09-06-2011, 02:34 PM | #31 | |
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Newspapers have been using sans-serif for ages; probably something to do with the quality of the ink; did not seem to bother readers very much, if they even noticed! |
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09-06-2011, 02:42 PM | #32 | |
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Ataco has a reputation for fudging the facts about their readers. |
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09-06-2011, 03:07 PM | #33 | |
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RG BW Where the W is white. Since each colour sub-pixel reflects 1/3 of the light of a white pixel, adding the colour filter reduces the brightness by half. Actually, I suspect that each colour pixel reflects a bit more than 1/3 of the light of a white pixel, so the brightness of white (when all pixels are showing their colour) will be a bit better than half the brightness of the plain screen. I was very dubious of this technology, but it is looking better than I'd feared. It may prove good competition for other colour bistable displays after all. |
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09-06-2011, 03:43 PM | #34 |
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Since this is a reflective technology rather than a backlit one, I don't see how it can "reduce brightness" any more than red ink, for example, reduces the brightness of a magazine page by coating a portion of it. Won't the filter simply absorb the applicable wavelengths present in the ambient lighting?
Likewise, how can the filtering reduce resolution if the color is a matter of filtering the exact same microcapsules as before? Would it be in the sense that border microcapsules will not be all filtering the same color, giving the appearance of a fuzzier edge? |
09-06-2011, 04:16 PM | #35 | |
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My best recollection is that I read the above site and thought: "Ugh, 600x800 on a 10" screen, but maybe color mitigates it a bit." Then I did some googling and think I found something saying there were two models, one 1200x1600 B&W and the other the same thing with color filters in front giving 600x800 color. |
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09-06-2011, 04:35 PM | #36 | |
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The resolution isn't dependent on the microcapsules, but on the colour filter in front and the TFT driving plane behind the microcapsules. Each colour pixel is made up of four sub-pixels, so the colour resolution is half the black and white resolution. |
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09-06-2011, 04:40 PM | #37 | |
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For a reflective display, a red filter lets red light pass in both directions and absorbs non-red light. If you have green text on a white background, the capsule(s) behind the green filter would show white for each "color pixel" that is part of a letter. The capsule(s) behind the red and blue filters for the same "color pixel" would have to show full black. The capsule(s) behind the clear filter for the same "color pixel" could be anywhere between full white and full black depending on the compromise between unsaturated and dark you are will to make. So you only have one fourth as many pixels for drawing one color text as you would have on a monochrome display. You could play some tricks around the edges of the letter using blue and red, but it probably not look good on a reflective display. |
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09-06-2011, 05:44 PM | #38 |
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In any case, that color display in the video doesn't look good. I'd much prefer an improved gray scale display.
Can they get more than 16 levels? A lot of covers on my k3 just look like blobs of black ink. |
09-07-2011, 02:04 AM | #39 |
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Thanks a lot for this video!
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09-07-2011, 01:55 PM | #41 |
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I'm curious to know what the contrast difference is between a paperback book and a hardback book.
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09-07-2011, 01:58 PM | #42 | |
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09-07-2011, 02:17 PM | #43 |
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09-09-2011, 03:25 PM | #44 |
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Answers to Some of Your Questions from E Ink
There are a number of excellent questions on this board. We would like to respond to them. Given the duplication in the questions across a number of similar boards, we would encourage you to navigate to our Facebook page where we have responded to these and a number of other questions that you may be interested in.
https://www.facebook.com/media/album...45410395552132 |
09-09-2011, 07:41 PM | #45 | |
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