Help us select what the MR Literary Club will read for May 2012!
The nominations will run through May 11 or until five works have made the list.
Final voting in a new poll will begin by May 11, where the month's selection will be decided.
The category for this month is:
Region
Latin America (The Caribbean, South America, Central America and Mexico), as chosen in the poll
This month is a two-part process:
The first part begins with a ONE-DAY POLL to determine the region we will use. It is MULTIPLE CHOICE and you may choose as many options as you like when voting. This voting is separate from your nominations. There are no nominations during the poll, only voting. I will not vote in the poll, and if there is a tie, I will break it.
As soon as the poll is over and the region is determined, then the second part (nominations) starts and you can begin nominating like normal. Nominations can be set in any region, but they should be written by an author from that region.
Notes:
-Regions are named in the poll and colour-coded on the map. Region names are generalities and not exact.
-If a country or territory is too small to show regional colour on the map, it will be part of the region closest to it physically and culturally. If you are unsure, just ask.
-I had help making the regions list that was much appreciated.
Once the poll is over and nominations begin:
In order for a work to be included in the poll it needs
FOUR nominations - the original nomination plus THREE supporting.
Each participant has
FOUR nominations to use. You can nominate a new work for consideration or you can support (second, third or fourth) a work that has already been nominated by another person.
To nominate a work just post a message with your nomination. If you are the first to nominate a work, it's always nice to provide an abstract to the work so others may consider their level of interest.
What is literature for the purposes of this club? A superior work of lasting merit that enriches the mind. Often it is important, challenging, critically acclaimed. It may be from ancient times to today; it may be from anywhere in the world; it may be obscure or famous, short or long; it may be a story, a novel, a play, a poem, an essay or another written form. If you are unsure if a work would be considered literature, just ask!
The floor is now open!
*
Nominations through post 26:
Ficciones by Jorge Luis Borges, Argentina - Fully nominated
Love in the Time of Cholera by Gabriel García Márquez, Colombia - Fully nominated
The Posthumous Memoirs of Brás Cubas by Joaquim Maria Machado de Assis, Brazil - Fully nominated
The Labyrinth of Solitude by Octavio Paz, Mexico - Fully nominated
The Secret History of Costaguana by Juan Gabriel Vásquez, Colombia - 1
Spoiler:
In favour - Hamlet53
London, 1903. Joseph Conrad is struggling with his new novel ('I am placing it in South America in a Republic I call Costaguana'). Progress is slow and the great writer needs help from a native of the Caribbean coast of South America. Jose Altamirano, Colombian at birth, who has just arrived in London answers the great writer's advertisement and tells him his life story. Jose has been witness to the most horrible things that a person or a country could suffer, and drags with him not just a guilty conscience but a story that has almost destroyed him. But when Nostromo is published the following year Jose is outraged by what he reads: 'You've eliminated me from my own life. You, Joseph Conrad, have robbed me.' I waved the Weekly in the air again, and then threw it down on his desk. 'Here,' I whispered, my back to the thief, 'I do not exist.' The Secret History of Costaguana, the second novel by Juan Gabriel Vasquez to be published in English, is Jose Altamirano's riposte to Joseph Conrad. It is a big novel, tragic and despairing, comic and insightful by turns, told by a bumptious narrator with a score to settle. It is Latin America's post-modern answer to Europe's modernist vision. It is a superb, joyful, thoughtful and rumbustious novel that will establish Juan Gabriel Vasquez's reputation as one of the leading novelists of his generation. (from Amazon)
The Farming of Bones by Edwidge Danticat, Haiti - 2
The Palace of the Peacock by Wilson Harris, Guyana - 2
Spoiler:
In favour - sun surfer, fantasyfan
From Amazon:
A tale of a doomed crew beating their way up-river through the jungles of Guyana.
Wilson Harris was born in 1921 in the former colony of British Guiana. He was a land surveyor before leaving for England in 1959 to become a full-time writer. His exploration of the dense forests, rivers and vast savannahs of the Guyanese hinterland features prominently in the settings of his fiction. Harris's novels are complex, alluding to diverse mythologies from different cultures, and eschew conventional narration in favour of shifting interwoven voices.
