|08-28-2009, 06:04 PM||#1|
Join Date: Apr 2008
Location: Alabama, USA
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Moore, George: Memoirs of My Dead Life. V1. 28 Aug 2009
George Augustus Moore (24 February 1852 – 21 January 1933) was an Irish novelist, short-story writer, poet, art critic, memoirist and dramatist. Moore came from a Roman Catholic landed family. He originally wanted to be a painter, and studied art in Paris during the 1870s. There, he befriended many of the leading French artists and writers of the day.
As a naturalistic writer, he was amongst the first English-language authors to absorb the lessons of the French realists, and was particularly influenced by the works of Émile Zola. His writings influenced James Joyce, according to the literary critic and biographer Richard Ellmann, and, although Moore's work is sometimes seen as outside the mainstream of both Irish and British literature, he is as often regarded as the first great modern Irish novelist.
Last month the post brought me two interesting letters, and the reader will understand how interesting they were to me when I tell him that one was from Mr. Sears, of the firm of Appleton, who not knowing me personally had written to Messrs. Heinemann to tell them that the firm he represented could not publish the “Memoirs” unless two stories were omitted; “The Lovers of Orelay,” and “In the Luxembourg Gardens,” —Messrs. Heinemann had forwarded the letter to me; my interest in the other letter was less direct, but the reader will understand that it was not less interesting when I tell that it came from the secretary of a certain charitable institution who had been reading the book in question, and now wrote to consult me on many points of life and conduct. He had been compelled to do so, for the reading of the “Memoirs” had disturbed his mind. The reader will agree with me that disturbed is probably the right word to use. To say that the book had undermined his convictions or altered his outlook on life would be an exaggeration. “Outlook on life” and “standard of conduct” are phrases from his own vocabulary, and they depict him.
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