A little over a day left for nominations...
I'll nominate two more:
The Children's Book by A.S. Byatt, 2009
A spellbinding novel, at once sweeping and intimate, from the Booker Prize–winning author of Possession, that spans the Victorian era through the World War I years, and centers around a famous children’s book author and the passions, betrayals, and secrets that tear apart the people she loves.
When Olive Wellwood’s oldest son discovers a runaway named Philip sketching in the basement of the new Victoria and Albert Museum—a talented working-class boy who could be a character out of one of Olive’s magical tales—she takes him into the storybook world of her family and friends.
But the joyful bacchanals Olive hosts at her rambling country house—and the separate, private books she writes for each of her seven children—conceal more treachery and darkness than Philip has ever imagined. As these lives—of adults and children alike—unfold, lies are revealed, hearts are broken, and the damaging truth about the Wellwoods slowly emerges. But their personal struggles, their hidden desires, will soon be eclipsed by far greater forces, as the tides turn across Europe and a golden era comes to an end.
Taking us from the cliff-lined shores of England to Paris, Munich, and the trenches of the Somme, The Children’s Book is a deeply affecting story of a singular family, played out against the great, rippling tides of the day. It is a masterly literary achievement by one of our most essential writers.
Olive Kitteridge by Elizabeth Strout, 2008
Winner of the Pulitzer Prize for Fiction
At times stern, at other times patient, at times perceptive, at other times in sad denial, Olive Kitteridge, a retired schoolteacher, deplores the changes in her little town of Crosby, Maine, and in the world at large, but she doesn’t always recognize the changes in those around her: a lounge musician haunted by a past romance; a former student who has lost the will to live; Olive’s own adult child, who feels tyrannized by her irrational sensitivities; and her husband, Henry, who finds his loyalty to his marriage both a blessing and a curse.
As the townspeople grapple with their problems, mild and dire, Olive is brought to a deeper understanding of herself and her life–sometimes painfully, but always with ruthless honesty. Olive Kitteridge offers profound insights into the human condition–its conflicts, its tragedies and joys, and the endurance it requires.
Praise for Olive Kitteridge:
“Perceptive, deeply empathetic . . . Olive is the axis around which these thirteen complex, relentlessly human narratives spin themselves into Elizabeth Strout’s unforgettable novel in stories.”
–O: The Oprah Magazine
“Fiction lovers, remember this name: Olive Kitteridge. . . . You’ll never forget her. . . . [Elizabeth Strout] constructs her stories with rich irony and moments of genuine surprise and intense emotion. . . . Glorious, powerful stuff.”
“Funny, wicked and remorseful, Mrs. Kitteridge is a compelling life force, a red-blooded original. When she’s not onstage, we look forward to her return. The book is a page-turner because of her.”
–San Francisco Chronicle
“Olive Kitteridge still lingers in memory like a treasured photograph.”
“Rarely does a story collection pack such a gutsy emotional punch.”
“Strout animates the ordinary with astonishing force. . . . [She] makes us experience not only the terrors of change but also the terrifying hope that change can bring: she plunges us into these churning waters and we come up gasping for air.”
–The New Yorker