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Old 10-30-2012, 07:10 AM   #89
arcadata
Grand Sorcerer
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The Boy Who Harnessed the Wind: Creating Currents of Electricity and Hope (P.S.) by William Kamkwamba and Bryan Mealer from HarperCollins is $2.99

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Amazon Best of the Month, September 2009

William Kamkwamba was born in Malawi, a country where magic ruled and modern science was mystery. It was also a land withered by drought and hunger, and a place where hope and opportunity were hard to find. But William had read about windmills in a book called Using Energy, and he dreamed of building one that would bring electricity and water to his village and change his life and the lives of those around him. His neighbors may have mocked him and called him misala—crazy—but William was determined to show them what a little grit and ingenuity could do.

Enchanted by the workings of electricity as a boy, William had a goal to study science in Malawi’s top boarding schools. But in 2002, his country was stricken with a famine that left his family’s farm devastated and his parents destitute. Unable to pay the eighty-dollar-a-year tuition for his education, William was forced to drop out and help his family forage for food as thousands across the country starved and died.

Yet William refused to let go of his dreams. With nothing more than a fistful of cornmeal in his stomach, a small pile of once-forgotten science textbooks, and an armory of curiosity and determination, he embarked on a daring plan to bring his family a set of luxuries that only two percent of Malawians could afford and what the West considers a necessity—electricity and running water. Using scrap metal, tractor parts, and bicycle halves, William forged a crude yet operable windmill, an unlikely contraption and small miracle that eventually powered four lights, complete with homemade switches and a circuit breaker made from nails and wire. A second machine turned a water pump that could battle the drought and famine that loomed with every season.

Soon, news of William’s magetsi a mphepo—his “electric wind”—spread beyond the borders of his home, and the boy who was once called crazy became an inspiration to those around the world.

Here is the remarkable story about human inventiveness and its power to overcome crippling adversity. The Boy Who Harnessed the Wind will inspire anyone who doubts the power of one individual’s ability to change his community and better the lives of those around him.
Following Atticus (P.S.) by Tom Ryan from William Morrow is $2.99

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After a close friend died of cancer, middle-aged, overweight, acrophobic newspaperman Tom Ryan decided to pay tribute to her in a most unorthodox manner. Ryan and his friend, miniature schnauzer Atticus M. Finch, would attempt to climb all forty-eight of New Hampshire’s four thousand- foot peaks twice in one winter while raising money for charity. It was an adventure of a lifetime, leading them across hundreds of miles and deep into an enchanting but dangerous winter wonderland. At the heart of the amazing journey was the extraordinary relationship they shared, one that blurred the line between man and dog.

Following Atticus is an unforgettable true saga of adventure, friendship, and the unlikeliest of family, as one remarkable animal opens the eyes and heart of a tough-as-nails newspaperman to the world’s beauty and its possibilities.
How Not to Write a Novel by Howard Mittelmark and Sandra Newman from HarperCollins is $1.99

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Many writing books offer sound advice on how to write well. This is not one of those books. On the contrary, this is a collection of terrible, awkward, and laughably unreadable excerpts that will teach you what to avoid—at all costs—if you ever want your novel published.

In How Not to Write a Novel, authors Howard Mittelmark and Sandra Newman distill their 30 years combined experience in teaching, editing, writing, and reviewing fiction to bring you real advice from the other side of the query letter. Rather than telling you how or what to write, they identify the 200 most common mistakes unconsciously made by writers and teach you to recognize, avoid, and amend them. With hilarious “mis-examples” to demonstrate each manuscript-mangling error, they’ll help you troubleshoot your beginnings and endings, bad guys, love interests, style, jokes, perspective, voice, and more. As funny as it is useful, this essential how-NOT-to guide will help you get your manuscript out of the slush pile and into the bookstore.
On Writing Well, 30th Anniversary Edition: An Informal Guide to Writing Nonfiction by William Zinsser from Harper Perennial is $1.99

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On Writing Well has been praised for its sound advice, its clarity and the warmth of its style. It is a book for everybody who wants to learn how to write or who needs to do some writing to get through the day, as almost everybody does in the age of e-mail and the Internet. Whether you want to write about people or places, science and technology, business, sports, the arts or about yourself in the increasingly popular memoir genre, On Writing Well offers you fundamental priciples as well as the insights of a distinguished writer and teacher. With more than a million copies sole, this volume has stood the test of time and remains a valuable resource for writers and would-be writers.
Write Away: One Writer’s Approach to the Novel by Elizabeth George from HarperCollins is $1.99

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Bestselling author Elizabeth George has spent years teaching writing, and in Write Away she shares her knowledge of the creative process. George combines clear, intelligent, and functional advice on fiction writing with anecdotes from her own life, the story of her journey to publication, and inside information on how she meticulously researches and writes her novels. George’s solid understanding of craft is conveyed in the enticing manner of a true storyteller, making Write Away not only a marvelous, interesting, and informative book but also a glimpse inside the world of a beloved writer.
Reading Like a Writer (P.S.) by Francine Prose from HarperCollins is $1.99

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Long before there were creative-writing workshops and degrees, how did aspiring writers learn to write? By reading the work of their predecessors and contemporaries, says Francine Prose.

In Reading Like a Writer, Prose invites you to sit by her side and take a guided tour of the tools and the tricks of the masters. She reads the work of the very best writers—Dostoyevsky, Flaubert, Kafka, Austen, Dickens, Woolf, Chekhov—and discovers why their work has endured. She takes pleasure in the long and magnificent sentences of Philip Roth and the breathtaking paragraphs of Isaac Babel; she is deeply moved by the brilliant characterization in George Eliot’s Middlemarch. She looks to John Le Carré for a lesson in how to advance plot through dialogue, to Flannery O’Connor for the cunning use of the telling detail, and to James Joyce and Katherine Mansfield for clever examples of how to employ gesture to create character. She cautions readers to slow down and pay attention to words, the raw material out of which literature is crafted.

Written with passion, humor, and wisdom, Reading Like a Writer will inspire readers to return to literature with a fresh eye and an eager heart.
Sharp: A Memoir by David Fitzpatrick from William Morrow is $2.99

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Sharp is the story of a young man who began his life with a loving family and great promise for the future. But in his early twenties, David Fitzpatrick became so consumed by mental illness it sent him into a frenzy of cutting himself with razor blades. In this shocking and often moving book, he vividly describes the rush this act gave him, the fleeting euphoric high that seemed to fill the spaces in the rest of his life. It started a difficult battle from which he would later emerge triumphant and spiritually renewed.

Fitzpatrick’s youth seemed ideal. He was athletic, handsome, and intelligent. However, he lived in fear of an older brother who taunted and belittled him; and in college, his roommates teased and humiliated him, further damaging what sense of self-esteem he still carried with him. As he shares these experiences, Fitzpatrick also recounts the lessons learned from the broken people he encountered during his journey—knowledge that led to his own emotional resurrection.

Sharp also demonstrates the awakening of a writer’s instinctive voice. With prose that is tough and gritty, profound and insightful, Fitzpatrick takes us inside his head while he manically cuts himself, but these episodes are presented with a dignity and insight that has never been seen before. His writing also possesses a lightness of touch that brings humor to a subject that doesn’t naturally provide it.

Above all else, Sharp is a tale of hope, a soul-baring quest of a lost man who returns to himself, overcomes his demons, and reclaims his life. It is destined to become a classic memoir.
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