Action Cooper, James Fenimore: The Bravo. v1. 28 Aug 2013

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James Fenimore Cooper (September 15, 1789 – September 14, 1851) was a prolific and popular American writer of the early 19th century. His historical romances of frontier and Indian life in the early American days created a unique form of American literature. He lived most of his life in Cooperstown, New York, established by his father William. Cooper was a lifelong member of the Episcopal Church and in his later years contributed generously to it. He attended Yale University for three years but was expelled for misbehavior. Before embarking on his career as a writer he served in the U.S. Navy as a Midshipman which greatly influenced many of his novels and other writings. He is best remembered as a novelist who wrote numerous sea-stories and the historical novels known as the Leatherstocking Tales. Among naval historians his works on early U.S. naval history have been widely received but were sometimes criticized by Cooper's contemporaries. Among his most famous works is the Romantic novel The Last of the Mohicans, often regarded as his masterpiece.

Excerpt
The sun had disappeared behind the summits of the Tyrolean Alps, and the moon was already risen above the low barrier of the Lido. Hundreds of pedestrians were pouring out of the narrow streets of Venice into the square of St. Mark, like water gushing through some strait aqueduct, into a broad and bubbling basin. Gallant cavalieri and grave cittadini; soldiers of Dalmatia, and seamen of the galleys; dames of the city, and females of lighter manners; jewellers of the Rialto, and traders from the Levant; Jew, Turk, and Christian; traveller, adventurer, podestà, valet, avvocato, and gondolier, held their way alike to the common centre of amusement. The hurried air and careless eye; the measured step and jealous glance; the jest and laugh; the song of the cantatrice, and the melody of the flute; the grimace of the buffoon, and the tragic frown of the improvisatore; the pyramid of the grotesque, the compelled and melancholy smile of the harpist, cries of water-sellers, cowls of monks, plumage of warriors, hum of voices, and the universal movement and bustle, added to the more permanent objects of the place, rendered the scene the most remarkable of Christendom.

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