TABLE of CONTENTS

Pigeons from Hell

The Whistler in the Dark

The Snake's Brother

The Call of Zuvembie

The Horror from the Mound

Pigeons from Hell

The Whistler in the Dark

Griswell awoke suddenly, every nerve tingling with a premonition of imminent peril. He stared about wildly, unable at first to remember where he was, or what he was doing there. Moonlight filtered in through the dusty windows, and the great empty room with its lofty ceiling and gaping black fireplace was spectral and unfamiliar. Then as he emerged from the clinging cobwebs of his recent sleep, he remembered where he was and how he came to be there. He twisted his head and stared at his companion, sleeping on the floor near him. John Branner was but a vaguely bulking shape in the darkness that the moon scarcely grayed.

Griswell tried to remember what had awakened him. There was no sound in the house, no sound outside except the mournful hoot of an owl, far away in the piny woods. Now he had captured the illusive memory. It was a dream, a nightmare so filled with dim terror that it had frightened him awake. Recollection flooded back, vividly etching the abominable vision.

Or was it a dream? Certainly it must have been, but it had blended so curiously with recent actual events that it was difficult to know where reality left off and fantasy began.

Dreaming, he had seemed to relive his past few waking hours, in accurate detail. The dream had begun, abruptly, as he and John Branner came in sight of the house where they now lay. They had come rattling and bouncing over the stumpy, uneven old road that led through the pinelands, he and John Branner, wandering far afield from their New England home, in search of vacation pleasure. They had sighted the old house with its balustraded galleries rising amidst a wilderness of weeds and bushes, just as the sun was setting behind it. It dominated their fancy, rearing black and stark and gaunt against the low lurid rampart of sunset, barred by the black pines.

They were tired, sick of bumping and pounding all day over woodland roads. The old deserted house stimulated their imagination with its suggestion of antebellum splendor and ultimate decay. They left the automobile beside the rutty road, and as they went up the winding walk of crumbling bricks, almost lost in the tangle of rank growth, pigeons rose from the balustrades in a fluttering, feathery crowd and swept away with a low thunder of beating wings.

The oaken door sagged on broken hinges. Dust lay thick on the floor of the wide, dim hallway, on the broad steps of the stair that mounted up from the hall. They turned into a door opposite the landing, and entered a large room, empty, dusty, with cobwebs shining thickly in the corners. Dust lay thick over the ashes in the great fireplace.

They discussed gathering wood and building a fire, but decided against it. As the sun sank, darkness came quickly, the thick, black, absolute darkness of the pinelands. They knew that rattlesnakes and copperheads haunted Southern forests, and they did not care to go groping for firewood in the dark. They ate frugally from tins, then rolled in their blankets fully clad before the empty fireplace, and went instantly to sleep.

This, in part, was what Griswell had dreamed. He saw again the gaunt house looming stark against the crimson sunset; saw the flight of the pigeons as he and Branner came up the shattered walk. He saw the dim room in which they presently lay, and he saw the two forms that were himself and his companion, lying wrapped in their blankets on the dusty floor. Then from that point his dream altered subtly, passed out of the realm of the commonplace and became tinged with fear. He was looking into a vague, shadowy chamber, lit by the gray light of the moon which streamed in from some obscure source. For there was no window in that room. But in the gray light he saw three silent shapes that hung suspended in a row, and their stillness and their outlines woke chill horror in his soul. There was no sound, no word, but he sensed a Presence of fear and lunacy crouching in a dark corner. . . . Abruptly he was back in the dusty, high-ceilinged room, before the great fireplace.

He was lying in his blankets, staring tensely through the dim door and across the shadowy hall, to where a beam of moonlight fell across the balustraded stair, some seven steps up from the landing. And there was something on the stair, a bent, misshapen, shadowy thing that never moved fully into the beam of light. But a dim yellow blur that might have been a face was turned toward him, as if something crouched on the stair, regarding him and his companion. Fright crept chilly through his veins, and it was then that he awoke--if indeed he had been asleep.

He blinked his eyes. The beam of moonlight fell across the stair just as he had dreamed it did; but no figure lurked there. Yet his flesh still crawled from the fear the dream or vision had roused in him; his legs felt as if they had been plunged in ice-water. He made an involuntary movement to awaken his companion, when a sudden sound paralyzed him.

It was the sound of whistling on the floor above. Eery and sweet it rose, not carrying any tune, but piping shrill and melodious. Such a sound in a supposedly deserted house was alarming enough; but it was more than the fear of a physical invader that held Griswell frozen. He could not himself have defined the horror that gripped him. But Branner's blankets rustled, and Griswell saw he was sitting upright. His figure bulked dimly in the soft darkness, the head turned toward the stair as if the man were listening intently. More sweetly and more subtly evil rose that weird whistling.

"John!" whispered Griswell from dry lips. He had meant to shout--to tell Branner that there was somebody upstairs, somebody who could mean them no good; that they must leave the house at once. But his voice died dryly in his throat.

Branner had risen. His boots clumped on the floor as he moved toward the door. He stalked leisurely into the hall and made for the lower landing, merging with the shadows that clustered black about the stair.

Griswell lay incapable of movement, his mind a whirl of bewilderment. Who was that whistling upstairs? Why was Branner going up those stairs? Griswell saw him pass the spot where the moonlight rested, saw his head tilted back as if he were looking at something Griswell could not see, above and beyond the stair. But his face was like that of a sleepwalker. He moved across the bar of moonlight and vanished from Griswell's view, even as the latter tried to shout to him to come back. A ghastly whisper was the only result of his effort.

The whistling sank to a lower note, died out. Griswell heard the stairs creaking under Branner's measured tread. Now he had reached the hallway above, for Griswell heard the clump of his feet moving along it. Suddenly the footfalls halted, and the whole night seemed to hold its breath. Then an awful scream split the stillness, and Griswell started up, echoing the cry.

The strange paralysis that had held him was broken. He took a step toward the door, then checked himself. The footfalls were resumed. Branner was coming back. He was not running. The tread was even more deliberate and measured than before. Now the stairs began to creak again. A groping hand, moving along the balustrade, came into the bar of moonlight; then another, and a ghastly thrill went through Griswell as he saw that the other hand gripped a hatchet--a hatchet which dripped blackly. Was that Branner who was coming down that stair?

Yes! The figure had moved into the bar of moonlight now, and Griswell recognized it. Then he saw Branner's face, and a shriek burst from Griswell's lips. Branner's face was bloodless, corpse-like; gouts of blood dripped darkly down it; his eyes were glassy and set, and blood oozed from the great gash which cleft the crown of his head!

Griswell never remembered exactly how he got out of that accursed house. Afterward he retained a mad, confused impression of smashing his way through a dusty cobwebbed window, of stumbling blindly across the weed-choked lawn, gibbering his frantic horror. He saw the black wall of the pines, and the moon floating in a blood-red mist in which there was neither sanity nor reason.

Some shred of sanity returned to him as he saw the automobile beside the road. In a world gone suddenly mad, that was an object reflecting prosaic reality; but even as he reached for the door, a dry chilling whir sounded in his ears, and he recoiled from the swaying undulating shape that arched up from its scaly coils on the driver's seat and hissed sibilantly at him, darting a forked tongue in the moonlight.

With a sob of horror he turned and fled down the road, as a man runs in a nightmare. He ran without purpose or reason. His numbed brain was incapable of conscious thought. He merely obeyed the blind primitive urge to run--run--run until he fell exhausted.

The black walls of the pines flowed endlessly past him; so he was seized with the illusion that he was getting nowhere. But presently a sound penetrated the fog of his terror--the steady, inexorable patter of feet behind him. Turning his head, he saw something loping after him--wolf or dog, he could not tell which, but its eyes glowed like balls of green fire. With a gasp he increased his speed, reeled around a bend in the road, and heard a horse snort; saw it rear and heard its rider curse; saw the gleam of blue steel in the man's lifted hand.

He staggered and fell, catching at the rider's stirrup.

"For God's sake, help me!" he panted. "The thing! It killed Branner--it's coming after me! Look!"

Twin balls of fire gleamed in the fringe of bushes at the turn of the road. The rider swore again, and on the heels of his profanity came the smashing report of his six-shooter--again and yet again. The fire-sparks vanished, and the rider, jerking his stirrup free from Griswell's grasp, spurred his horse at the bend. Griswell staggered up, shaking in every limb. The rider was out of sight only a moment; then he came galloping back.

"Took to the brush. Timber wolf, I reckon, though I never heard of one chasin' a man before. Do you know what it was?"

Griswell could only shake his head weakly.

The rider, etched in the moonlight, looked down at him, smoking pistol still lifted in his right hand. He was a compactly-built man of medium height, and his broad-brimmed planter's hat and his boots marked him as a native of the country as definitely as Griswell's garb stamped him as a stranger.

"What's all this about, anyway?"

"I don't know," Griswell answered helplessly. "My name's Griswell. John Branner--my friend who was traveling with me--we stopped at a deserted house back down the road to spend the night. Something------" at the memory he was choked by a rush of horror. "My God!" he screamed. "I must be mad! Something came and looked over the balustrade of the stair--something with a yellow face! I thought I dreamed it, but it must have been real. Then somebody began whistling upstairs, and Branner rose and went up the stairs walking like a man in his sleep, or hypnotized. I heard him scream--or someone screamed; then he came down the stair again with a bloody hatchet in his hand--and my God, sir, he was dead! His head had been split open. I saw brains and clotted blood oozing down his face, and his face was that of a dead man. But he came down the stairs! As God is my witness, John Branner was murdered in that dark upper hallway, and then his dead body came stalking down the stairs with a hatchet in its hand--to kill me!"

The rider made no reply; he sat his horse like a statue, outlined against the stars, and Griswell could not read his expression, his face shadowed by his hat-brim.

"You think I'm mad," he said hopelessly. "Perhaps I am."

"I don't know what to think," answered the rider. "If it was any house but the old Blassenville Manor--well, we'll see. My name's Buckner. I'm sheriff of this county. Took a prisoner over to the county-seat in the next county and was ridin' back late."

He swung off his horse and stood beside Griswell, shorter than the lanky New Englander, but much harder knit. There was a natural manner of decision and certainty about him, and it was easy to believe that he would be a dangerous man in any sort of a fight.

"Are you afraid to go back to the house?" he asked, and Griswell shuddered, but shook his head, the dogged tenacity of Puritan ancestors asserting itself.

"The thought of facing that horror again turns me sick.

But poor Branner------" he choked again. "We must find his body. My God!" he cried, unmanned by the abysmal horror of the thing; "what will we find? If a dead man walks, what--"

"We'll see." The sheriff caught the reins in the crook of his left elbow and began filling the empty chambers of his big blue pistol as they walked along.

