01-05-2008, 09:36 AM | #46 |
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I found
http://www.copyright.gov/help/faq/faq-fairuse.html#p2p that says "Uploading or downloading works protected by copyright without the authority of the copyright owner is an infringement of the copyright owner's exclusive rights of reproduction and/or distribution." But I do not think it is obvious that exclusive rights if reproduction makes it illegal to have a work that you have gotten in an unknown way. |
01-05-2008, 05:26 PM | #47 | |
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I'd like to point out this: Code:
§ 506. Criminal offenses (a) Criminal Infringement. — (1) In general. — Any person who willfully infringes a copyright shall be punished as provided under section 2319 of title 18, if the infringement was committed — (A) for purposes of commercial advantage or private financial gain; (B) by the reproduction or distribution, including by electronic means, during any 180-day period, of 1 or more copies or phonorecords of 1 or more copyrighted works, which have a total retail value of more than $1,000; or (C) by the distribution of a work being prepared for commercial distribution, by making it available on a computer network accessible to members of the public, if such person knew or should have known that the work was intended for commercial distribution. (A) it was not for commercial purposes or private financial gain - the downloader only downloaded it for his use. (B) The limitations here would probably not be met with a single download (C) The downloader did not make it available to others. So it would seem that, according to what I am reading from the copyright law, downloaders (for the most part) are not committing criminal infringement. |
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01-05-2008, 05:34 PM | #48 | ||
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See Transmission + Reproduction != Distribution: Quote:
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01-05-2008, 05:42 PM | #49 | |||
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It also directly contradicts this part of the copyright law. Quote:
Quote:
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01-05-2008, 05:49 PM | #50 | |
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The whole point to Bit Torrent is to reduce load on host servers. When you download a torrent file, the torrent points to a tracker that maintains a list of seeds (sites with the complete file) and leechers (sites getting the file). Your bit torrent client contacts other sites listed by the tracker and initiates communication. At the same time you are downloading parts of the file you don't have from peers that have them, you are uploading parts of the file you do have to other peers that need those parts. This qualifies as "made available for others to download" ______ Dennis |
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01-05-2008, 08:02 PM | #51 | |
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Poeple do not seem to be in agreement on what holds. Is everybody in agreement on that if it was not illegal to download then it can not be illegal to have it? Or to show that its is illegal to have it you must show that it was obtained in an illegal way? |
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01-05-2008, 08:13 PM | #52 |
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Ebooks, due to their small size are quite often downloaded from IRC channels, and Usenet servers. Those methods don't make the files available to anyone while downloading. BitTorrent, eMule and similar P2P technologies are more feasible to the downloaders because of the large size of the files, and that's why they're used with video clips and music collections.
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01-05-2008, 08:19 PM | #53 | ||
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In the case of the stuff that the RIAA cares about, it's hard to claim innocence when you use Bit Torrent to get the files. They are available through Bit Torrent in the first place because someone ripped them from a CD or DVD and made them available. Folks with enough savvy to use a bit torrent client, find a tracker, and locate the stuff they are interested in will have a real hard time claiming they didn't know it was illegal. There's certainly been enough publicity about it. But frankly, I think such discussions are wandering rather far afield from the original topic, and simply allowing a few folks to ride their favorite hobby horses again. ______ Dennis |
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01-05-2008, 08:22 PM | #54 | |
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______ Dennis |
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01-05-2008, 08:45 PM | #55 | |
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There are a lot of material that is distributed and people distributing it thinks it is legal to do this. So I think it is an interersting question about what holds if it is later shown that it was not legal to ditribute the material. |
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01-05-2008, 09:13 PM | #56 | ||
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Let's say I put material up for download on a server and you download it. As far as you know, it's legal to download the material. I may even think it's legal for me to provide it, but that's not really relevant. Someone else pops up and says "Hey! I own the rights to that material, and I didn't give you permission to make it available!" and hits me with a take down order. What I do will depend upon the circumstances. It's possible I really believe I have the right to make it available, and it's also possible I'm right. But the practical question is "Can I afford the time and money to go to court and prove it?" Depending upon who is telling me to take it down, I may have little choice but to grit my teeth and take it down, because I can't afford to fight it. You're probably safe enough, as the claimant rights-holder wants to stop me from distributing. It isn't worth it to go after you for receiving. In too many cases like this, the determining factor won't be the law, but rather who can afford the court costs and legal fees. ______ Dennis |
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01-05-2008, 09:37 PM | #57 | ||
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In Sweden for example I do not think it is illegal to distribute something if you though it was legal and there was no reason to think it was illegal. When it is pointed out to you that it was illegal you have to remove it if the claim that it is illegal is correct but everything that happened before that is legal. So I thought it was interesting to understand a legal system that worked different in this respect. |
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01-05-2008, 10:07 PM | #58 | ||
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But that illustrates another problem. If you are someone like YouTube, you are hosting content other people create. Is all of the material people post on your sihe stuff they have the right to make available? You don't know, and you can't know. There is simply too much being posted by too many people, and there's no way you can vet it all before allowing it on the site. All you can really do is state that you don't willingly host illegal material, and ask folks to tell you if they encounter rights violations. SF writer Harlan Ellison was having a long running dispute with AOL over pirated electronic copies of his work being available on AOL. I don't think he ever grasped the concept that it wasn't possible for AOL to prevent it from happening, as way too many people had sites hosted by AOL and there was no way AOL could screen everything before it got posted. Quote:
______ Dennis |
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01-05-2008, 10:16 PM | #59 |
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Hey, guess this is my cue
First of all, I've got a lengthy post about all this, which some guy who works for other people told me was stream of consciousness... others have said was hysterical.
