|08-25-2009, 09:36 AM||#1|
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Moore, George: Esther Waters. V1. 25 Aug 2009
George Augustus Moore (24 February 1852 – 21 January 1933) was an Irish novelist, short-story writer, poet, art critic, memoirist and dramatist. Moore came from a Roman Catholic landed family. He originally wanted to be a painter, and studied art in Paris during the 1870s. There, he befriended many of the leading French artists and writers of the day.
As a naturalistic writer, he was amongst the first English-language authors to absorb the lessons of the French realists, and was particularly influenced by the works of Émile Zola. His writings influenced James Joyce, according to the literary critic and biographer Richard Ellmann, and, although Moore's work is sometimes seen as outside the mainstream of both Irish and British literature, he is as often regarded as the first great modern Irish novelist.
She stood on the platform watching the receding train. A few bushes hid the curve of the line; the white vapour rose above them, evaporating in the pale evening. A moment more and the last carriage would pass out of sight. The white gates swung forward slowly and closed over the line.
An oblong box painted reddish brown and tied with a rough rope lay on the seat beside her. The movement of her back and shoulders showed that the bundle she carried was a heavy one, the sharp bulging of the grey linen cloth that the weight was dead. She wore a faded yellow dress and a black jacket too warm for the day. A girl of twenty, short, strongly built, with short, strong arms. Her neck was plump, and her hair of so ordinary a brown that it passed unnoticed. The nose was too thick, but the nostrils were well formed. The eyes were grey, luminous, and veiled with dark lashes. But it was only when she laughed that her face lost its habitual expression, which was somewhat sullen; then it flowed with bright humour. She laughed now, showing a white line of almond-shaped teeth. The porter had asked her if she were afraid to leave her bundle with her box. Both, he said, would go up together in the donkey-cart. The donkey-cart came down every evening to fetch parcels.... That was the way to Woodview, right up the lane. She could not miss it. She would find the lodge gate in that clump of trees. The man lingered, for she was an attractive girl, but the station-master called him away to remove some luggage.
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