As they made the turn Griswell's blood was ice at the thought of what they might see lumbering up the road with a bloody, grinning death-mask, but they saw only the house looming spectrally among the pines, down the road. A strong shudder shook Griswell.

"God, how evil that house looks, against those black pines! It looked sinister from the very first--when we went up the broken walk and saw those pigeons fly up from the porch------"

"Pigeons?" Buckner cast him a quick glance. "You saw the pigeons?"

"Why, yes! Scores of them perching on the porch railing."

They strode on for a moment in silence, before Buckner said abruptly: "I've lived in this country all my life. I've passed the old Blassenville place a thousand times, I reckon, at all hours of the day and night. But I never saw a pigeon anywhere around it, or anywhere else in these woods."

"There were scores of them," repeated Griswell, bewildered.

"I've seen men who swore they'd seen a flock of pigeons perched along the balusters just at sundown," said Buckner slowly. "Negroes, all of them except one man. A tramp. He was buildin' a fire in the yard, aimin' to camp there that night. I passed along there about dark, and he told me about the pigeons. I came back by there the next mornin'. The ashes of his fire were there, and his tin cup, and skillet where he'd fried pork, and his blankets looked like they'd been slept in. Nobody ever saw him again. That was twelve years ago. The blacks say they can see the pigeons, but no black would pass along this road between sundown and sunup. They say the pigeons are the souls of the Blassenvilles, let out of hell at sunset. The Negroes say the red glare in the west is the light from hell, because then the gates of hell are open, and the Blassenvilles fly out."

"Who were the Blassenvilles?" asked Griswell, shivering.

"They owned all this land here. French-English family. Came here from the West Indies before the Louisiana Purchase. The Civil War ruined them, like it did so many. Some were killed in the War; most of the others died out. Nobody's lived in the Manor since 1890 when Miss Elizabeth Blassenville, the last of the line, fled from the old house one night like it was a plague spot, and never came back to it--this your auto?"

They halted beside the car, and Griswell stared morbidly at the grim house. Its dusty panes were empty and blank; but they did not seem blind to him. It seemed to him that ghastly eyes were fixed hungrily on him through those darkened panes. Buckner repeated his question.

"Yes. Be careful. There's a snake on the seat--or there was."

"Not there now," grunted Buckner, tying his horse and pulling an electric torch out of the saddle-bag. "Well, let's have a look."

He strode up the broken brick walk as matter-of-factly as if he were paying a social call on friends. Griswell followed close at his heels, his heart pounding suffocatingly. A scent of decay and moldering vegetation blew on the faint wind, and Griswell grew faint with nausea, that rose from a frantic abhorrence of these black woods, these ancient plantation houses that hid forgotten secrets of slavery and bloody pride and mysterious intrigues. He had thought of the South as a sunny, lazy land washed by soft breezes laden with spice and warm blossoms, where life ran tranquilly to the rhythm of black folk singing in sunbathed cottonfields. But now he had discovered another, unsuspected side--a dark, brooding, fear-haunted side, and the discovery repelled him.

The oaken door sagged as it had before. The blackness of the interior was intensified by the beam of Buckner's light playing on the sill. That beam sliced through the darkness of the hallway and roved up the stair, and Griswell held his breath, clenching his fists. But no shape of lunacy leered down at them. Buckner went in, walking light as a cat, torch in one hand, gun in the other.

As he swung his light into the room across from the stairway, Griswell cried out--and cried out again, almost fainting with the intolerable sickness at what he saw. A trail of blood drops led across the floor, crossing the blankets Branner had occupied, which lay between the door and those in which Griswell had lain. And Griswell's blankets had a terrible occupant. John Branner lay there, face down, his cleft head revealed in merciless clarity in the steady light. His outstretched hand still gripped the haft of a hatchet, and the blade was imbedded deep in the blanket and the floor beneath, just where Griswell's head had lain when he slept there.

A momentary rush of blackness engulfed Griswell. He was not aware that he staggered, or that Buckner caught him. When he could see and hear again, he was violently sick and hung his head against the mantel, retching miserably.

Buckner turned the light full on him, making him blink. Buckner's voice came from behind the blinding radiance, the man himself unseen.

"Griswell, you've told me a yarn that's hard to believe. I saw something chasin' you, but it might have been a timber wolf, or a mad dog.

"If you're holdin' back anything, you better spill it. What you told me won't hold up in any court. You're bound to be accused of killin' your partner. I'll have to arrest you. If you'll give me the straight goods now, it'll make it easier. Now, didn't you kill this fellow, Branner?

"Wasn't it something like this: you quarreled, he grabbed a hatchet and swung at you, but you dodged and then let him have it?"

Griswell sank down and hid his face in his hands, his head swimming.

"Great God, man, I didn't murder John! Why, we've been friends ever since we were children in school together. I've told you the truth. I don't blame you for not believing me. But God help me, it is the truth!"

The light swung back to the gory head again, and Griswell closed his eyes.

He heard Buckner grunt.

"I believe this hatchet in his hand is the one he was killed with. Blood and brains plastered on the blade, and hairs stickin' to it--hairs exactly the same color as his. This makes it tough for you, Griswell."

"How so?" the New Englander asked dully.

"Knocks any plea of self-defense in the head. Branner couldn't have swung at you with this hatchet after you split his skull with it. You must have pulled the ax out of his head, stuck it into the floor and clamped his fingers on it to make it look like he'd attacked you. And it would have been damned clever--if you'd used another hatchet."

"But I didn't kill him," groaned Griswell. "I have no intention of pleading self-defense."

"That's what puzzles me," Buckner admitted frankly, straightening. "What murderer would rig up such a crazy story as you've told me, to prove his innocence? Average killer would have told a logical yarn, at least. Hmmm! Blood drops leadin' from the door. The body was dragged--no, couldn't have been dragged. The floor isn't smeared. You must have carried it here, after killin' him in some other place. But in that case, why isn't there any blood on your clothes? Of course you could have changed clothes and washed your hands. But the fellow hasn't been dead long."

"He walked downstairs and across the room," said Griswell hopelessly. "He came to kill me. I knew he was coming to kill me when I saw him lurching down the stair. He struck where I would have been, if I hadn't awakened. That window--I burst out at it. You see it's broken."

"I see. But if he walked then, why isn't he walkin' now?"

"I don't know! I'm too sick to think straight. I've been fearing that he'd rise up from the floor where he lies and come at me again. When I heard that wolf running up the road after me, I thought it was John chasing me--John, running through the night with his bloody ax and his bloody head, and his death-grin!"

His teeth chattered as he lived that horror over again.

Buckner let his light play across the floor.

"The blood drops lead into the hall. Come on. We'll follow them."

Griswell cringed. "They lead upstairs."

Buckner's eyes were fixed hard on him.

"Are you afraid to go upstairs, with me?"

Griswell's face was gray.

"Yes. But I'm going, with you or without you. The thing that killed poor John may still be hiding up there."

"Stay behind me," ordered Buckner. "If anything jumps us, I'll take care of it. But for your own sake, I warn you that I shoot quicker than a cat jumps, and I don't often miss. If you've got any ideas of layin' me out from behind, forget them."

"Don't be a fool!" Resentment got the better of his apprehension, and this outburst seemed to reassure Buckner more than any of his protestations of innocence.

"I want to be fair," he said quietly. "I haven't indicted and condemned you in my mind already. If only half of what you're tellin' me is the truth, you've been through a hell of an experience, and I don't want to be too hard on you. But you can see how hard it is for me to believe all you've told me."

Griswell wearily motioned for him to lead the way, unspeaking. They went out into the hall, paused at the landing. A thin string of crimson drops, distinct in the thick dust, led up the steps.

"Man's tracks in the dust," grunted Buckner. "Go slow.

I've got to be sure of what I see, because we're obliteratin' them as we go up. Hmmm! One set goin' up, one comin' down. Same man. Not your tracks. Branner was a bigger man than you are. Blood drops all the way--blood on the bannisters like a man had laid his bloody hand there--a smear of stuff that looks--brains. Now what------"

"He walked down the stair, a dead man," shuddered Griswell. "Groping with one hand--the other gripping the hatchet that killed him."

"Or was carried," muttered the sheriff. "But if somebody carried him--where are the tracks?"

They came out into the upper hallway, a vast, empty space of dust and shadows where time-crusted windows repelled the moonlight and the ring of Buckner's torch seemed inadequate. Griswell trembled like a leaf. Here, in darkness and horror, John Branner had died.

"Somebody whistled up here," he muttered. "John came, as if he were being called."

Buckner's eyes were blazing strangely in the light.

"The footprints lead down the hall," he muttered. "Same as on the stair--one set going, one coming. Same prints--Judas!"

Behind him Griswell stifled a cry, for he had seen what prompted Buckner's exclamation. A few feet from the head of the stair Branner's footprints stopped abruptly, then returned, treading almost in the other tracks. And where the trail halted there was a great splash of blood on the dusty floor--and other tracks met it--tracks of bare feet, narrow but with splayed toes. They too receded in a second line from the spot.

Buckner bent over them, swearing.

"The tracks meet! And where they meet there's blood and brains on the floor! Branner must have been killed on that spot--with a blow from a hatchet. Bare feet coming out of the darkness to meet shod feet--then both turned away again; the shod feet went downstairs, the bare feet went back down the hall." He directed his light down the hall. The footprints faded into darkness, beyond the reach of the beam. On either hand the closed doors of chambers were cryptic portals of mystery.

"Suppose your crazy tale was true," Buckner muttered, half to himself. "These aren't your tracks. They look like a woman's. Suppose somebody did whistle, and Branner went upstairs to investigate. Suppose somebody met him here in the dark and split his head. The signs and tracks would have been, in that case, just as they really are. But if that's so, why isn't Branner lyin' here where he was killed? Could he have lived long enough to take the hatchet away from whoever killed him, and stagger downstairs with it?"

"No, no!" Recollection gagged Griswell. "I saw him on the stair. He was dead. No man could live a minute after receiving such a wound."

"I believe it," muttered Buckner. "But--it's madness! Or else it's too clever--yet, what sane man would think up and work out such an elaborate and utterly insane plan to escape punishment for murder, when a simple plea of self-defense would have been so much more effective? No court would recognize that story. Well, let's follow these other tracks. They lead down the hall--here, what's this?"

With an icy clutch at his soul, Griswell saw the light was beginning to grow dim.

"This battery is new," muttered Buckner, and for the first time Griswell caught an edge of fear in his voice. "Come on--out of here quick!"

The light had faded to a faint red glow. The darkness seemed straining into them, creeping with black cat-feet. Buckner retreated, pushing Griswell stumbling behind him as he walked backward, pistol cocked and lifted, down the dark hall. In the growing darkness Griswell heard what sounded like the stealthy opening of a door. And suddenly the blackness about them was vibrant with menace. Griswell knew Buckner sensed it as well as he, for the sheriff's hard body was tense and taut as a stalking panther's.

