse than desecrating the house of God, and she would not leave him for one moment. To return and find him dead—gone alone!

Her knees smote each other. It was idle to deny it; she was in a state of unreasoning terror. Her eyes rolled apprehensively about; she wondered if she should see It when It came; wondered how far off It was now. Not very far; the heart was barely pulsing. She had heard of the power of the corpse to drive brave men to frenzy, and had wondered, having no morbid horror of the dead. But this! To wait—and wait—and wait—perhaps for hours—past the midnight—on to the small hours—while that awful, determined, leisurely Something stole nearer and nearer.

She bent to him who had been her protector with a spasm of anger. Where was the indomitable spirit that had held her all these years with such strong and loving clasp? How could he leave her? How could he desert her? Her head fell back and moved restlessly against the cushion; moaning with the agony of loss, she recalled him as he had been. Then fear once more took possession of her, and she sat erect, rigid, breathless, awaiting the approach of Death.

Suddenly, far down in the house, on the first floor, her strained hearing took note of a sound—a wary, muffled sound, as if some one were creeping up the stair, fearful of being heard. Slowly! It seemed to count a hundred between the laying down of each foot. She gave a hysterical gasp. Where was the slow music?

Her face, her body, were wet—as if a wave of death-sweat had broken over them. There was a stiff feeling at the roots of her hair; she wondered if it were really standing erect. But she could not raise her hand to ascertain. Possibly it was only the coloring matter freezing and bleaching. Her muscles were flabby, her nerves twitched helplessly.

She knew that it was Death who was coming to her through the silent deserted house; knew that it was the sensitive ear of her intelligence that heard him, not the dull, coarse-grained ear of the body.

He toiled up the stair painfully, as if he were old and tired with much. work. But how could he afford to loiter, with all the work he had to do? Every minute, every second, he must be in demand to hook his cold, hard finger about a soul struggling to escape from its putrefying tenement. But probably he had his emissaries, his minions: for only those worthy of the honor did he come in person.

He reached the first landing and crept like a cat down the hall to the next stair, then crawled slowly up as before. Light as the footfalls were, they were squarely planted, unfaltering; slow, they never halted.

Mechanically she pressed her jerking hand closer against the heart; its beats were almost done. They would finish, she calculated, just as those footfalls paused beside the bed.

She was no longer a human being; she was an Intelligence and an EAR. Not a sound came from without, even the Elevated appeared to be temporarily off duty; but inside the big quiet house that footfall was waxing louder, louder, until iron feet crashed on iron stairs and echo thundered.

She had counted the steps—one—two—three—irritated beyond endurance at the long deliberate pauses between. As they climbed and clanged with slow precision she continued to count, audibly and with equal precision, noting their hollow reverberation. How many steps had the stair? She wished she knew. No need! The colossal trampling announced the lessening distance in an increasing volume of sound not to be misunderstood. It turned the curve; it reached the landing; it advanced—slowly—down the hall; it paused before her door. Then knuckles of iron shook the frail panels. Her nerveless tongue gave no invitation. The knocking became more imperious; the very walls vibrated. The handle turned, swiftly and firmly. With a wild instinctive movement she flung herself into the arms of her husband.

When Mary opened the door and entered the room she found a dead woman lying across a dead man.