Help us select what the MR Literary Club will read for June 2012!
The nominations will run through June 11 or until five works have made the list.
Final voting in a new poll will begin by June 11, where the month's selection will be decided.
The category for this month is:
Short Stories
In order for a work to be included in the poll it needs FOUR nominations - the original nomination plus three supporting.
Each participant has FOUR nominations to use. You can nominate a new work for consideration or you can support (second, third or fourth) a work that has already been nominated by another person.
To nominate a work just post a message with your nomination. If you are the first to nominate a work, it's always nice to provide an abstract to the work so others may consider their level of interest.
What is literature for the purposes of this club? A superior work of lasting merit that enriches the mind. Often it is important, challenging, critically acclaimed. It may be from ancient times to today; it may be from anywhere in the world; it may be obscure or famous, short or long; it may be a story, a novel, a play, a poem, an essay or another written form. If you are unsure if a work would be considered literature, just ask!
The floor is now open!
*
Nominations are closed. Final nominations:
The Metamorphosis, In the Penal Colony, and Other Stories by Franz Kafka - Fully nominated
My Old Man by Ernest Hemingway - Fully nominated
Fifty-One Tales by Lord Dunsany - Fully nominated
The Complete Stories by Flannery O'Connor - Fully nominated
Selected Stories of O. Henry - Fully nominated
Spoiler:
In favour - RoccoPaco, fantasyfan, Synamon, paola
Barnes & Noble Classics Series Volume
O. Henry originated the humorous, energetic tale that ends with an ironic, even shocking twist. In "After Twenty Years," for example, two boys agree to meet at a particular spot exactly twenty years later. Both are faithful, but in the intervening years one boy has turned into a criminal, the other into a policeman. Behind the rendezvous lurks a powerful dramatic situation with a fascinating moral dilemma--all in a few brief pages.
This is just one of the many literary gems in Selected Stories of O. Henry, a collection of forty-five of O. Henry's most renowned and entertaining short stories. Each one offers insights into human nature and the ways it is affected by love, jealousy, poverty, gentility, and the all-pervading reality of people conning people--themes that ran through the author's own life. Born William Sidney Porter, O. Henry started writing while in prison for embezzlement. Later he moved to New York, and his tales romanticizing the commonplace, particularly the life of ordinary New Yorkers, became highly popular. The most widely read author of his time, O. Henry died penniless but left behind a wealth of short stories that endure as hallmarks of the genre.
The short stories of M. R. James - 3
Spoiler:
In favour - fantasyfan, issybird, paola
Reminiscent of the inner psychological horror of Sheridan Le Fanu--but without the Gothic context of the Irish writer.
From The New Yorker:
If M. R. James is remembered now, and honored beyond the bounds of his university, it is not because of his scholarly deeds but precisely because of his talent for applying the very highest calibre of jolt. All of his stories have now been freshly gathered in “Collected Ghost Stories” (Oxford), edited by Darryl Jones. We also get a compendium of James’s reflections on the art that he practiced. Our response to ghost stories, Virginia Woolf argued, “is a refined and spiritualized essence of fear.” Most of James’s heroes are like James. Dons, obsessive bibliophiles, and bachelors. James summons unholy terror from the very texts and objects that concern him. Not for him the mad gothic landscape. The stories were written, so to speak, in front of a mirror, by a man hoping to drown the tiny, shivering thrills of the chronic bookworm with the low snarl of a more universal emotion, that of dread. Despite the titles of James’s books, only rarely does he deal in the mere emanation. What he fears most is surface contact. What truly provoked him, and what filtered into his stories, was not so much misogyny as a more basic, mortal panic at gazing into the face of the unknown. . . . A.E. Housman used poetry to touch on loves that he had lost or never dared to enact; M. R. James used ghost stories to explore fears of which he could not otherwise speak.