But without haste he worked his way to the stair and backed down it, Griswell preceding him, and fighting the panic that urged him to scream and burst into mad flight. A ghastly thought brought icy sweat out on his flesh. Suppose the dead man were creeping up the stair behind them in the dark, face frozen in the death-grin, blood-caked hatchet lifted to strike?

This possibility so overpowered him that he was scarcely aware when his feet struck the level of the lower hallway, and he was only then aware that the light had grown brighter as they descended, until it now gleamed with its full power--but when Buckner turned it back up the stairway, it failed to illuminate the darkness that hung like a tangible fog at the head of the stair.

"The damn thing was conjured," muttered Buckner. "Nothin' else. It couldn't act like that naturally."

"Turn the light into the room," begged Griswell. "See if John--if John is------"

He could not put the ghastly thought into words, but Buckner understood.

He swung the beam around, and Griswell had never dreamed that the sight of the gory body of a murdered man could bring such relief.

"He's still there," grunted Buckner. "If he walked after he was killed, he hasn't walked since. But that thing------"

Again he turned the light up the stair, and stood chewing his lip and scowling. Three times he half lifted his gun. Griswell read his mind. The sheriff was tempted to plunge back up that stair, take his chance with the unknown. But common sense held him back.

"I wouldn't have a chance in the dark," he muttered. "And I've got a hunch the light would go out again."

He turned and faced Griswell squarely.

"There's no use dodgin' the question. There's somethin' hellish in this house, and I believe I have an inklin' of what it is. I don't believe you killed Branner. Whatever killed him is up there--now. There's a lot about your yarn that don't sound sane; but there's nothin' sane about a flashlight goin' out like this one did. I don't believe that thing upstairs is human. I never met anything I was afraid to tackle in the dark before, but I'm not goin' up there until daylight. It's not long until dawn. We'll wait for it out there on that gallery."

The stars were already paling when they came out on the broad porch. Buckner seated himself on the balustrade, facing the door, his pistol dangling in his fingers. Griswell sat down near him and leaned back against a crumbling pillar. He shut his eyes, grateful for the faint breeze that seemed to cool his throbbing brain. He experienced a dull sense of unreality. He was a stranger in a strange land, a land that had become suddenly imbued with black horror. The shadow of the noose hovered above him, and in that dark house lay John Branner, with his butchered head--like the figments of a dream these facts spun and eddied in his brain until all merged in a gray twilight as sleep came uninvited to his weary soul.

He awoke to a cold white dawn and full memory of the horrors of the night. Mists curled about the stems of the pines, crawled in smoky wisps up the broken walk. Buckner was shaking him.

"Wake up! It's daylight."

Griswell rose, wincing at the stiffness of his limbs. His face was gray and old.

"I'm ready. Let's go upstairs."

"I've already been!" Buckner's eyes burned in the early dawn. "I didn't wake you up. I went as soon as it was light. I found nothin'."

"The tracks of the bare feet------"

"Gone!"

"Gone?"

"Yes, gone! The dust had been disturbed all over the hall, from the point where Branner's tracks ended; swept into corners. No chance of trackin' anything there now. Something obliterated those tracks while we sat here, and I didn't hear a sound. I've gone through the whole house. Not a sign of anything."

Griswell shuddered at the thought of himself sleeping alone on the porch while Buckner conducted his exploration.

"What shall we do?" he asked listlessly. "With those tracks gone there goes my only chance of proving my story."

"We'll take Branner's body into the county-seat," answered Buckner. "Let me do the talkin'. If the authorities knew the facts as they appear, they'd insist on you being confined and indicted. I don't believe you killed Branner--but neither a district attorney, judge nor jury would believe what you told me, or what happened to us last night. I'm handlin' this thing my own way. I'm not goin' to arrest you until I've exhausted every other possibility.

"Say nothin' about what's happened here, when we get to town. I'll simply tell the district attorney that John Branner was killed by a party or parties unknown, and that I'm workin' on the case.

"Are you game to come back with me to this house and spend the night here, sleepin' in that room as you and Branner slept last night?"

Griswell went white, but answered as stoutly as his ancestors might have expressed their determination to hold their cabins in the teeth of the Pequots: "I'll do it."

"Let's go then; help me pack the body out to your auto."

Griswell's soul revolted at the sight of John Branner's bloodless face in the chill white dawn, and the feel of his clammy flesh. The gray fog wrapped wispy tentacles about their feet as they carried their grisly burden across the lawn.

The Snake's Brother

Again the shadows were lengthening over the pinelands, and again two men came bumping along the old road in a car with a New England license plate.

Buckner was driving. Griswell's nerves were too shattered for him to trust himself at the wheel. He looked gaunt and haggard, and his face was still pallid. The strain of the day spent at the county-seat was added to the horror that still rode his soul like the shadow of a black-winged vulture. He had not slept, had not tasted what he had eaten.

"I told you I'd tell you about the Blassenvilles," said Buckner. "They were proud folks, haughty, and pretty damn ruthless when they wanted their way. They didn't treat their slaves as well as the other planters did--got their ideas in the West Indies, I reckon. There was a streak of cruelty in them--especially Miss Celia, the last one of the family to come to these parts. That was long after the slaves had been freed, but she used to whip her mulatto maid just like she was a slave, the old folks say. . . . The Negroes said when a Blassenville died, the devil was always waitin' for him out in the black pines.

"Well, after the Civil War they died off pretty fast, livin' in poverty on the plantation which was allowed to go to ruin. Finally only four girls were left, sisters, livin' in the old house and ekin' out a bare livin', with a few blacks livin' in the old slave huts and workin' the fields on the share. They kept to themselves, bein' proud, and ashamed of their poverty. Folks wouldn't see them for months at a time. When they needed supplies they sent a Negro to town after them.

"But folks knew about it when Miss Celia came to live with them. She came from somewhere in the West Indies, where the whole family originally had its roots--a fine, handsome woman, they say, in the early thirties. But she didn't mix with folks any more than the girls did. She brought a mulatto maid with her, and the Blassenville cruelty cropped out in her treatment of this maid. I knew an old man years ago, who swore he saw Miss Celia tie this girl up to a tree, stark naked, and whip her with a horsewhip. Nobody was surprised when she disappeared. Everybody figured she'd run away, of course.

"Well, one day in the spring of 1890 Miss Elizabeth, the youngest girl, came in to town for the first time in maybe a year. She came after supplies. Said the blacks had all left the place. Talked a little more, too, a bit wild. Said Miss Celia had gone, without leaving any word. Said her sisters thought she'd gone back to the West Indies, but she believed her aunt was still in the house. She didn't say what she meant. Just got her supplies and pulled out for the Manor.

"A month went past, and a black came into town and said that Miss Elizabeth was livin' at the Manor alone. Said her three sisters weren't there any more, that they'd left one by one without givin' any word or explanation. She didn't know where they'd gone, and was afraid to stay there alone, but didn't know where else to go. She'd never known anything but the Manor, and had neither relatives nor friends. But she was in mortal terror of something. The black said she locked herself in her room at night and kept candles burnin' all night. . . .

"It was a stormy spring night when Miss Elizabeth came tearin' into town on the one horse she owned, nearly dead from fright. She fell from her horse in the square; when she could talk she said she'd found a secret room in the Manor that had been forgotten for a hundred years. And she said that there she found her three sisters, dead, and hangin' by their necks from the ceilin'. She said something chased her and nearly brained her with an ax as she ran out the front door, but somehow she got to the horse and got away. She was nearly crazy with fear, and didn't know what it was that chased her--said it looked like a woman with a yellow face.

"About a hundred men rode out there, right away. They searched the house from top to bottom, but they didn't find any secret room, or the remains of the sisters. But they did find a hatchet stickin' in the doorjamb downstairs, with some of Miss Elizabeth's hairs stuck on it, just as she'd said. She wouldn't go back there and show them how to find the secret door; almost went crazy when they suggested it.

"When she was able to travel, the people made up some money and loaned it to her--she was still too proud to accept charity--and she went to California. She never came back, but later it was learned, when she sent back to repay the money they'd loaned her, that she'd married out there.

"Nobody ever bought the house. It stood there just as she'd left it, and as the years passed folks stole all the furnishings out of it, poor white trash, I reckon. A Negro wouldn't go about it. But they came after sunup and left long before sundown."

"What did the people think about Miss Elizabeth's story?" asked Griswell.

"Well, most folks thought she'd gone a little crazy, livin' in that old house alone. But some people believed that mulatto girl, Joan, didn't run away, after all. They believed she'd hidden in the woods, and glutted her hatred of the Blassenvilles by murderin' Miss Celia and the three girls. They beat up the woods with bloodhounds, but never found a trace of her. If there was a secret room in the house, she might have been hidin' there--if there was anything to that theory."

"She couldn't have been hiding there all these years," muttered Griswell. "Anyway, the thing in the house now isn't human."

Buckner wrenched the wheel around and turned into a dim trace that left the main road and meandered off through the pines.

"Where are you going?"

"There's an old Negro that lives off this way a few miles. I want to talk to him. We're up against something that takes more than white man's sense. The black people know more than we do about some things. This old man is nearly a hundred years old. His master educated him when he was a boy, and after he was freed he traveled more extensively than most white men do. They say he's a voodoo man."

Griswell shivered at the phrase, staring uneasily at the green forest walls that shut them in. The scent of the pines was mingled with the odors of unfamiliar plants and blossoms. But underlying all was a reek of rot and decay. Again a sick abhorrence of these dark mysterious woodlands almost overpowered him.

"Voodoo!" he muttered. "I'd forgotten about that--I never could think of black magic in connection with the South. To me witchcraft was always associated with old crooked streets in waterfront towns, overhung by gabled roofs that were old when they were hanging witches in Salem; dark musty alleys where black cats and other things might steal at night. Witchcraft always meant the old towns of New England, to me--but all this is more terrible than any New England legend--these somber pines, old deserted houses, lost plantations, mysterious black people, old tales of madness and horror--God, what frightful, ancient terrors there are on this continent fools call 'young'!"

"Here's old Jacob's hut," announced Buckner, bringing the automobile to a halt.

Griswell saw a clearing and a small cabin squatting under the shadows of the huge trees. The pines gave way to oaks and cypresses, bearded with gray trailing moss, and behind the cabin lay the edge of a swamp that ran away under the dimness of the trees, choked with rank vegetation. A thin wisp of blue smoke curled up from the stick-and-mud chimney.

