05-26-2012, 04:33 AM | #31 | ||
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Last edited by EowynCarter; 05-26-2012 at 04:38 AM. |
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05-26-2012, 10:50 AM | #32 |
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Exclusivity? He has made the book available at B&N, I don't see any exclusivity here. And the UK rights were just sold at auction. Maybe the French rights will be next.
http://www.hughhowey.com/?p=2362 eP |
05-26-2012, 11:46 AM | #33 | |
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From the author:
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05-27-2012, 05:01 AM | #34 | |
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Than why isn't the book on kobo ? or smashwords ? |
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05-27-2012, 06:18 AM | #35 |
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If I were you, I'd send Hugh an email, asking that question ... I did, and he was really graceful about it. At the time, he was Select, but has sonce un-semlected. Not yet reopened every channel though...
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05-27-2012, 06:32 AM | #36 |
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Yup. Posted a message on the forums there.
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05-27-2012, 12:33 PM | #37 | ||
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It isn't about you. It isn't that any author says, "I don't want So-and-So to read my book." Of course he'd love it if you read his book (or bought it, anyway). It's just that you are not valued 10, 20, or 50 times more than the readers he'd lose by selling to you. You might better say, "Hey, B&N and Kobo, etc.--compete for chris'sakes! What do you offer indies like Hugh Howey? How do you promote them and help people find their books? How is that people can sell more books by not distributing through you than they can by being on your shelves? What's that about?" Quote:
Publishers and booksellers have chosen not to play it that way. I think that's a mistake, but what do I know? They make the rules and authors play the game. Anyway, Howey has gotten popular enough through the Amazon Select program that he can now branch out and distribute elsewhere. But there will be more Howeys. |
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05-27-2012, 03:06 PM | #38 | |||
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And yes, you can't expect customers to go though that much mess just to buy a book. Quote:
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Last edited by EowynCarter; 05-27-2012 at 03:17 PM. |
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05-27-2012, 04:21 PM | #39 | |
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Unfortunately, we don't have two separate universes in which a book is exclusive to Amazon in one universe and sold everywhere in the other, so we don't have hard data. We have to do what we can with anecdotal evidence, of which there is plenty. The way it seems to work is this: An author makes his book exclusive to Amazon for 90 days (i.e. joins the Select program). Now two things happen: 1. The book enters the Kindle Owners' Lending Library where Prime members can borrow one book per month for free. Amazon pays the author $2.00 or so for each "borrow." This gets the book out to two groups of readers: 1a: People who want to read it but don't want to pay directly for it. (They've already paid for their Prime membership, probably to get free 2-day shipping on the other Amazon purchases). 1b: People who would have bought it anyway, but now can get it for free. How much does lending through KOLL cannibalize paid sales? No one knows. How many are new sales? No one knows. It's a subscription service where the reader gets a deal and the author gives a discount. 2. The author can give away his book for free at Amazon for five days, which do not need to be consecutive. Why do this? Because: 2a. It bumps the book up on the popularity lists, which gets it more exposure for a time after it goes off free, which results in more paid sales. 2b. It helps to promote the author's other, non-free books. 2c. It increases the number of "also boughts" at Amazon, meaning that more people will see the book when they buy other books--it'll come up more often on other books' "also bought" recommendations. Now, the author has to play the numbers game. Going with Select, getting borrows through Prime and taking advantage of free days, authors have reported increased sales ranging from little-or-nothing to hundreds and even thousands of copies. How many B&N, et al., sales have they lost during this time? It varies. No one who is selling substantially through the other outlets goes for Select. But if their non-Amazon sales are small, say 5% of the total or less (mine are around .5 - 1%), they have little to lose. The sales bumps are temporary, unless (like Howey) you hit some kind of magical tipping point. But then, so is membership in the Select program. You can drop out after 90 days. So, how do you play the game, as an author? First, you look at how much you can lose. It's finite. If you're selling, say, 5 books a month on all the other outlets, you lose 5 sales a month. Next, you look at how much you stand to gain. It's infinite or pretty much so (not literally). You'll get some borrows, you'll see a sales bump at Amazon. No one knows how much. You don't have to get much of a bump to make up for those 5 sales at other outlets. If you're a romance author who makes half her sales at B&N, it would be a stupid move. Generally speaking, for most other genres, you'll do better to improve your sales at Amazon and let your B&N, et al., sales go. You're quite right that Amazon could offer these promotions without requiring exclusivity. But they don't. The author has to play the game as written. Notice that nowhere in this scenario does the author say, "I don't want these readers!" But yes, he'll sacrifice the few to reach the many, if that's how he thinks it'll work out. |
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05-28-2012, 03:39 AM | #40 | |
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Huges answered my forum post by saying kobo (and maybe goodsread), where on the works. Last edited by EowynCarter; 05-28-2012 at 03:44 AM. |
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05-28-2012, 08:03 AM | #41 | |
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by the time the movie gets through the writing process though the characters will be played by selena gomez, justin beiber and the cast of icarly |
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05-28-2012, 12:07 PM | #42 | |
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