I normally wouldn't include customer reviews, but in lieu of any critic's reviews I will. The three customer reviews at Amazon are all 5-star. One says, "Wilson Harris produces, in the most poetic prose, the images, traditions, and myths of the the Carribean." Another says, "Wilson Harris, born in 1921 in what was then British Guiana and is now Guyana, is one of the most unflinchingly poetic British novelists of the twentieth century." And the third says, "Wilson Harris' epic charts the history of the Caribbean through the metaphor of Donne's crew as they travel into a West Indian "heart of darkness.""
One also gives a general plot description: 'The novel consists of four books, each set off by a short quotation from a major poet - Yeats, Donne, and two by Hopkins. The opening book, "Horseman, Pass By" sets the basic plot in motion, a boat is journeying up the river through the Guyanese rain forest. The second book, "The Mission of Mariella" finds the Armeridian village of Mariella deserted, and the crew, finding an old native woman, enlists her forceably as guide. In the novel's longest book, "The Second Death", the men travel further and further upstream looking for the missing villagers. After a series of deaths and further confusion the novel evolves into a vast bewildering dream, "Paling of Ancestors"."
In The Castle of My Skin by George Lamming, Barbados - 2
Spoiler:
In favour - sun surfer, Synamon
A "coming of age" novel that balances innocence against the decadence of colonialism. It is vivid, poetic, insightful, autobiographical and often humorous.
From Amazon:
George Lamming's "In the Castle of My Skin" skilfully depicts the Barbadian psyche. Set against the backdrop of the 1930s riots which helped to pave the way for Independence and the modern Barbados, through the eyes of a young boy, Lamming portrays the social, racial, political and urban struggles with which Barbados continues to grapple even with some thirty-three years of Political Independence from Britain. Required reading for all Caribbean people. The novel also offers non-Barbadians and non-Caribbean people insight into the modern social history of Barbados and the Caribbean. 'A writer of the people one is back again in the pages of Huckleberry Finn_ the fundamental book of civilisation Mr Lamming captures the myth-making and myth-dissolving mind of childhood' NEW STATESMAN 'Its poetic imaginative writing has never been surpassed' TRIBUNE 'A striking piece of work, a rich and memorable feat of imaginative interpretation' THE SPECTATOR 'He produces anecdote after anecdote, rich and riotous.' THE TIMES 'There is not a stock figure in the story fluent, poetical, sophisticated.' THE SUNDAY TIMES
George Lamming was born June 8, 1927 in Carrington's Village, Barbados. He attended Combermere High School. He left Barbados for Trinidad in 1946 to become a teacher, four years later he was to migrate to England to become a writer. In the Castle of My Skin was completed within two years of his arrival in London.
Wide Sargasso Sea by Jean Rhys, Dominica - 1
The Alchemist by Paulho Coelho, Brazil - 1
Spoiler:
In favour - orlok
From Amazon:
The Alchemist presents a simple fable, based on simple truths and places it in a highly unique situation. And though we may sense a bestselling formula, it is certainly not a new one: even the ancient tribal storytellers knew that this is the most successful method of entertaining an audience while slipping in a lesson or two. Brazilian storyteller Paulo Coehlo introduces Santiago, an Andalucian shepherd boy who one night dreams of a distant treasure in the Egyptian pyramids. And so he's off: leaving Spain to literally follow his dream.
Along the way he meets many spiritual messengers, who come in unassuming forms such as a camel driver and a well-read Englishman. In one of the Englishman's books, Santiago first learns about the alchemists--men who believed that if a metal were heated for many years, it would free itself of all its individual properties, and what was left would be the "Soul of the World." Of course he does eventually meet an alchemist, and the ensuing student-teacher relationship clarifies much of the boy's misguided agenda, while also emboldening him to stay true to his dreams. "My heart is afraid that it will have to suffer," the boy confides to the alchemist one night as they look up at a moonless night.
"Tell your heart that the fear of suffering is worse than the suffering itself," the alchemist replies. "And that no heart has ever suffered when it goes in search of its dreams, because every second of the search is a second's encounter with God and with eternity."