He followed Buckner to the tiny stoop, where the sheriff pushed open the leather-hinged door and strode in. Griswell blinked in the comparative dimness of the interior. A single small window let in a little daylight. An old Negro crouched beside the hearth, watching a pot stew over the open fire. He looked up as they entered, but did not rise. He seemed incredibly old. His face was a mass of wrinkles, and his eyes, dark and vital, were filmed momentarily at times as if his mind wandered.

Buckner motioned Griswell to sit down in a string-bottomed chair, and himself took a rudely-made bench near the hearth, facing the old man.

"Jacob," he said bluntly, "the time's come for you to talk. I know you know the secret of Blassenville Manor. I've never questioned you about it, because it wasn't in my line. But a man was murdered there last night, and this man here may hang for it, unless you tell me what haunts that old house of the Blassenvilles."

The old man's eyes gleamed, then grew misty as if clouds of extreme age drifted across his brittle mind.

"The Blassenvilles," he murmured, and his voice was mellow and rich, his speech not the patois of the piny woods darky. "They were proud people, sirs--proud and cruel. Some died in the war, some were killed in duels--the menfolks, sirs. Some died in the Manor--the old Manor------" His voice trailed off into unintelligible mumblings.

"What of the Manor?" asked Buckner patiently.

"Miss Celia was the proudest of them all," the old man muttered. "The proudest and the cruelest. The black people hated her; Joan most of all. Joan had white blood in her, and she was proud, too. Miss Celia whipped her like a slave."

"What is the secret of Blassenville Manor?" persisted Buckner.

The film faded from the old man's eyes; they were dark as moonlit wells.

"What secret, sir? I do not understand."

"Yes, you do. For years that old house has stood there with its mystery. You know the key to its riddle."

The old man stirred the stew. He seemed perfectly rational now.

"Sir, life is sweet, even to an old black man."

"You mean somebody would kill you if you told me?"

But the old man was mumbling again, his eyes clouded.

"Not somebody. No human. No human being. The black gods of the swamps. My secret is inviolate, guarded by the Big Serpent, the god above all gods. He would send a little brother to kiss me with his cold lips--a little brother with a white crescent moon on his head. I sold my soul to the Big Serpent when he made me maker of zuvembies ------"

Buckner stiffened.

"I heard that word once before," he said softly, "from the lips of a dying black man, when I was a child. What does it mean?"

Fear filled the eyes of old Jacob.

"What have I said? No--no! I said nothing."

"Zuvembies," prompted Buckner.

"Zuvembies," mechanically repeated the old man, his eyes vacant. "A zuvembie was once a woman--on the Slave Coast they know of them. The drums that whisper by night in the hills of Haiti tell of them. The makers of zuvembies are honored of the people of Damballah. It is death to speak of it to a white man--it is one of the Snake God's forbidden secrets."

"You speak of the zuvembies," said Buckner softly.

"I must not speak of it," mumbled the old man, and Griswell realized that he was thinking aloud, too far gone in his dotage to be aware that he was speaking at all. "No white man must know that I danced in the Black Ceremony of the voodoo, and was made a maker of zombies and zuvembies. The Big Snake punishes loose tongues with death."

"A zuvembie is a woman?" prompted Buckner.

"Was a woman," the old Negro muttered. "She knew I was a maker of zuvembies--she came and stood in my hut and asked for the awful brew--the brew of ground snake-bones, and the blood of vampire bats, and the dew from a nighthawk's wings, and other elements unnamable. She had danced in the Black Ceremony--she was ripe to become a zuvembie--the Black Brew was all that was needed--the other was beautiful--I could not refuse her."

"Who?" demanded Buckner tensely, but the old man's head was sunk on his withered breast, and he did not reply. He seemed to slumber as he sat. Buckner shook him. "You gave a brew to make a woman a zuvembie--what is a zuvembie?"

The old man stirred resentfully and muttered drowsily.

"A zuvembie is no longer human. It knows neither relatives nor friends. It is one with the people of the Black World. It commands the natural demons--owls, bats, snakes and werewolves, and can fetch darkness to blot out a little light. It can be slain by lead or steel, but unless it is slain thus, it lives for ever, and it eats no such food as humans eat. It dwells like a bat in a cave or an old house. Time means naught to the zuvembie; an hour, a day, a year, all is one. It cannot speak human words, nor think as a human thinks, but it can hypnotize the living by the sound of its voice, and when it slays a man, it can command his lifeless body until the flesh is cold. As long as the blood flows, the corpse is its slave. Its pleasure lies in the slaughter of human beings."

"And why should one become a zuvembie?" asked Buckner softly.

"Hate," whispered the old man. "Hate! Revenge!"

"Was her name Joan?" murmured Buckner.

It was as if the name penetrated the fogs of senility that clouded the voodoo-man's mind. He shook himself and the film faded from his eyes, leaving them hard and gleaming as wet black marble.

"Joan?" he said slowly. "I have not heard that name for the span of a generation. I seem to have been sleeping, gentlemen; I do not remember--I ask your pardon. Old men fall asleep before the fire, like old dogs. You asked me of Blassenville Manor? Sir, if I were to tell you why I cannot answer you, you would deem it mere superstition. Yet the white man's God be my witness------"

As he spoke he was reaching across the hearth for a piece of firewood, groping among the heaps of sticks there. And his voice broke in a scream, as he jerked back his arm convulsively. And a horrible, thrashing, trailing thing came with it. Around the voodoo-man's arm a mottled length of that shape was wrapped, and a wicked wedge-shaped head struck again in silent fury.

The old man fell on the hearth, screaming, upsetting the simmering pot and scattering the embers, and then Buckner caught up a billet of firewood and crushed that flat head. Cursing, he kicked aside the knotting, twisting trunk, glaring briefly at the mangled head. Old Jacob had ceased screaming and writhing; he lay still, staring glassily upward.

"Dead?" whispered Griswell.

"Dead as Judas Iscariot," snapped Buckner, frowning at the twitching reptile. "That infernal snake crammed enough poison into his veins to kill a dozen men his age. But I think it was the shock and fright that killed him."

"What shall we do?" asked Griswell, shivering.

"Leave the body on that bunk. Nothin' can hurt it, if we bolt the door so the wild hogs can't get in, or any cat. We'll carry it into town tomorrow. We've got work to do tonight. Let's get goin'."

Griswell shrank from touching the corpse, but he helped Buckner lift it on the rude bunk, and then stumbled hastily out of the hut. The sun was hovering above the horizon, visible in dazzling red flame through the black stems of the trees.

They climbed into the car in silence, and went bumping back along the stumpy train.

"He said the Big Snake would send one of his brothers," muttered Griswell.

"Nonsense!" snorted Buckner. "Snakes like warmth, and that swamp is full of them. It crawled in and coiled up among that firewood. Old Jacob disturbed it, and it bit him. Nothin' supernatural about that." After a short silence he said, in a different voice, "That was the first time I ever saw a rattler strike without singin'; and the first time I ever saw a snake with a white crescent moon on its head."

They were turning in to the main road before either spoke again.

"You think that the mulatto Joan has skulked in the house all these years?" Griswell asked.

"You heard what old Jacob said," answered Buckner grimly. "Time means nothin' to a zuvembie."

As they made the last turn in the road, Griswell braced himself against the sight of Blassenville Manor looming black against the red sunset. When it came into view he bit his lip to keep from shrieking. The suggestion of cryptic horror came back in all its power.

"Look!" he whispered from dry lips as they came to a halt beside the road. Buckner grunted.

From the balustrades of the gallery rose a whirling cloud of pigeons that swept away into the sunset, black against the lurid glare. . . .

The Call of Zuvembie

Both men sat rigid for a few moments after the pigeons had flown.

"Well, I've seen them at last," muttered Buckner.

"Only the doomed see them perhaps," whispered Griswell. "That tramp saw them------"

"Well, we'll see," returned the Southerner tranquilly, as he climbed out of the car, but Griswell noticed him unconsciously hitch forward his scabbarded gun.

The oaken door sagged on broken hinges. Their feet echoed on the broken brick walk. The blind windows reflected the sunset in sheets of flame. As they came into the broad hall Griswell saw the string of black marks that ran across the floor and into the chamber, marking the path of a dead man.

Buckner had brought blankets out of the automobile. He spread them before the fireplace.

"I'll lie next to the door," he said. "You lie where you did last night."

"Shall we light a fire in the grate?" asked Griswell, dreading the thought of the blackness that would cloak the woods when the brief twilight had died.

"No. You've got a flashlight and so have I. We'll lie here in the dark and see what happens. Can you use that gun I gave you?"

"I suppose so. I never fired a revolver, but I know how it's done."

"Well, leave the shootin' to me, if possible." The sheriff seated himself cross-legged on his blankets and emptied the cylinder of his big blue Colt, inspecting each cartridge with a critical eye before he replaced it.

Griswell prowled nervously back and forth, begrudging the slow fading of the light as a miser begrudges the waning of his gold. He leaned with one hand against the mantelpiece, staring down into the dust-covered ashes. The fire that produced those ashes must have been built by Elizabeth Blassenville, more than forty years before. The thought was depressing. Idly he stirred the dusty ashes with his toe. Something came to view among the charred debris--a bit of paper, stained and yellowed. Still idly he bent and drew it out of the ashes. It was a note-book with moldering cardboard backs.

"What have you found?" asked Buckner, squinting down the gleaming barrel of his gun.

"Nothing but an old note-book. Looks like a diary. The pages are covered with writing--but the ink is so faded, and the paper is in such a state of decay that I can't tell much about it. How do you suppose it came in the fireplace, without being burned up?"

"Thrown in long after the fire was out," surmised Buckner. "Probably found and tossed in the fireplace by somebody who was in here stealin' furniture. Likely somebody who couldn't read."

Griswell fluttered the crumbling leaves listlessly, straining his eyes in the fading light over the yellowed scrawls. Then he stiffened.

"Here's an entry that's legible! Listen!" He read:

"'I know someone is in the house besides myself. I can hear someone prowling about at night when the sun has set and the pines are black outside. Often in the night I hear it fumbling at my door. Who is it? Is it one of my sisters? Is it Aunt Celia? If it is either of these, why does she steal so subtly about the house? Why does she tug at my door, and glide away when I call to her? Shall I open the door and go out to her? No, no! I dare not! I am afraid. Oh God, what shall I do? I dare not stay here--but where am I to go?'"

"By God!" ejaculated Buckner. "That must be Elizabeth Blassenville's diary! Go on!"

"I can't make out the rest of the page," answered Griswell. "But a few pages further on I can make out some lines." He read:

"'Why did the Negroes all run away when Aunt Celia disappeared? My sisters are dead. I know they are dead. I seem to sense that they died horribly, in fear and agony. But why? Why? If someone murdered Aunt Celia, why should that person murder my poor sisters? They were always kind to the black people. Joan------'" He paused, scowling futilely.

