|02-15-2009, 06:17 PM||#1|
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MacGrath, Harold: Hearts and Masks. V1. 15 Feb 2009
Harold MacGrath (September 4, 1871 - October 30, 1932) was a bestselling American novelist, short story writer, and screenwriter.
Also known occasionally as Harold McGrath, he was born in Syracuse, New York. As a young man, he worked as a reporter and columnist on the Syracuse Herald newspaper until the late 1890s when he published his first novel, a romance titled "Arms and the Woman." According to the New York Times, his next book, "The Puppet Crown," was the No.7 bestselling book in the United States for all of 1901. From that point on, MacGrath never looked back, writing novels for the mass market about love, adventure, mystery, spies, and the like at an average rate of more than one a year. He would have three more of his books that were among the top ten bestselling books of the year. At the same time, he penned a number of short stories for major American magazines such as The Saturday Evening Post, Ladies Home Journal, and Red Book magazine. Several of MacGrath's novels were serialized in these magazines and contributing to them was something he would continue to do until his death in 1932.
It all depends upon the manner of your entrance to the Castle of Adventure. One does not have to scale its beetling parapets or assault its scarps and frowning bastions; neither is one obliged to force with clamor and blaring trumpets and glittering gorgets the drawbridge and portcullis. Rather the pathway lies through one of those many little doors, obscure, yet easily accessible, latchless and boltless, to which the average person gives no particular attention, and yet which invariably lead to the very heart of this Castle Delectable. The whimsical chatelaine of this enchanted keep is a shy goddess. Circumspection has no part in her affairs, nor caution, nor practicality; nor does her eye linger upon the dullard and the blunderer. Imagination solves the secret riddle, and wit is the guide that leads the seeker through the winding, bewildering labyrinths.
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