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#46 |
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Karma Kameleon
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1. He doesn't even WANT to discuss his religion via fiction because he thinks his religion is too important. 2. He has copied Mormon plot lines and story lines the way some folks have copied Homer. And not just the book of Mormon, he's also copied Shakespeare. It's not about prostletyzing. 3. He tries to be true to humanity, to his characters. He has characters say and believe what such a person really would. It's not a display of his own religious conviction in every character. He's actually gotten flack from Mormans because he's written characters who's value system are antithetical. Lee |
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#47 |
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Zealot
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Has anyone ever read orson scott cards book "saints"? It is a fictionlized version of the beginnings of the mormon faith and I enjoyed it, though I'm not a mormon. Honestly whatever his personal views I didn't really feel like the book was preaching mormonism to me or anything like that.
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Enthusiast
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#48 | |
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Wizard
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#49 | |
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cacoethes scribendi
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#50 |
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Wizard
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Any traditional fantasy story featuring good vs. evil or light vs. dark can be interpreted as having Christian theme, if one wants to interpret it that way. I'm betting the same goes for pretty much any book of any length - look closely and you'll find something that can be interpreted in a religious way. Tolkien always maintained that neither the war, nor religion featured deliberately in his work and I see no reason to doubt him.
C. S. Lewis on the other hand meant his stories to have Christian themes, so subtlety or a lack thereof didn't enter into it.
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Unquiet thoughts, your civil slaughter stint, And wrap your wrongs within a pensive heart: And you: my tongue that makes my mouth a mint, And stamps my thoughts to coin them words by art, Be still: for if you ever do the like I'll cut the string that makes the hammer strike. - John Dowland: Unquiet Thoughts - |
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#51 | |
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Wizard
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I gave up buying Card's books after reading Yonmei's 5-part essay, Dissecting Orson Scott Card. A writer's personal failings may not be reflected in his art, but that doesn't mean I'm willing to give money to homophobic bigots even if I like their art. (And I started to question his art; his sex-phobic approach to storytelling was obvious once I got past the angst of the individual characters and looked at the societies in which they lived.)
I actively seek out info about authors whose works I love; if I think they're despicable people, I don't want to be supporting them. I don't feel better by keeping myself ignorant of people who are working to destroy families I care about. I reconsidered the content of his books after reading Elaine Radford's essay, ender and hitler: sympathy for the superman (20 years later). And I stopped reading him entirely, and stopped recommending his books, after running across John Kessel's Creating the Innocent Killer: Ender's Game, Intention, and Morality. I hit the realization that these are not ethics I want to support, don't want to expose my children to while they're young. Kessel points out, Quote:
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#52 |
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Wizard
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Thanks for the links! Kessel's essay is especially lucid, though I don't agree with every point nor even your concern over Ender's morality. And, wow, Kessel dissects thoroughly.
Stepping back for a moment, Ender saved the human race. We'll never know if it was the only way to do that. Later dialog with the queen bugger do not make it clear to me there ever was another way. Yes, Card goes to extreme lengths to generate sympathy for him. But at the same time he is indeed popularly known as the "Xenocide" later in history. I think Card gives enough balance in that description, how he becomes a pariah, a bogeyman, to say Card agrees intentions are not the end-all and be-all of morality. You've got every right to control what your children read but I don't agree this series is so damaging on a moral level. Can't speak to Card's real-life phobias as I haven't studied the man's writing or interviews outside of his fiction. If homophobia or apologizing for Hitler show up in his fiction then it is too subtle or derivative for me to detect. |
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#53 |
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cacoethes scribendi
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I liked your post ... but I can't agree that Kessel dissects thoroughly. His article is very much a matter of picking the pieces he wants and presenting them in the light he wants - and by saying so much that any thorough repudiation is going to take days and days of work. To claim "narrative’s sympathy is always and invariably on Ender, not on the objects of Ender’s violence" is to have totally missed the story - I think he was so busy reading the individual sentences he forgot to read the book.
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Wizard
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I wish I were exaggerating. Quote:
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When I'm not here, I'm somewhere else. Mind the rainbows. |
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#55 |
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Peace, Love, and Books
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#56 | |
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Peace, Love, and Books
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#57 | |
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Zealot
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This is why most of the time I prefer not to know the political views of authors I like! Ugh. |
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#58 |
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US Navy, Retired
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Yawn.... where is that Shake button?
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Wizard
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__________________
Unquiet thoughts, your civil slaughter stint, And wrap your wrongs within a pensive heart: And you: my tongue that makes my mouth a mint, And stamps my thoughts to coin them words by art, Be still: for if you ever do the like I'll cut the string that makes the hammer strike. - John Dowland: Unquiet Thoughts - |
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Wizard
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I've got to COMPLETELY DISAGREE with what you have to say here....the biggest point is that Ender was manipulated into doing what he did under the ruse of a "game". He didn't "believe" he did anything, in fact, after that ending, he went and retrieved the "queen" and spent the next few books trying to re-establish their colony. And I've met Orson Scott Card on a number of occasions and he's got to be one of the kinder authors I've met, and very down to Earth. I was the last person in line for autographs, and we spent a good deal of time talking. Far away from despicable....very very far away. I will say that I do see alot of religious overtones in some of his writing, if you read the Homecoming series (I did not finish the first one) you will find that it's a Sci-Fi re-telling of the Book of Moromon, which he openly admits. I don't see any hidden agendas with his works, it's all black and white and in the open. |
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