"A piece of the page is torn out. Here's another entry under another date--at least I judge it's a date; I can't make it out for sure.

"'------the awful thing that the old Negress hinted at? She named Jacob Blount, and Joan, but she would not speak plainly; perhaps she feared to------' Part of it gone here; then: 'No, no! How can it be? She is dead--or gone away. Yet--she was born and raised in the West Indies, and from hints she let fall in the past, I know she delved into the mysteries of the voodoo. I believe she even danced in one of their horrible ceremonies--how could she have been such a beast? And this--this horror. God, can such things be? I know not what to think. If it is she who roams the house at night, who fumbles at my door, who whistles so weirdly and sweetly--no, no, I must be going mad. If I stay here alone I shall die as hideously as my sisters must have died. Of that I am convinced.'"

The incoherent chronicle ended as abruptly as it had begun. Griswell was so engrossed in deciphering the scraps that he was not aware that darkness had stolen upon them, hardly aware that Buckner was holding his electric torch for him to read by. Waking from his abstraction he started and darted a quick glance at the black hallway.

"What do you make of it?"

"What I've suspected all the time," answered Buckner. "That mulatto maid Joan turned zuvembie to avenge herself on Miss Celia. Probably hated the whole family as much as she did her mistress. She'd taken part in voodoo ceremonies on her native island until she was 'ripe,' as old Jacob said. All she needed was the Black Brew--he supplied that. She killed Miss Celia and the three older girls, and would have gotten Elizabeth but for chance. She's been lurkin' in this old house all these years, like a snake in a ruin."

"But why should she murder a stranger?"

"You heard what old Jacob said," reminded Buckner. "A zuvembie finds satisfaction in the slaughter of humans. She called Branner up the stair and split his head and stuck the hatchet in his hand, and sent him downstairs to murder you. No court will ever believe that, but if we can produce her body, that will be evidence enough to prove your innocence. My word will be taken, that she murdered Branner. Jacob said a zuvembie could be killed . . . in reporting this affair I don't have to be too accurate in detail."

"She came and peered over the balustrade of the stair at us," muttered Griswell. "But why didn't we find her tracks on the stair?"

"Maybe you dreamed it. Maybe a zuvembie can project her spirit--hell! why try to rationalize something that's outside the bounds of rationality? Let's begin our watch."

"Don't turn out the light!" exclaimed Griswell involuntarily. Then he added: "Of course. Turn it out. We must be in the dark as"--he gagged a bit--"as Branner and I were."

But fear like a physical sickness assailed him when the room was plunged in darkness. He lay trembling and his heart beat so heavily he felt as if he would suffocate.

"The West Indies must be the plague spot of the world," muttered Buckner, a blur on his blankets. "I've heard of zombies. Never knew before what a zuvembie was. Evidently some drug concocted by the voodoo-men to induce madness in women. That doesn't explain the other things, though: the hypnotic powers, the abnormal longevity, the ability to control corpses--no, a zuvembie can't be merely a mad-woman. It's a monster, something more and less than a human being, created by the magic that spawns in black swamps and jungles--well, we'll see."

His voice ceased, and in the silence Griswell heard the pounding of his own heart. Outside in the black woods a wolf howled eerily, and owls hooted. Then silence fell again like a black fog.

Griswell forced himself to lie still on his blankets. Time seemed at a standstill. He felt as if he were choking. The suspense was growing unendurable; the effort he made to control his crumbling nerves bathed his limbs in sweat. He clenched his teeth until his jaws ached and almost locked, and the nails of his fingers bit deeply into his palms.

He did not know what he was expecting. The fiend would strike again--but how? Would it be a horrible, sweet whistling, bare feet stealing down the creaking steps, or a sudden hatchet-stroke in the dark? Would it choose him or Buckner? Was Buckner already dead? He could see nothing in the blackness, but he heard the man's steady breathing. The Southerner must have nerves of steel. Or was that Buckner breathing beside him, separated by a narrow strip of darkness? Had the fiend already struck in silence, and taken the sheriff's place, there to lie in ghoulish glee until it was ready to strike?--a thousand hideous fancies assailed Griswell tooth and claw.

He began to feel that he would go mad if he did not leap to his feet, screaming, and burst frenziedly out of that accursed house--not even the fear of the gallows could keep him lying there in the darkness any longer--the rhythm of Buckner's breathing was suddenly broken, and Griswell felt as if a bucket of ice-water had been poured over him. From somewhere above them rose a sound of weird, sweet whistling. . . .

Griswell's control snapped, plunging his brain into darkness deeper than the physical blackness which engulfed him. There was a period of absolute blankness, in which a realization of motion was his first sensation of awakening consciousness. He was running, madly, stumbling over an incredibly rough road. All was darkness about him, and he ran blindly. Vaguely he realized that he must have bolted from the house, and fled for perhaps miles before his overwrought brain began to function. He did not care; dying on the gallows for a murder he never committed did not terrify him half as much as the thought of returning to that house of horror. He was overpowered by the urge to run--run--run as he was running now, blindly, until he reached the end of his endurance. The mist had not yet fully lifted from his brain, but he was aware of a dull wonder that he could not see the stars through the black branches. He wished vaguely that he could see where he was going. He believed he must be climbing a hill, and that was strange, for he knew there were no hills within miles of the Manor. Then above and ahead of him a dim glow began.

He scrambled toward it, over ledge-like projections that were more and more taking on a disquieting symmetry. Then he was horror-stricken to realize that a sound was impacting on his ears--a weird mocking whistle. The sound swept the mists away. Why, what was this? Where was he? Awakening and realization came like the stunning stroke of a butcher's maul. He was not fleeing along a road, or climbing a hill; he was mounting a stair. He was still in Blassenville Manor! And he was climbing the stair!

An inhuman scream burst from his lips. Above it the mad whistling rose in a ghoulish piping of demoniac triumph. He tried to stop--to turn back--even to fling himself over the balustrade. His shrieking rang unbearably in his own ears. But his will-power was shattered to bits. It did not exist. He had no will. He had dropped his flashlight, and he had forgotten the gun in his pocket. He could not command his own body. His legs, moving stiffly, worked like pieces of mechanism detached from his brain, obeying an outside will. Clumping methodically they carried him shrieking up the stair toward the witch-fire glow shimmering above him.

"Buckner!" he screamed. "Buckner! Help, for God's sake!"

His voice strangled in his throat. He had reached the upper landing. He was tottering down the hallway. The whistling sank and ceased, but its impulsion still drove him on. He could not see from what source the dim glow came. It seemed to emanate from no central focus. But he saw a vague figure shambling toward him. It looked like a woman, but no human woman ever walked with that skulking gait, and no human woman ever had that face of horror, that leering yellow blur of lunacy--he tried to scream at the sight of that face, at the glint of keen steel in the uplifted claw-like hand--but his tongue was frozen.

Then something crashed deafeningly behind him; the shadows were split by a tongue of flame which lit a hideous figure falling backward. Hard on the heels of the report rang an inhuman squawk.

In the darkness that followed the flash Griswell fell to his knees and covered his face with his hands. He did not hear Buckner's voice. The Southerner's hand on his shoulder shook him out of his swoon.

A light in his eyes blinded him. He blinked, shaded his eyes, looked up into Buckner's face, bending at the rim of the circle of light. The sheriff was pale.

"Are you hurt? God, man, are you hurt? There's a butcher knife there on the floor------"

"I'm not hurt," mumbled Griswell. "You fired just in time--the fiend! Where is it? Where did it go?"

"Listen!"

Somewhere in the house there sounded a sickening flopping and flapping as of something that thrashed and struggled in its death convulsions.

"Jacob was right," said Buckner grimly. "Lead can kill them. I hit her, all right. Didn't dare use my flashlight, but there was enough light. When that whistlin' started you almost walked over me gettin' out. I knew you were hypnotized, or whatever it is. I followed you up the stairs. I was right behind you, but crouchin' low so she wouldn't see me, and maybe get away again. I almost waited too long before I fired--but the sight of her almost paralyzed me. Look!"

He flashed his light down the hall, and now it shone bright and clear. And it shone on an aperture gaping in the wall where no door had showed before.

"The secret panel Miss Elizabeth found!" Buckner snapped. "Come on!"

He ran across the hallway and Griswell followed him dazedly. The flopping and thrashing came from beyond that mysterious door, and now the sounds had ceased.

The light revealed a narrow, tunnel-like corridor that evidently led through one of the thick walls. Buckner plunged into it without hesitation.

"Maybe it couldn't think like a human," he muttered, shining his light ahead of him. "But it had sense enough to erase its tracks last night so we couldn't trail it to that point in the wall and maybe find the secret panel. There's a room ahead--the secret room of the Blassenvilles!"

And Griswell cried out: "My God! It's the windowless chamber I saw in my dream, with the three bodies hanging--ahhhhh!"

Buckner's light playing about the circular chamber became suddenly motionless. In that wide ring of light three figures appeared, three dried, shriveled, mummy-like shapes, still clad in the moldering garments of the last century. Their slippers were clear of the floor as they hung by their withered necks from chains suspended from the ceiling.

"The three Blassenville sisters!" muttered Buckner. "Miss Elizabeth wasn't crazy, after all."

"Look!" Griswell could barely make his voice intelligible. "There--over there in the corner!"

The light moved, halted.

"Was that thing a woman once?" whispered Griswell. "God, look at that face, even in death. Look at those claw-like hands, with black talons like those of a beast. Yes, it was human, though--even the rags of an old ballroom gown. Why should a mulatto maid wear such a dress, I wonder?"

"This has been her lair for over forty years," muttered Buckner, brooding over the grinning grisly thing sprawling in the corner. "This clears you, Griswell--a crazy woman with a hatchet--that's all the authorities need to know. God, what a revenge!--what a foul revenge! Yet what a bestial nature she must have had, in the beginnin', to delve into voodoo as she must have done------"

"The mulatto woman?" whispered Griswell, dimly sensing a horror that overshadowed all the rest of the terror.

Buckner shook his head. "We misunderstood old Jacob's maunderin's, and the things Miss Elizabeth wrote--she must have known, but family pride sealed her lips. Griswell, I understand now; the mulatto woman had her revenge, but not as we'd supposed. She didn't drink the Black Brew old Jacob fixed for her. It was for somebody else, to be given secretly in her food, or coffee, no doubt. Then Joan ran away, leavin' the seeds of the hell she'd sowed to grow."

"That--that's not the mulatto woman?" whispered Griswell.

"When I saw her out there in the hallway I knew she was no mulatto. And those distorted features still reflect a family likeness. I've seen her portrait, and I can't be mistaken. There lies the creature that was once Celia Blassenville."

