|09-29-2007, 11:49 PM||#1|
Join Date: May 2007
Location: South Wales, UK
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Stendhal: The Charterhouse of Parma, v1, 30 Sept 2007.
Stendhal (Marie-Henri Beyle)
The Charterhouse of Parma (La Chartreuse de Parme)
Translated from the French by C. K. Scott-Moncrieff
This is one of my favourite novels. All the characters spend a lot of time trying to climb the greasy pole to success. Every time the hero tries, he ends up in prison. Then he achieves all his desires; a tragedy happens and, as a result he loses all ambition and imprisons himself in the Carthusian monastry of the title.
I have reformatted, added a TOC, plau an engraving of the Tour Farnese, where the hero spends some time in prison.
Marie-Henri Beyle (January 23, 1783 – March 23, 1842), better known by his penname Stendhal, was a 19th-century French writer. Known for his acute analysis of his characters' psychology, he is considered one of the earliest and foremost practitioners of realism in his two novels Le Rouge et le Noir (The Red and the Black, 1830) and La Chartreuse de Parme (The Charterhouse of Parma, 1839).
The Charterhouse of Parma (1839; French: La Chartreuse de Parme) is one of Stendhal's two acknowledged masterpieces (and only complete novels) along with The Red and the Black.
The novel is often cited as an early example of realism, a stark contrast to the Romantic style popular while Stendhal was writing. It is considered by many authors to be a truly seminal work; Honoré de Balzac considered it the most significant novel of his time, André Gide thought it the greatest French novel ever. Tolstoy was heavily influenced by Stendhal's famous treatment of the Battle of Waterloo, where his protagonist wanders about in confusion as to whether or not he has been in "a real battle".
The Charterhouse of Parma tells the story of the young Italian noble Fabrizio del Dongo and his misadventures during the age of Napoleon. The events center in the town of Parma and a castle on Lake Como, both in Italy, but other sites across Europe are also featured, including the Battle of Waterloo, at which Fabrizio fights for Napoleon.
Fabrizio's aunt, the femme fatale Gina, Duchess of Sanseverina, and her innamorato, the scheming Prime Minister, Count Mosca, concoct a plot to advance Fabrizio's career in the court of Parma. Gina is subject to the unwelcome advances of the obnoxious Prince Ranuce-Erneste IV, which she is engaged in repelling. It could easily be argued that Gina and Count Mosca are the true heroes of the novel.
Fabrizio is arrested for murder and imprisoned in the Farnese tower, from which he escapes with a rope; he also has a difficult love affair with his jailer's daughter, Clélia.
Ostensibly a romantic thriller, interwoven with intrigue and military episodes, the novel also features Stendhal's acute grasp of human nature and psychology
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