|03-08-2009, 02:55 PM||#1|
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Hichens, Robert Smythe: The Green Carnation. V1. 8 Mar 2009
Robert Smythe Hichens (November 14, 1864 – July 20, 1950) was an English journalist and novelist.
Born in Speldhurst in Kent, he was educated at Clifton College, the Royal College of Music, and the London School of Journalism.
He wrote lyrics for music, stories, and collaborated in successful plays. He is best remembered now, perhaps, for his satire on Oscar Wilde, The Green Carnation (1894), his novels that were made into films — The Garden of Allah (pub. 1904) and The Paradine Case (pub. 1933) — and the story "How Love Came to Professor Guildea", which has been frequently anthologized. His novel "Felix" (1902) is an early fictional treatment of hypodermic morphine addiction.
Hichens' classic novel The Green Carnation has been republished as a hardcover volume in 2006.
He slipped a green carnation into his evening coat, fixed it in its place with a pin, and looked at himself in the glass, the long glass that stood near the window of his London bedroom. The summer evening was so bright that he could see his double clearly, even though it was just upon seven o'clock. There he stood in his favourite and most characteristic attitude, with his left knee slightly bent, and his arms hanging at his sides, gazing, as a woman gazes at herself before she starts for a party. The low and continuous murmur of Piccadilly, like the murmur of a flowing tide on a smooth beach, stole to his ears monotonously, and inclined him insensibly to a certain thoughtfulness. Floating through the curtained window the soft lemon light sparkled on the silver backs of the brushes that lay on the toilet-table, on the [Pg 2]dressing-gown of spun silk that hung from a hook behind the door, on the great mass of gloire de Dijon roses, that dreamed in an ivory-white bowl set on the writing-table of ruddy-brown wood. It caught the gilt of the boy's fair hair and turned it into brightest gold, until, despite the white weariness of his face, the pale fretfulness of his eyes, he looked like some angel in a church window designed by Burne-Jones, some angel a little blasé from the injudicious conduct of its life. He frankly admired himself as he watched his reflection, occasionally changing his pose, presenting himself to himself, now full face, now three-quarters face, leaning backward or forward, advancing one foot in its silk stocking and shining shoe, assuming a variety of interesting expressions. In his own opinion he was very beautiful, and he thought it right to appreciate his own qualities of mind and of body. He hated those fantastic creatures who are humble even in their self-communings, cowards who dare not acknowledge even to themselves how exquisite, how delicately fashioned they are. Quite frankly he told other people that he was very wonderful, quite frankly he avowed it to himself. There is a nobility in fearless truthfulness, is there not? and about the magic of his personality he could never be induced to tell a lie.
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