THE END

The Horror from the Mound

STEVE BRILL did not believe in ghosts or demons. Juan Lopez did. But neither the caution of the one nor the sturdy skepticism of the other was shield against the horror that fell upon them--the horror forgotten by men for more than three hundred years--a screaming fear monstrously resurrected from the black lost ages.

Yet as Steve Brill sat on his sagging stoop that last evening, his thoughts were as far from uncanny menaces as the thoughts of man can be. His ruminations were bitter but materialistic. He surveyed his farmland and he swore. Brill was tall, rangy and tough as boot-leather--true son of the iron-bodied pioneers who wrenched West Texas from the wilderness. He was browned by the sun and strong as a longhorned steer. His lean legs and the boots on them showed his cowboy instincts, and now he cursed himself that he had ever climbed off the hurricane deck of his crankeyed mustang and turned to farming. He was no farmer, the young puncher admitted profanely.

Yet his failure had not all been his fault. Plentiful rain in the winter-so rare in West Texas-had given promise of good crops. But as usual, things had happened. A late blizzard had destroyed all the budding fruit. The grain which had looked so promising was ripped to shreds and battered into the ground by terrific hailstorms just as it was turning yellow. A period of intense dryness, followed by another hailstorm, finished the corn.

Then the cotton, which had somehow struggled through, fell before a swarm of grasshoppers which stripped Brill's field almost overnight. So Brill sat and swore that he would not renew his lease-he gave fervent thanks that he did not own the land on which he had wasted his sweat, and that there were still broad rolling ranges to the West where a strong young man could make his living riding and roping.

Now as Brill sat glumly, he was aware of the approaching form of his nearest neighbor, Juan Lopez, a taciturn old Mexican who lived in a but just out of sight over the hill across the creek, and grubbed for a living. At present he was clearing a strip of land on an adjoining farm, and in returning to his but he crossed a corner of Brill's pasture.

Brill idly watched him climb through the barbed-wire fence and trudge along the path he had worn in the short dry grass. He had been working at his present job for over a month now, chopping down tough gnarly mesquite trees and digging up their incredibly long roots, and Brill knew that he always followed the same path home. And watching, Brill noted him swerving far aside, seemingly to avoid a low rounded hillock which jutted above the level of the pasture. Lopez went far around this knoll and Brill remembered that the old Mexican always circled it at a distance. And another thing came into Brill's idle mind--Lopez always increased his gait when he was passing the knoll, and he always managed to get by it before sundown--yet Mexican laborers generally worked from the first light of dawn to the last glint of twilight, especially at these grubbing jobs, when they were paid by the acre and not by the day. Brill's curiosity was aroused.

He rose, and sauntering down the slight slope on the crown of which his shack sat, hailed the plodding Mexican.

"Hey, Lopez, wait a minute."

Lopez halted; looked about, and remained motionless but unenthusiastic as the white man approached.

"Lopez," said Brill lazily, "it ain't none of my business, but I just wanted to ask you-how come you always go so far around that old Indian mound?"

"No Babe," grunted Lopez shortly.

"You're a liar," responded Brill genially. "You savvy all right; you speak English as good as me. What's the matter-you think that mound's ha'nted or somethin'!"

Brill could speak Spanish himself and read it, too, but like most Anglo-Saxons he much preferred to speak his own language.

Lopez shrugged his shoulders.

"It is not a good place, no bueno," he muttered, avoiding Brill's eyes. "Let hidden things rest."

"I reckon you're scared of ghosts," Brill bantered. "Shucks, if that is an Indian mound, them Indians been dead so long their ghosts 'ud be plumb wore out by now."

Brill knew that the illiterate Mexicans looked with superstitious aversion on the mounds that are found here and there through the Southwest-relics of a past and forgotten age, containing the moldering bones of chiefs and warriors of a lost race.

"Best not to disturb what is hidden in the earth," grunted Lopez.

"Bosh," said Brill. "Me and some boys busted into one of them mounds over in the Palo Pinto country and dug up pieces of a skeleton with some beads and flint arrowheads and the like. I kept some of the teeth a long time till I lost 'em, and I ain't never been ha'nted."

"Indians?" snorted Lopez unexpectedly. "Who spoke of Indians? There have been more than Indians in this country. In the old times strange things happened here. I have heard the tales of my people, handed down from generation to generation. And my people were here long before yours, Senor Brill."

"Yeah, you're right," admitted Steve. "First white men in this country was Spaniards, of course. Coronado passed along not very far from here, I hear-tell, and Hernando de Estrada's expedition came through here-away back yonder-I dunno how long ago."

"In 1545," said Lopez. "They pitched camp yonder where your corral stands now."

Brill turned to glance at his rail-fenced corral, inhabited now by his saddlehorse, a pair of workhorses and a scrawny cow.

"How come you know so much about it?" he asked curiously.

"One of my ancestors marched with de Estrada," answered Lopez. "A soldier, Porfirio Lopez; he told his son of that expedition, and he told his son, and so down the family line to me, who have no son to whom I can tell the tale."

"I didn't know you were so well connected," said Brill. "Maybe you know somethin' about the gold de Estrada was supposed to have hid around here, somewhere."

"There was no gold," growled Lopez. "De Estrada's soldiers bore only their arms, and they fought their way through hostile country-many left their bones along the trail. Later-many years later-a mule train from Santa Fe was attacked not many miles from here by Comanches and they hid their gold and escaped; so the legends got mixed up. But even their gold is not there now, because Gringo buffalo-hunters found it and dug it up."

Brill nodded abstractedly, hardly heeding. Of all the continent of North America there is no section so haunted by tales of lost or hidden treasure as is the Southwest. Uncounted wealth passed back and forth over the hills and plains of Texas and New Mexico in the old days when Spain owned the gold and silver mines of the New World and controlled the rich fur trade of the West, and echoes of that wealth linger on in tales of golden caches. Some such vagrant dream, born of failure and pressing poverty, rose in Brill's mind.

Aloud he spoke: "Well, anyway, I got nothin' else to do and I believe I'll dig into that old mound and see what I can find."

The effect of that simple statement on Lopez was nothing short of shocking. He recoiled and his swarthy brown face went ashy; his black eyes flared and he threw up his arms in a gesture of intense expostulation.

"Dios, no!" he cried. "Don't do that, Senor Brill! There is a curse--my grandfather told me--"

"Told you what?" asked Brill.

Lopez lapsed into sullen silence.

"I cannot speak," he muttered. "I am sworn to silence. Only to an eldest son could I open my heart. But believe me when I say better had you cut your throat than to break into that accursed mound."

"Well," said Brill, impatient of Mexican superstitions, "if it's so bad why don't you tell me about it? Gimme a logical reason for not bustin' into it."

"I cannot speak!" cried the Mexican desperately. "I know!-but I swore to silence on the Holy Crucifix, just as every man of my family has sworn. It is a thing so dark, it is to risk damnation even to speak of it! Were I to tell you, I would blast the soul from your body. But I have sworn-and I have no son, so my lips are sealed forever."

"Aw, well," said Brill sarcastically, "why don't you write it out?"

Lopez started, stared, and to Steve's surprise, caught at the suggestion.

"I will! Dios be thanked the good priest taught me to write when I was a child. My oath said nothing of writing. I only swore not to speak. I will write out the whole thing for you, if you will swear not to speak of it afterward, and to destroy the paper as soon as you have read it.

"Sure," said Brill, to humor him, and the old Mexican seemed much relieved.

"Bueno! I will go at once and write. Tomorrow as I go to work I will bring you the paper and you will understand why no one must open that accursed mound!"

And Lopez hurried along his homeward path, his stooped shoulders swaying with the effort of his unwonted haste. Steve grinned after him, shrugged his shoulders and turned back toward his own shack. Then he halted, gazing back at the low rounded mound with its grass-grown sides. It must be an Indian tomb, he decided, what with its symmetry and its similarity to other Indian mounds he had seen. He scowled as he tried to figure out the seeming connection between the mysterious knoll and the martial ancestor of Juan Lopez.

Brill gazed after the receding figure of the old Mexican. A shallow valley, cut by a half-dry creek, bordered with trees and underbrush, lay between Brill's pasture and the low sloping hill beyond which lay Lopez's shack. Among the trees along the creek bank the old Mexican was disappearing. And Brill came to a sudden decision.

Hurrying up the slight slope, he took a pick and a shovel from the tool shed built onto the back of his shack. The sun had not yet set and Brill believed he could open the mound deep enough to determine its nature before dark. If not, he could work by lantern light. Steve, like most of his breed, lived mostly by impulse, and his present urge was to tear into that mysterious hillock and find what, if anything, was concealed therein. The thought of treasure came again to his mind, piqued by the evasive attitude of Lopez.

What if, after all, that grassy heap of brown earth hid riches-virgin ore from forgotten mines, or the minted coinage of old Spain? Was it not possible that the musketeers of de Estrada had themselves reared that pile above a treasure they could not bear away, molding it in the likeness of an Indian mound to fool seekers? Did old Lopez know that? It would not be strange if, knowing of treasure there, the old Mexican refrained from disturbing it. Ridden with grisly superstitious fears, he might well live out a life of barren toil rather than risk the wrath of lurking ghosts or devils-for the Mexicans say that hidden gold is always accursed, and surely there was supposed to be some especial doom resting on this mound. Well, Brill meditated, Latin-Indian devils had no terrors for the Anglo-Saxon, tormented by the demons of drouth and storm and crop failure.

Steve set to work with the savage energy characteristic of his breed. The task was no light one; the soil, baked by the fierce sun, was iron-hard, and mixed with rocks and pebbles. Brill sweated profusely and grunted with his efforts, but the fire of the treasure-hunter was on him. He shook the sweat out of his eyes and drove in the pick with mighty strokes that ripped and crumbled the close-packed dirt.

The sun went down, and in the long dreamy summer twilight he worked on, almost oblivious of time or space. He began to be convinced that the mound was a genuine Indian tomb, as he found traces of charcoal in the soil. The ancient people which reared these sepulchers had kept fires burning upon them for days, at some point in the building. All the mounds Steve had ever opened had contained a solid stratum of charcoal a short distance below the surface: But the charcoal traces he found now were scattered about through the soil.

His idea of a Spanish-built treasure trove faded, but he persisted. Who knows? Perhaps that strange folk men now called Mound-Builders had treasure of their own which they laid away with the dead.

Then Steve yelped in exultation as his pick rang on a bit of metal. He snatched it up and held it close to his eyes, straining in the waning, light. It was caked and corroded with rust, worn almost paper-thin, but he knew it for what it was-a spur-rowel, unmistakably Spanish with its long cruel points. And he halted, completely bewildered. No Spaniard ever reared this mound, with its undeniable marks of aboriginal workmanship. Yet how came that relic of Spanish caballeros hidden deep in the packed soil?