Second, while I'm not in any way condoning or encouraging anyone to download or otherwise infringe such copyrights as may currently be owned by Advance Magazine Publishers (parent company of Conde Nast) or its authorized licensees, I will say that they're not after downloaders; they're not that interested. The thing started up when, rumor has it, Advance, which has kind of hit on hard times of late (they own newspapers and magazines), began to look for additional money through licensing certain film-able properties in their collection. Supposedly, they signed a contract with a certain large Japanese electronics manufacturer for first Doc, later the Shadow to make movies. I wouldn't know, and anything like that would be covered under protective orders. Advance, which used to own Random House, but upon the sale of that division stopped caring about bound books, had previously taken down every other site having Docs and Shadows (and The Avenger). I'm stubborn, and when they finally came after me, it was Christmas Eve, '05, and I had a few friends, particularly if the documents weren't properly registered, as seemed likely. Also, Advance was probably hiding something by doing things just then. Anyway, turns out every single Doc and Shadow and Avenger (and just about everything Street & Smith ever published... be aware) was properly registered, so I was, like, friendless. But there was still the issue of discovery, and the fact that I'd had things on my site for seven years. So I fought, mostly because I will not be intimidated by the publisher of Men's Vogue. Of course, they won, but I did request a couple of documents, and was granted them. The punchline is, while the rights to Doc and the Shadow (and the Avenger), are currently owned by Advance, because of what's called "termination provisions" in the copyright acts, those rights are going to start reverting to the estates of Lester Dent (aka Kenneth Robeson) and Walter Gibson (aka Maxwell Grant), shortly. Film rights to Doc revert to the Dent estate on September of this year, film rights to the Shadow, and at least some of the books, revert to the Gibson estate early next year, book rights to many of the Doc Savage novels revert to the Dents later next year. There will however be a court case about the Shadow, at least. Doc's a funny story, and the dirty secret of all this. Essentially, Dent kept film rights when he started writing Clark Savage, Jr., then, in the early '70s, after he'd died relatively young, some Advance agents went to poor Norma Dent, who was living in poverty in Missouri, and bought those film rights for $2,000 (in the early '70s... when Doc paperbacks were earning literally millions annually). If you're bored and want to know more about copyrights and terminations, I'd suggest you google 'Captain America terminate copyright,' as the same lawyer who beat Marvel is now working for the Gibson side. As to Blackmask, issue was, in court matters, Conde likes to, a, delay, b, lie badly, c, win on procedure. That's just what they do, and they choose their attorneys accordingly. The DMCA is such that once my server was taken, I never got it back (good to know), however the delays Conde put in hurt them a lot more (a lot more) than if they'd just let it go. I know that pissed off a lot of people, and the only thing that kept me from going postal is the knowledge that, for a couple of years prior, I'd been in Project Gutenberg's way. As to Australian hosts, etc.--I don't know Australian copyright law. I believe a publisher called "Vintage Ventures" is redoing authorized editions of both Doc and the Shadow. The agent for the Dent estate used to write essays about Doc's origins, though that may have stopped I do have all the other books Black Mask did, plus 5 or 6-thousand others, (save for some of my oldest pulps, which are being slowly being retyped in India) at Munseys.com. Munsey's has a different look, and some people don't like the new layout, however the same protocol that currently searches the LOC for records on each book will at some point search up to 700 other library systems, depending on some new agreements. Proof of concepts and all that. Also with tagging I've currently got 12,000 categories instead of 50, and there's things like "My Library" etc. Page views are already considerably higher than Blackmask's, though the visitors and downloads aren't quite there yet, but it grows. Munsey's (another pulp mag) was chosen 'cause I didn't have quite full control of the blackmask url for a while (do now) when we started bringing the site back. I'm probably gonna relaunch blackmask as a specialty retailer (print mostly) when the Shocklines guy shuts down. (And for extra gory details, while all the fun court stuff was going on with the Nasties, every print and ebook competitor of Olympia, which has been since launch the bulk of my sales... went under for one reason or another, beginning with Ebookad and ending at a Blue Moon... so I'll be around for a while.) David Moynihan Disruptive Publishing http://www.munseys.com http://www.olympiapress.com http://www.silkpagoda.com http://www.blackmask.com (forthcoming) |
01-05-2008, 10:54 PM | #60 |
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I think what happened to David (thanks for weighing in, dude) ably illustrates the fact that copyright law, national and international, simply hasn't kept up with the times, and is full of holes that the lawyers and courts have selectively applied, or ignored, at their pleasure. Pre-internet, these issues didn't amount to much, practically or monetarily, so no one really cared, and legal actions were noticeably lax. But now, they are starting to mean real money and other serious figures (such as the potential market for downloads, etc), so suddenly they have come front and center and become a big button issue.
Because the legal holes are there, it leaves up to whomever has the biggest pockets to decide how the laws will swing... upholding existing laws as written (Conde Nast), or revising rights to suit (Disney), whichever is their pleasure. And as the situation plays into the hands of the big moneyholders, there is little incentive to change things. But the issues we've discussed at length here prove that the situation cannot stand, and could even cause major international incidents if not soon addressed. We can only hope that pressure from the international market bolstered by the Internet will eventually force a stand in international law that all countries will accept and enforce. |
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