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Originally Posted by SteveEisenberg
Everybody, or just relatively cheap to produce genres? How's classical doing?
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I don't think the genre matters, really. I'm not much of a classical afficionado, but my tastes are not exactly mainstream either, and I always find something worth listening to.
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I don't think many book authors have the option of raising their live performance prices to compensate for cheap eBooks.
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So how's that working for movies, or TV shows?
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As a librarian, I think you should be all for DRM.
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Heck, no. It's a daily royal PITA.
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It's central to the only library eBook system that's working at all, Overdrive.
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I think your world view might be somewhat limited. There are other systems as well, and some of which even forego DRM. In academic circles Springer does exactly that: they licence all of their books for university-wide use for a yearly flat fee. They seem to be doing fine.