Brill shook his head and set to work again. He knew that in the center of the mound, if it were indeed an aboriginal tomb, he would find a narrow chamber built of heavy stones, containing the bones of the chief for whom the mound had been reared and the victims sacrificed above it. And in the gathering darkness he felt his pick strike heavily against something granite-like and unyielding. Examination, by sense of feel as well as by sight, proved it to be a solid block of stone, roughly hewn. Doubtless it formed one of the ends of the deathchamber. Useless to try to shatter it. Brill chipped and pecked about it, scrapping the dirt and pebbles away from the corners until lie felt that wrenching it out would be but a matter of sinking the pick-point under' neath and levering it out.

But now he was suddenly aware that darkness had come on. In the young moon objects were dim and shadowy. His mustang nickered in the corral whence came the comfortable crunch of tired beasts' jaws on corn. A whippoorwill called eerily from the dark shadows of the narrow winding creek. Brill straightened reluctantly. Better get a lantern and continue his explorations by its light.

He felt in his pocket with some idea of wrenching out the stone and exploring the cavity by the aid of matches. Then he stiffened. Was it. imagination that he heard a faint sinister rustling, which seemed to come from behind the blocking stone? Snakes! Doubtless they had holes somewhere about the base of the mound and there might be a dozen big -diamond-backed rattlers coiled up in that cave-like interior waiting for him to put his hand among them. He shivered slightly at the thought and backed away out of the excavation he had made.

It wouldn't do to go poking about blindly into holes. And for the past few minutes, he realized, he had been aware of a faint foul odor exuding from interstices about the blocking stone-though he admitted that the smell suggested reptiles no more than it did any other menacing scent. It had a charnel-house reek about it-gases formed in the chamber of death, no doubt, and dangerous to the living.

Steve laid down his pick and returned to the house, impatient of the necessary delay. Entering the dark building, he struck a. match and located his kerosene lantern hanging on its nail on the wall. Shaking it, he satisfied himself that it was nearly full of coal oil, and lighted it. Then he fared forth again, for his eagerness would not allow him to pause long enough for a bite of food. The mere opening of the mound intrigued him, as it must always intrigue a man of imagination, and the discovery of the Spanish spur had whetted his curiosity.

He hurried from his shack, the swinging lantern casting long distorted shadows ahead of him and behind. He chuckled as he visualized Lopez's thoughts and actions when he learned, on the morrow, that the forbidden mound had been pried into. A good thing he opened it that evening, Brill reflected; Lopez might even have tried to prevent him meddling with it, had he known.

In the dreamy hush of the summer night, Brill reached the mound-lifted his lantern-swore bewilderedly. The lantern revealed his excavations, his tools lying carelessly where he had dropped them-and a black gaping aperture! The great blocking stone lay in the bottom of the excavation he had made, as if thrust carelessly aside. Warily he thrust the lantern forward and peered into the small cave-like chamber, expecting to see he knew not what. Nothing met his eyes except the bare rock sides of a long narrow cell, large enough to receive a man's body, which had apparently been built up of roughly hewn square-cut stones, cunningly and strongly joined together.

"Lopez!" exclaimed Steve furiously. "The dirty coyote! He's been watchin' me work--and when I went after the lantern, he snuck up and pried the rock outand grabbed whatever was in there, I reckon. Blast his greasy hide, I'll fix him!"

Savagely he extinguished the lantern and glared across the shallow, brush-grown valley. And as he looked he stiffened. Over the corner of the hill, on the other side of which the shack of Lope z stood, a shadow moved. The slender moon was setting, the light dim and the play of the shadows baffling. But Steve's eyes were sharpened by the sun and winds of the wastelands, and he knew that it was some two-legged creature that was disappearing over the low shoulder of the mesquite-grown hill.

"Beatin' it to his shack," snarled Brill. "He's shore got somethin' or he wouldn't be travelin' at that speed."

Brill swallowed, wondering why a peculiar trembling had suddenly taken hold of him. What was there unusual about a thieving old greaser running home with his loot? Brill tried to drown the feeling that there was something peculiar about the gait of the dim shadow, which gad seemed to move at a sort of slinking lope. There, must have been need for swiftness when stocky old Juan Lopez elected to travel at such a strange pace.

"Whatever he found is as much mine as his," swore Brill, trying to get his mind off the abnormal aspect of the figure's flight, "I got this land leased and I done all the work diggin'. A curse, heck! No wonder he told me that stuff. Wanted me to leave it alone so he could get it hisself. It's a wonder he ain't dug it up long before this. But you can't never tell about them spigs."

Brill, as he meditated thus, was striding down the gentle slope of the pasture which led down to the creek bed. He passed into the shadows of the trees and dense underbrush and walked across the dry creek bed, noting absently that neither whippoorwill nor hoot-owl called in the darkness. There was a waiting, listening tenseness in the night that he did not like. The shadows in the creek bed seemed too thick, too breathless. He wished he had not blown out the lantern, which he still carried, and was glad he had brought the pick, gripped like a battle-ax in his right hand. He had an impulse to whistle, just to break the silence, then swore and dismissed the thought. Yet he was glad when he clambered up the low opposite bank and emerged into the starlight.

He walked up the slope and onto the hill, and looked down on the mesquite flat wherein stood Lopezs squalid hut. A light showed at the one window.

"Packin' his things for a getaway, I reckon," grunted Steve. "Oh, what the-"

He staggered as from a physical impact as a frightful scream knifed the stillness. He wanted to clap his hands over his ears to shut out the horror of that cry, which rose unbearably and then broke in an abhorrent gurgle.

"Good God!" Steve felt the cold sweat spring out upon him. "Lopez-or somebody-"

Even as he gasped the words he was running down the hill as fast as his long legs could carry him. Some unspeakable horror was taking place in that lonely hut, but he was going to investigate if it meant facing the Devil himself. He tightened his grip on his pick-handle as he ran. Wandering prowlers, murdering old Lopez for the loot he had taken from the mound, Steve thought, and forgot his wrath. It would go hard for anyone he found molesting the old scoundrel, thief though he might be.

He hit the flat, running hard.. And then the light in the but went out and Steve staggeed in full flight, bringing up against a mesquite tree with an impact that jolted a grunt out of him and tore his hands on the thorns. Rebounding with a sobbed curse, he rushed for the shack, nerving himself for what he might see-his hair still standing on end at what he had already seen.

Brill tried the one door of the but and found it bolted. He shouted to Lopez and received no answer. Yet utter silence did not reign. From within came a curious muffled worrying sound that ceased as Brill swung his pick crashing against the door. The flimsy portal splintered and Brill leaped into, the dark hut, eyes blazing, pick swung high for a desperate onslaught. But no, sound ruffled the grisly silence, and in the darkness nothing stirred, though Brill's chaotic imagination peopled the shadowed corners of the but with shapes of horror.

With a hand damp with perspiration he found a match and struck it. Besides himself only Lopez occupied the hut-old Lopez, stark dead on the dirt floor, arms spread wide like a crucifix, mouth sagging open in a semblance of idiocy, eyes wide and staring with a horror Brill found intolerable. The one window gaped open, showing the method of the slayer's exit-possibly his entrance as well. Brill went to that window and gazed out warily. He saw only the sloping hillside on one hand and the mesquite flat on the other. He starred-was that a hint of movement among the stunted shadows of the mesquites and chaparral-or had he but imagined he glimpsed a dim loping figure among the trees?

He turned back, as the match burned down to his fingers. He lit the old coal-oil lamp on the rude table, cursing as he burned his hand. The globe of the lamp was very hot, as if it had been burning for hours.

Reluctantly he turned to the corpse on the floor. Whatever sort of death had come to Lopez, it had been horrible, but Brill, gingerly examining the dead man, found no wound--no mark of knife or bludgeon on him. Wait. There was a thin smear of blood on Brill's questing hand. Searching, he found thesource--three or four tiny punctures in Lopezs throat, from which blood had oozed sluggishly. At first he thought they had been inflicted with a stiletto--a thin round edgeless dagger then he shook his head. He had seen stiletto wounds-he had the scar of one on his own body. These wounds more resembled the bite of some animal--they looked like the marks of pointed fangs.

Yet Brill did not believe they were deep enough to have caused death, nor had much blood flowed from them. A belief, abhorrent with grisly speculations, rose up in the dark corners of his mind-that Lopez had died of fright and that the wounds had been inflicted either simultaneously--with his death, or an instant afterward.

And Steve noticed something else; scrawled about on the floor lay a number of dingy leaves of paper, scrawled in the old Mexican's crude hand--he would write of the curse of the mound, he had said. There were the sheets on which he had written, there was the stump of a pencil on the floor, there was the hot lamp globe, all mute witnesses that the old Mexican had been seated at the roughhewn table writing for hours. Then it was not he who opened the moundchamber and stole the contents--but who was it, in God's name? And who or what was it that Brill had glimpsed loping over the shoulder of the hill?

Well, there was but one thing to do-saddle his mustang and ride the ten miles to Coyote Wells, the nearest town, and inform the sheriff of the murder.

Brill gathered up the papers. The last was crumpled in the old man's clutching hand and Brill secured it with some difficulty. Then as he turned to extinguish the light, he hesitated, and cursed himself for the crawling fear that lurked at the back of his mind--fear of the shadowy thing he had seen cross the window just before the light was extinguished in the hut. The long arm of the murderer, he thought, reaching for the lamp to put it out, no doubt. What had there been abnormal or inhuman about that vision, distorted though it must have been in the dim lamplight and shadow? As a man strives to remember the details of a nightmare dream, Steve tried to define in his mind some clear reason that would explain, why that flying glimpse had unnerved him to the extent of blundering headlong into a tree, and why the mere vague remembrance of it now caused cold sweat to break out on him.

Cursing himself to keep up his courage, he lighted his lantern, blew out the lamp on the rough table, and resolutely set forth, grasping his pick like a weapon. After all, why should certain seemingly abnormal aspects about a sordid murder upset him? Such crimes were abhorrent, but common enough, especially among Mexicans, who cherished unguessed feuds.

Then as he stepped into the silent starflecked night he brought up short. From across the creek sounded the sudden soul-shaking scream of a horse in deadly terror--then a mad drumming of hoofs that receded in the distance. And Brill swore in rage and dismay. Was it a pan lurking in the hills--had a monster cat slain old Lopez? Then why was not the victim marked with the scars of fierce hooked talons? And who extinguished the light in the but?

