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RonPrice · 12-15-2007, 09:44 PM

CARTOONIST AND POET

Reading about the work of cartoonist Gary Larson and how he works I could not help compare and contrast his modus operandi and my own with respect to writing prose and poetry. Larson draws inspiration from similar sources to my own: interests, experiences and memories. He is sensitive about his readers and whether they understand his work. And so is this the case with me and my literary opus. I have one eye on my readers most of the time, but another on the world and all that is therein. Sometimes I shut one eye and open the other; at other times I open both eyes one, I like to think, to “the hallowed beauty of the Beloved.”

Both Larson and I like our work to speak for itself but, after years in classrooms explaining things to students, I am not bothered if I have to discuss my work. This, though, I rarely have to do. I’m not popular enough to have to so engage my mental powers. Larson is never comfortable analysing his cartoons. We are both painstaking about making our work unambiguous. One interesting sub-set of his work is cartoons about cartoons and, for me, poems about poetry. Ideas for his work and mine can and do come from anywhere. Being a cartoonist is a solitary life as it is being a poet, but there are fewer really successful cartoonists. Few poets and few cartoonists get rich.-Ron Price with thanks to Jackie Morrissey in The Complete Far Side: Volume One: 1980-1986, by Gary Larson, Andrews McMeel Publishing, Kansas City, 2004, pp. viii-xiii.

Yes, things that just drift into
your head, Gary, little musings
when one is alone with one’s
thoughts and I, too, jot them
down. But, unlike you, Gary,
I get lots of ideas from others,
indeed, a veritable cornucopia
of sources. But we both had our
door openers, eh Gary? Mine was
Roger White, the unofficial laureate
poet of the international Baha’i
community in the 1980s and ‘90s.

But I must most deeply thank the
internet, a world-wide-web that
got my work out-there or my words
would have remained gathering dust
in my files forever. And, finally,
like Larson’s Humour Police, his
readers, and my Poetry Police, my
readers, who hover around and let
me know in no uncertain terms that
I have crossed some invisible line
into total obscurity or obsolescence
and that I am just wasting my time.

Ron Price
14 December2007

PS. I also want to thank: (a) my son for loaning me the biggest, fattest book I’ve ever held in my hands or on my lap, The Far Side, Volume 1, and for continuing to make me laugh as he has done since he was just a little chap; and (b) my wife whose honesty, persistence and her multitude of other qualities have made her my indefatigable collaborator.

12-15-2007, 09:44 PM	#4
RonPrice Mr RonPrice Posts: 26 Karma: 1010100 Join Date: Dec 2007 Location: George Town Tasmania Australia Device: I have 2 ebooks on the internet	A Prose-Poem In Appreciation of Gary Larson CARTOONIST AND POET Reading about the work of cartoonist Gary Larson and how he works I could not help compare and contrast his modus operandi and my own with respect to writing prose and poetry. Larson draws inspiration from similar sources to my own: interests, experiences and memories. He is sensitive about his readers and whether they understand his work. And so is this the case with me and my literary opus. I have one eye on my readers most of the time, but another on the world and all that is therein. Sometimes I shut one eye and open the other; at other times I open both eyes one, I like to think, to “the hallowed beauty of the Beloved.” Both Larson and I like our work to speak for itself but, after years in classrooms explaining things to students, I am not bothered if I have to discuss my work. This, though, I rarely have to do. I’m not popular enough to have to so engage my mental powers. Larson is never comfortable analysing his cartoons. We are both painstaking about making our work unambiguous. One interesting sub-set of his work is cartoons about cartoons and, for me, poems about poetry. Ideas for his work and mine can and do come from anywhere. Being a cartoonist is a solitary life as it is being a poet, but there are fewer really successful cartoonists. Few poets and few cartoonists get rich.-Ron Price with thanks to Jackie Morrissey in The Complete Far Side: Volume One: 1980-1986, by Gary Larson, Andrews McMeel Publishing, Kansas City, 2004, pp. viii-xiii. Yes, things that just drift into your head, Gary, little musings when one is alone with one’s thoughts and I, too, jot them down. But, unlike you, Gary, I get lots of ideas from others, indeed, a veritable cornucopia of sources. But we both had our door openers, eh Gary? Mine was Roger White, the unofficial laureate poet of the international Baha’i community in the 1980s and ‘90s. But I must most deeply thank the internet, a world-wide-web that got my work out-there or my words would have remained gathering dust in my files forever. And, finally, like Larson’s Humour Police, his readers, and my Poetry Police, my readers, who hover around and let me know in no uncertain terms that I have crossed some invisible line into total obscurity or obsolescence and that I am just wasting my time. Ron Price 14 December2007 PS. I also want to thank: (a) my son for loaning me the biggest, fattest book I’ve ever held in my hands or on my lap, The Far Side, Volume 1, and for continuing to make me laugh as he has done since he was just a little chap; and (b) my wife whose honesty, persistence and her multitude of other qualities have made her my indefatigable collaborator.