Help us choose a book as the January, 2012
eBook for the Mobile Read Book Club. This month we will begin two-tiered voting.
The poll will be open for 4 days, followed by a 3 day run-off poll between the two*
top vote getters. We will start the discussion thread for this book on January 20th.
January is the one month we have no nominations because the winner is chosen from among the runner-ups from the previous 11 months (Feb.-Dec.). 1984
by George Orwell (May's runner-up) is disqualified because it was the August 2009 Mobile Read Book Club Vote winner, and Storm Front
came in second in two months. That leaves us with 9 selections. All voting this month will be visible.
Official choices for the January Runner-Up Selections:
(Feb) Pride and Prejudice
by Jane Austen Inkmesh Search
Plot summary from Amazon:
Pride and Prejudice has delighted generations of readers with its unforgettable cast of characters, carefully choreographed plot, and a hugely entertaining view of the world and its absurdities. With the arrival of eligible young men in their neighborhood, the lives of Mr and Mrs Bennet and their five daughters are turned inside out and upside down. Pride encounters prejudice, upward-mobility confronts social disdain, and quick-wittedness challenges sagacity, as misconceptions and hasty judgments lead to heartache and scandal, but eventually to true understanding, self-knowledge, and love. In this supremely satisfying story, Jane Austen balances comedy with seriousness, and witty observation with profound insight. If Elizabeth Bennet returns again and again to her letter from Mr Darcy, readers of the novel are drawn even more irresistibly by its captivating wisdom.
by G.K. Chesterton
(Apr) A Confederacy of Dunces
by John Kennedy Toole
From Kobo:A green hunting cap squeezed the top of the fleshy balloon of a head. The green earflaps, full of large ears and uncut hair and the fine bristles that grew in the ears themselves, stuck out on either side like turn signals indicating two directions at once."So enters one of the most memorable characters in American fiction, Ignatius J. Reilly. John Kennedy Toole's hero is one, "huge, obese, fractious, fastidious, a latter-day Gargantua, a Don Quixote of the French Quarter. His story bursts with wholly original characters, denizens of New Orleans' lower depths, incredibly true-to-life dialogue, and the zaniest series of high and low comic adventures" (Henry Kisor, Chicago Sun-Times).Ignatius J. Reilly is a flatulent frustrated scholar deeply learned in Medieval philosophy and American junk food, a brainy mammoth misfit imprisoned in a trashy world of Greyhound Buses and Doris Day movies. He is in violent revolt against the entire modern age. Ignatius' peripatetic employment takes him from Levy Pants, where he leads a workers' revolt, to the French Quarter, where he waddles behind a hot dog wagon that serves as his fortress.A Confederacy of Dunces is an American comic masterpiece that outswifts Swift, whose poem gives the book its title. Set in New Orleans, the novel bursts into life on Canal Street under the clock at D. H. Holmes department store. The characters leave the city and literature forever marked by their presences Ignatius and his mother; Mrs. Reilly's matchmaking friend, Santa Battaglia; Miss Trixie, the octogenarian assistant accountant at Levy Pants; inept, bemused Patrolman Mancuso; Jones, the jivecat in spaceage dark glasses. Juvenal, Rabelais, Cervantes, Fielding, Swift, Dickens their spirits are all here. Filled with unforgettable characters and unbelievable plot twists, shimmering with intelligence, and dazzling in its originality, Toole's comic classic just keeps getting better year after year.Released by Louisiana State University Press in April 1980 and published in paperback in 1981 by Grove Press, A Confederacy of Dunces is nothing short of a publishing phenomenon. Turned down by countless publishers and submitted by the author's mother years after his suicide, the book won the 1981 Pulitzer Prize for Fiction. Today, there are over 1,500,000 copies in print worldwide in eighteen languages.
(Jun) The Spy Who Came in from the Cold
by John le Carré
(Jul) A Game of Thrones
by George R. R. Martin
(Aug) Black Rain
by Masuji Ibuse
(Sep/Oct) Storm Front
by Jim Butcher
by Dan Simmons
by Vladimir Nabokov
* Should the first vote produce a 3-way or more tie for first place, or 2-way or more tie for second, the second poll will have more than two choices.
Despite its lascivious reputation, the pleasures of Lolita are as much intellectual as erogenous. It is a love story with the power to raise both chuckles and eyebrows. Humbert Humbert is a European intellectual adrift in America, haunted by memories of a lost adolescent love. When he meets his ideal nymphet in the shape of 12-year-old Dolores Haze, he constructs an elaborate plot to seduce her, but first he must get rid of her mother. In spite of his diabolical wit, reality proves to be more slippery than Humbert's feverish fantasies, and Lolita refuses to conform to his image of the perfect lover.
Playfully perverse in form as well as content, riddled with puns and literary allusions, Nabokov's 1955 novel is a hymn to the Russian-born author's delight in his adopted language. Indeed, readers who want to probe all of its allusive nooks and crannies will need to consult the annotated edition. Lolita is undoubtedly, brazenly erotic, but the eroticism springs less from the "frail honey-hued shoulders ... the silky supple bare back" of little Lo than it does from the wantonly gorgeous prose that Humbert uses to recount his forbidden passion:
She was musical and apple-sweet ... Lola the bobby-soxer, devouring her immemorial fruit, singing through its juice ... and every movement she made, every shuffle and ripple, helped me to conceal and to improve the secret system of tactile correspondence between beast and beauty--between my gagged, bursting beast and the beauty of her dimpled body in its innocent cotton frock.
Much has been made of Lolita as metaphor, perhaps because the love affair at its heart is so troubling. Humbert represents the formal, educated Old World of Europe, while Lolita is America: ripening, beautiful, but not too bright and a little vulgar. Nabokov delights in exploring the intercourse between these cultures, and the passages where Humbert describes the suburbs and strip malls and motels of postwar America are filled with both attraction and repulsion, "those restaurants where the holy spirit of Huncan Dines had descended upon the cute paper napkins and cottage-cheese-crested salads." Yet however tempting the novel's symbolism may be, its chief delight--and power--lies in the character of Humbert Humbert. He, at least as he tells it, is no seedy skulker, no twisted destroyer of innocence. Instead, Nabokov's celebrated mouthpiece is erudite and witty, even at his most depraved. Humbert can't help it--linguistic jouissance is as important to him as the satisfaction of his arrested libido. (Simon Leake Review from Amazon.com)