As he wondered, Brill was running swiftly toward the dark creek. Not lightly does a cowpuncher regard the stampeding of his stock. As he passed into the darkness of the brush along the dry creek, Brill found his tongue strangely dry. He kept swallowing, and he held the lantern high. It made but faint impression in the gloom, but seemed to accentuate the blackness of the crowding shadows. For some strange reason, the thought entered Brill's chaotic mind that though the land was new to the Anglo-Saxon, it was in reality very old. That broken and desecrated tomb was mute evidence that the land was ancient to man, and suddenly the night and the hills and the shadows bore on Brill with a sense of hideous antiquity. Here had long, generations of men lived and died before Brill's ancestors ever heard of the land. In the night, in the shadows of this very creek, men had no doubt given up their ghosts in grisly ways. With these reflections Brill hurried through the shadows of the thick trees.

He breathed deeply in relief when he emerged from the trees on his own side. Hurrying up the gentle slope to the railed corral, he held up his lantern, investigating. The corral was empty; not even the placid cow was in sight. And the bars were down. That pointed to human agency, and the affair took on a newly sinister aspect. Someone did not intend that Brill should ride to Coyote Wells that night. It meant that the murderer intended making his getaway and wanted a good start on the law, or else-Brill grinned wryly. Far away across a mesquite flat he believed he could still catch the faint and faraway noise of running horses. What in God's name had given them such a fright? A cold finger of fear played shudderingly on Brill's spine.

Steve headed for the house. He did not enter boldly. He crept clear around the shack, peering shudderingly into the dark windows, listening with painful intensity for some sound to betray the presence of the lurking killer. At last he ventured to open the door and step in. He threw the door back against the wall to find if anyone were hiding behind it, lifted the lantern high and stepped in, heart pounding, pick gripped fiercely, his feelings a mixture of fear and red rage. But no hidden assassin leaped upon him, and a wary exploration of the shack revealed nothing.

With a sigh of relief Brill locked the doors, made fast the windows and lighted his old coal-oil lamp. The thought of old Lopez lying, a glassy-eyed corpse alone in the but across the creek, made him wince and shiver, but he did not intend to start for town on foot in the night.

He drew from its hiding-place his reliable old Colt .45, spun the blue-steel cylinder, and grinned mirthlessly. Maybe the killer did not intend to leave any witnesses to his crime alive. Well, let him come! He-or they-would find a young cowpuncher with a six-shooter less easy prey than an old unarmed Mexican. And that reminded Brill of the -papers he had brought from the hut. Taking care that he was not in line with a window through which a sudden bullet might come, he settled himself to read, with one ear alert for stealthy sounds.

And as he read the crude laborious script, a slow cold horror grew in his soul. It was a tale of fear that the old Mexican had scrawled-a tale handed down from generation-a tale of ancient times.

And Brill read of the wanderings of the caballero Hernando de Estrada and his armored pikemen, who dared the deserts of the Southwest when all was strange and unknown. There were some forty-odd soldiers, servants, and masters, at, the beginning, the manuscript ran. There was the captain, de Estrada, and the priest, and young Juan Zavilla, and Don Santiago de Valdez-a mysterious nobleman who had been taken off a helplessly floating ship in the Caribbean Sea-all the others of the crew and passengers had died of plague, he had said and he had cast their bodies overboard. So de Estrada had taken him aboard the ship that was bearing the expedition from Spain, and de Valdez joined them in their explorations.

Brill read something of their wanderings, told in the crude style of old Lopez, as the old Mexican's ancestors had handed down the tale for over three hundred years. The bare written words dimly reflected the terrific hardships the explorers bad encountered-drouth, thirst, floods, the desert sandstorms, the spears of hostile redskins. But it was of another peril that old Lopez told-a grisly lurking horror that fell upon the lonely caravan wandering through the immensity of the wild. Man by man they fell and no man knew the slayer. Fear and black suspicion ate at the heart of the expedition like a canker, and their leader knew not where to turn. This they all knew: among them was a fiend in human form.

Men began to draw apart from each other, to scatter along the line of march, and this mutual suspicion, that sought security in solitude, made it easier for the fiend. The skeleton of the expedition staggered through the wilderness, lost, dazed and helpless, and still the unseen horror hung on their flanks, dragging down the stragglers, preying on drowsing sentries and sleeping men. And on the throat of each was found the wounds of pointed fangs that bled the victim white; so that the living knew with what manner of evil they had to deal. Men reeled through the wild, calling on the saints, or blaspheming in their terror, fighting frenziedly against sleep, until thev fell with exhaustion and 'sleep stole on them with horror and death.

Suspicion centered on a great black man, a cannibal slave from Calabar. And they put him in chains. But young Juan Zavilla went the way of the rest, and then the priest was taken. But the priest fought off his fiendish assailant and lived long enough to gasp the demon's name to de Estrada. And Brill, shuddering and wide-eyed, read:

". . . And now it was evident to de Estrada that the good priest had spoken the truth, and the slayer was Don Santiago de Valdez, who was a vampire, an undead fiend, subsisting on the blood of the living. And de Estrada called to mind a certain foul nobleman who had lurked, in the' mountains of Castile since the days of the Moors, feeding off the blood of helpless victims which lent him a ghastly immortality. This nobleman had been driven forth; none knew where he had fled but it was evident that he and Don Santiago were the same man: He had fled Spain by ship, and de Estrada knew that the people of that ship had died, not by plague as the fiend had represented, but by the fangs of the vampire."

"De Estrada and the black man and the few soldiers who still lived went searching for him and found him stretched in bestial sleep in a clump of chaparral; fullgorged he was with human blood from his last victim. Now it is well known that a vampire, like a great serpent, when well gorged, falls into a deep sleep and may be taken without peril. But de Estrada was at a loss as to how to dispose of the monster, for how may the dead be slain? For a vampire is a man who has died long ago, yet is quick with a certain foul unlife."

"The men urged that the Caballero drive a stake through the fiend's heart and cut off his head, uttering the holy words that would crumble the long-dead body into dust, but the priest was dead and de Estrada feared that in the act the monster might waken.

"So--they took Don Santiago, lifting him softly, and bore him to an old Indian mound near by. This they opened, taking forth the bones they found there, and they placed the vampire within and sealed up the mound. Him grant until Judgment Day."

"It is a place accursed, and I wish I had starved elsewhere before I came into this part of the country seeking work--for I have known of the land and the creek and the mound with its terrible secret, ever since childhood; so you see, Senor Brill, why you must not open the mound and wake the fiend--"

There the manuscript ended with an erratic scratch of the pencil that tore the crumpled leaf.

Brill rose, his heart pounding wildly, his face bloodless, his tongue cleaving to his palate. He gagged and found words.

"That's why the spur was in the mound-one of them Spaniards dropped it while they was diggin'-and I mighta knowed it's been dug into before, the way the charcoal was scattered out-but, good God-"

Aghast he shrank from the black visions-an undead monster stirring in the gloom of his tomb, thrusting from within to push aside the stone loosened by the pick of ignorance-a shadowy shape loping over the hill toward a light that betokened a human prey-a frightful long arm that crossed a dim-lighted window . . . .

"It's madness!" he gasped. "Lopez was plumb loco! They ain't no such things as vampires! If they is, why didn't he get me first, instead of Lopez-unless he was scoutin' around, makin' sure of everything before he pounced? Aw, hell! It's all a pipe-dream-"

The words froze in his throat. At the window a face glared and gibbered soundlessly at him. Two icy eyes pierced his very soul. A shriek burst from his throat and that ghastly visage vanished. But the very air was permeated by the foul scent that had hung about the ancient mound. And now the door creaked--bent slowly inward. Brill backed up against the wall, his gun shaking in his hand: It did not occur to him to fire through the door; in his chaotic brain he had but one thought that only that thin portal of wood separated him from some horror born out of the womb of night and gloom and the black past. His eyes were distended as he saw the door give, as he heard the staples of the bolt groan.

The door burst inward. Brill did not scream. His tongue was frozen to the roof of his mouth. His fear-glazed eyes took in the tall, vulture-like form--the icy eyes, the long black fingernails--the moldering garb, hideously ancient--the long spurred boot-the slouch. hat with its crumbling feather--the flowing cloak that was falling to slow shreds. Framed in the black doorway crouched that abhorrent shape out of the past, and Brill's brain reeled. A savage cold radiated from the figure--the scent of moldering clay and charnel-house refuse. And then the undead came at the living like a swooping vulture.

Brill fired point-blank and saw a shred of rotten cloth fly from the Thing's breast. The vampire reeled beneath the impact of the heavy ball, then righted himself and came on with frightful speed. Brill reeled back against the wall with a choking cry, the gun falling-from his nerveless hand. The black legends were true then-human weapons were powerless-for may a man kill one already dead for long centuries, as mortals die?

Then the clawlike hands at his throat roused the young cowpuncher to a frenzy of madness. As his pioneer ancestors fought hand to hand against brain-shattering odds, Steve Brill fought the cold dead crawling thing that sought his life and his soul.

Of that ghastly battle Brill never remembered much. It was a blind chaos in which he screamed beast-like, tore and slugged and hammered, where long black nails like the talons of a panther tore at him, and pointed teeth snapped again and again at his throat. Rolling and tumbling about the room, both half enveloped by the musty folds of that ancient rotting cloak, they smote and tore at each other among the ruins of the shattered furniture, and- the fury of the vampire was not more terrible than the fearcrazed desperation of his victim.

They crashed headlong, into the table, knocking it down upon its side, and the coal oil lamp splintered on the floor, spraying the walls with sudden flames. Brill felt the bite of the burning oil that spattered him, but in the red frenzy of the fight he gave no heed. The black talons were tearing at him, the inhuman eyes burning icily into his soul; between his frantic fingers the withered flesh of the monster was hard as dry wood. And wave after wave of blind madness swept over Steve Brill. Like a man battling a nightmare he screamed and smote, while all about them the fire leaped up and caught at the walls and roof.

Through darting jets and licking tongues of flames they reeled and rolled like a demon and a mortal warring on the firelanced floors of hell: And in the growing tumult of the flames, Brill gathered himself for one last volcanic burst of frenzied strength. Breaking away and staggering, up, gasping and bloody, he lunged blindly at the foul shape and caught it in a grip not even the vampire could break. And whirling his fiendish assailant bodily on high, he dashed him down across the uptilted edge of the fallen table as a man might break a stick of wood across his knee. Something cracked like a snapping branch and the vampire fell from Brill's grasp to writhe in a strange broken posture on the burning floor. Yet it was not dead, for its flaming eyes still burned on Brill with a ghastly hunger, and it strove to crawl toward him with its broken spine, as a dying snake crawls.

Brill, reeling and gasping, shook the blood from his eyes, and staggered blindly through the broken door. And as a man runs from the portals of hell, he ran stumblingly through, the mesquite and chaparral until he fell from utter exhaustion. Looking back he saw the flames of the burning house and thanked God that it would burn until the very bones of Don Santiago de Valdez were utterly consumed and destroyed from the knowledge of men.

THE END